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Aggiungi una trama nella tua linguaThe story of Jesus' life as told by the apostle John, narrated by Christopher Plummer.The story of Jesus' life as told by the apostle John, narrated by Christopher Plummer.The story of Jesus' life as told by the apostle John, narrated by Christopher Plummer.
- Premi
- 1 vittoria e 3 candidature totali
Paul Alexander Nolan
- Bridegroom
- (as Paul Nolan)
Heinar Piller
- High Official #3
- (as Heinar Pillar)
Recensioni in evidenza
I saw this movie last weekend. The weekend before I saw "Passion of the Christ". The "Gospel of John" is truly a line-by-line presentation of the Gospel of John, and I thought the actors did an excellent job. The movie was top-quality in all aspects, which was a pleasant surprise. Too many past Christian-produced films have been pretty low on the quality standard. Anyway, the best part of this movie is that the spoken dialogue and the narration is actually what's written in the English translation of the Bible, and that is the most important thing here. God says that it's "his word that goes out and does the work it was sent to do", and that "faith comes by hearing, and hearing by the word of God." People don't need to hear opinions, variations, or whatever. The world's full of that stuff, and yes there's a place for it. However, what will be most effective in touching people's hearts is for them to read/hear the word of God, and that is the main reason why this film is most excellent.
Everyone should see this film.
Everyone should see this film.
Perfect for an agnostic, Phillip Seville's three-hour transcription of John the apostle's life of Christ eschews the common cliches of glorification found in the Synoptic Gospels of Matthew, Mark, and Luke; makes Christ human; and presents some convincing evidence for His deity at the same time. `The Gospel of John' does not do a Hollywood makeover of anyone in this film in order to prove that Christ was the Son of God (Mary is older and more wrinkled than she should be), therefore satisfying those undecideds who sometimes claim Him an ordinary man and other times suspect He may be divine.
For sure, He is not the charismatic figure of `The Greatest Story Ever Told' or `King of Kings,' but Saville makes the miracles pervasive enough to coax anyone, even an atheist or Jew, to pause and ponder the possibility.
Because so many are awaiting Mel Gibson's controversial life of Christ with its alleged hard line about the responsibility of the Jews for Christ's death, Saville's version may be interesting by comparison. Because both films show Jews responsible for Christ's death, there should be no wasted time debating responsibility when discussing the difference in the films. The ruling Romans, Pilate in particular, share the decision to crucify Him as well (The film's preamble asserts that crucifixion was a Roman practice).
The adaptation by John Goldsmith from the American Bible Society's `Good News Bible' is faithful to that 1996 colloquial Bible. The actors' Shakespearean delivery echoes many of the previous filmed versions that substitute gravitas for good acting. But a skeptic has to be enchanted by the simple message and the selfishness of the Pharisees and Romans, even though they are unwittingly fulfilling `God's purpose.'
Played by Henry Ian Cusick, Christ has no extraordinary physical features and no exceptional oratorical skill beyond his few poignant homilies and epigrammatic philosophy. Don't look for the grand pronouncements of the Sermon on the Mount; in fact, his repetitious `I speak the truth' has the opposite effect of creating disbelief in listeners wary when anyone has to declaim this more than once.
Yet, His presence changes things: The agnostic or the Jew must take note of the `teacher's' humanity--he also happens to raise people from the dead and change water into wine. It's in those miracles, emphasized by the film, that the mystery of Christ as the Son of God demands the attention of even the most unmovable agnostic or atheist.
Christopher Plummer's narration, intoned with a bit too much respect, gets laughable as he describes all too obvious actions when they are happening at the same time on the screen (`Christ stood up.'). This is not Pasolini's witty, sensual `Gospel According to St. Matthew.' It is a faithful rendering of the fourth gospel in understandable idioms with a feisty Christ different from the usual pacifist with backlighting.
After all, we do base our calendar on the year of the Lord, so somewhere we must come to terms with the arguably most influential religious figure in history. `The Gospel of John' is a place to start.
For sure, He is not the charismatic figure of `The Greatest Story Ever Told' or `King of Kings,' but Saville makes the miracles pervasive enough to coax anyone, even an atheist or Jew, to pause and ponder the possibility.
Because so many are awaiting Mel Gibson's controversial life of Christ with its alleged hard line about the responsibility of the Jews for Christ's death, Saville's version may be interesting by comparison. Because both films show Jews responsible for Christ's death, there should be no wasted time debating responsibility when discussing the difference in the films. The ruling Romans, Pilate in particular, share the decision to crucify Him as well (The film's preamble asserts that crucifixion was a Roman practice).
