VALUTAZIONE IMDb
5,9/10
62.222
LA TUA VALUTAZIONE
Separati da una recinzione del giardino e da una faida, sono gnomi blu da un lato e gnomi rossi dall'altro.Separati da una recinzione del giardino e da una faida, sono gnomi blu da un lato e gnomi rossi dall'altro.Separati da una recinzione del giardino e da una faida, sono gnomi blu da un lato e gnomi rossi dall'altro.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 12 candidature totali
James McAvoy
- Gnomeo
- (voce)
Emily Blunt
- Juliet
- (voce)
Ashley Jensen
- Nanette
- (voce)
Matt Lucas
- Benny
- (voce)
Jim Cummings
- Featherstone
- (voce)
Jason Statham
- Tybalt
- (voce)
Ozzy Osbourne
- Fawn
- (voce)
Stephen Merchant
- Paris
- (voce)
Dolly Parton
- Dolly Gnome
- (voce)
Julia Braams
- Stone Fish
- (voce)
- (as Julia Brams)
Recensioni in evidenza
No other writer lends himself to so many different film interpretations as William Shakespeare, whose plays have spawned musicals (West Side Story), teen comedies (10 Things I Hate About You), even cartoons (though not credited as such, Hamlet is an obvious source of inspiration for The Lion King). The latter genre is used again for a peculiar take on Romeo and Juliet, put together with CGI under Disney's Touchstone banner.
The film takes place in the present day, where Montague and Capulet no longer are two warring families, but simply two next-door neighbors who just don't get along. This animosity is also found in their adjacent gardens, where the gnomes, much like the toys in Toy Story, come to life when no one's watching. The blue gnomes, led by Lady Blueberry (Maggie Smith), belong to Mrs. Montague, while Lord Redbrick (Michael Caine) and his red acolytes belong to Mr. Capulet. Their mission is to find new ways to make the enemy garden look bad, and it all goes well - so to speak - until a full-scale war erupts, and star-crossed lovers Gnomeo (James McAvoy) and Juliet (Emily Blunt) find themselves caught in the middle...
The material is an unusual choice for Disney, which traditionally favors straightforward adaptations of popular stories (albeit with necessary alterations) over postmodern riffs that combine tribute and spoof. This take on Shakespeare's tragedy would probably be better suited for a Dreamworks treatment, as they make no mystery of having older audiences in mind. Disney, on the other hand, is torn between pandering to younger viewers and giving Bard aficionados the fun yet intelligent picture they crave and deserve. Sure, there are in-jokes galore (the house numbers 2B and Not 2B are the standout), but the third act is particularly underwhelming, with too much screen-time for the mandatory talking animal sidekick (an annoying flamingo, voiced by Disney mainstay Jim Cummings) and a climax that has inevitably been altered - presumably - to keep the kids from crying.
When it works, however, Gnomeo & Juliet is an absolute joy: the opening send-up of the play