The adaptation by John Goldsmith from the American Bible Society's `Good News Bible' is faithful to that 1996 colloquial Bible. The actors' Shakespearean delivery echoes many of the previous filmed versions that substitute gravitas for good acting. But a skeptic has to be enchanted by the simple message and the selfishness of the Pharisees and Romans, even though they are unwittingly fulfilling `God's purpose.'
Played by Henry Ian Cusick, Christ has no extraordinary physical features and no exceptional oratorical skill beyond his few poignant homilies and epigrammatic philosophy. Don't look for the grand pronouncements of the Sermon on the Mount; in fact, his repetitious `I speak the truth' has the opposite effect of creating disbelief in listeners wary when anyone has to declaim this more than once.
Yet, His presence changes things: The agnostic or the Jew must take note of the `teacher's' humanity--he also happens to raise people from the dead and change water into wine. It's in those miracles, emphasized by the film, that the mystery of Christ as the Son of God demands the attention of even the most unmovable agnostic or atheist.
Christopher Plummer's narration, intoned with a bit too much respect, gets laughable as he describes all too obvious actions when they are happening at the same time on the screen (`Christ stood up.'). This is not Pasolini's witty, sensual `Gospel According to St. Matthew.' It is a faithful rendering of the fourth gospel in understandable idioms with a feisty Christ different from the usual pacifist with backlighting.
After all, we do base our calendar on the year of the Lord, so somewhere we must come to terms with the arguably most influential religious figure in history. `The Gospel of John' is a place to start.
I have seen "King of Kings", "The Greatest Story Ever Told", "Jesus of Nazareth", "The Jesus Film", "Jesus Christ, Superstar", and now, "The Gospel According to John." This, to me, is the most scriptural presentation so far. The acting was superb considering the actors had to contend with a dialogue that was taken straight out of the Bible. The actor who portrayed Jesus (Cusick) gave a very refreshing portrayal of Jesus, the man. I especially liked it when he smiled! I remember Max von Sydow's and Robert Powell's portrayal of Jesus and they were too "somber"...
It seemed like I was reading the Gospel of John while watching the film. Though the movie was quite long (the gospel account has 21 chapters!),I was never bored.
It seemed like I was reading the Gospel of John while watching the film. Though the movie was quite long (the gospel account has 21 chapters!),I was never bored.
I read about "The Gospel of John" in the newspapers, and the first thing that crossed my mind was, "Why another Jesus movie?" With "The Passion" coming just around the corner, "The Gospel of John" seemed a bit overshadowed by all of the hype Mel Gibson's movie was getting. Still, I did my research, being a fan of Jesus movies, and found some pretty good reviews. I still didn't expect it to be as good as it was, and as soon as I popped the DVD into my TV I was mesmerized for the entire three hours of the movie.
Henry Ian Cusick is absolutely amazing in his role of Jesus Christ. His only competition would be Robert Powell of "Jesus of Nazareth", but Cusick's performance was unlike any I'd seen before (and I've seen "Jesus" the miniseries with Jeremy Sisto, "Jesus" with Brian Deacon, "Matthew" with Bruce Marchiano, "The Greatest Story Ever Told" with Max Von Sydow, "King of Kings" with Jeff Hunter, "The King of Kings" with H.B. Warner, "Jesus of Nazareth" with Robert Powell, and both versions of "Jesus Christ Superstar"). His potrayal of Christ is absolutely effortless, which is even more impressive considering the fact that he's speaking word for word from the book of John. Not only does he do wonders with the script, but his overall interpretation of Jesus is unique and, for me, very inspiring. Cusick's Christ knows his mission and carries it out with determination, and, most of all, authority; but this doesn't hold back his human side either, and he is very believable as a loving, caring Christ (the single tear running down his face during the raising of Lazarus was so touching and convincing that it made ME cry). Some may believe that his attitude toward the Pharisees was harsh, and I'll admit that I was a bit taken back when he raised his voice more than once throughout the movie-- but as it progresses, his emotions seem appropriate for someone desperately trying to teach a message of salvation that no one seems to want to accept.
The special effects were very well-done. The scene where Jesus is walking on the water is finally convincing...
The only problem I had with the movie was that it seemed to shy away from the crucifixion. I was a bit disappointed at the way the movie zipped through one of the most crucial parts of the Gospel, especially with Cusick's passionate performance throughout the first couple of hours of the movie. The end result is about two hours and thirty minutes of beautiful cinematography and brilliant acting, and a really "blah" finale. The directors really missed the chance to make an impression by failing to utilize the most dramatic part of Christ's life. Cusick could have worked wonders with it.
As for the rest of the cast, each member was perfect. Even the minor roles were believable-- the Pharisees and the people on the street gave very in-depth, and occassionally passionate, performances.
"The Gospel of John" was one of the best potrayals of Christ I have ever seen. I highly recommend it, and just a heads up--the "Special Features" addition to the DVD set is a great bonus!
Henry Ian Cusick is absolutely amazing in his role of Jesus Christ. His only competition would be Robert Powell of "Jesus of Nazareth", but Cusick's performance was unlike any I'd seen before (and I've seen "Jesus" the miniseries with Jeremy Sisto, "Jesus" with Brian Deacon, "Matthew" with Bruce Marchiano, "The Greatest Story Ever Told" with Max Von Sydow, "King of Kings" with Jeff Hunter, "The King of Kings" with H.B. Warner, "Jesus of Nazareth" with Robert Powell, and both versions of "Jesus Christ Superstar"). His potrayal of Christ is absolutely effortless, which is even more impressive considering the fact that he's speaking word for word from the book of John. Not only does he do wonders with the script, but his overall interpretation of Jesus is unique and, for me, very inspiring. Cusick's Christ knows his mission and carries it out with determination, and, most of all, authority; but this doesn't hold back his human side either, and he is very believable as a loving, caring Christ (the single tear running down his face during the raising of Lazarus was so touching and convincing that it made ME cry). Some may believe that his attitude toward the Pharisees was harsh, and I'll admit that I was a bit taken back when he raised his voice more than once throughout the movie-- but as it progresses, his emotions seem appropriate for someone desperately trying to teach a message of salvation that no one seems to want to accept.
The special effects were very well-done. The scene where Jesus is walking on the water is finally convincing...
The only problem I had with the movie was that it seemed to shy away from the crucifixion. I was a bit disappointed at the way the movie zipped through one of the most crucial parts of the Gospel, especially with Cusick's passionate performance throughout the first couple of hours of the movie. The end result is about two hours and thirty minutes of beautiful cinematography and brilliant acting, and a really "blah" finale. The directors really missed the chance to make an impression by failing to utilize the most dramatic part of Christ's life. Cusick could have worked wonders with it.
As for the rest of the cast, each member was perfect. Even the minor roles were believable-- the Pharisees and the people on the street gave very in-depth, and occassionally passionate, performances.
"The Gospel of John" was one of the best potrayals of Christ I have ever seen. I highly recommend it, and just a heads up--the "Special Features" addition to the DVD set is a great bonus!
I have seen all the Jesus movies and all are a little bit too stylized. This movie I felt was real. It is verbatim, and it shows what the day to day living was like for Jesus and his times. I especially liked the carpenter scene. I have always believed that Jesus was as an ordinary man until the time was right. That he would have had to work for a living. That he would have fulfilled all of his father's commands, including the one which state that we had to toil for our bread. I felt the frustration but loving patience of our Lord, as he tried to convince his people, the Jews, that he was the one and that their hour was now. He succeeded in splitting the Jews into believers and non-believer and that condition exist to this day not only for them but for all who hear the message. Jesus is personal and approachable. I am looking forward to the PASSION, since this movie is about the last 12 hours of Jesus's life amongst us. To be told in a 3 hour movie also. I just hope the Gospels are all made an illustrated with the beauty, simplicity, faithfulness and Love of this movie.
Lo sapevi?
- QuizThe dialog follows the Good News Bible, word for word, in sequential order from beginning to end.
- BlooperAfter Jesus performs his first miracle of turning the water into wine at the wedding feast, he pours the wine into what appears to be a plastic cup (to help us see the color of what was water). Actually, colorless glass has been around since approximately the 9th century BC.
- Citazioni
Jesus Christ: A person who has had a bath needs only to wash his feet; his whole body is clean, and you are all clean, all except one.
- ConnessioniFollows The Visual Bible: Matthew (1993)
- Colonne sonoreSymphony No.5
Music by Valentin Silvestrov
Performed by The Ural Philharmonic Orchestra
Conducted by Andrey Boreyko
Produced by Megadisc
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- How long is The Gospel of John?Powered by Alexa
Dettagli
- Data di uscita
- Paesi di origine
- Lingua
- Celebre anche come
- The Gospel of John
- Luoghi delle riprese
- Tabernas, Almería, Andalucía, Spagna(Cave scene)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 10.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 4.069.090 USD
- Fine settimana di apertura Stati Uniti e Canada
- 98.363 USD
- 28 set 2003
- Lordo in tutto il mondo
- 4.078.741 USD
- Tempo di esecuzione3 ore
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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What is the Spanish language plot outline for The Visual Bible: The Gospel of John (2003)?
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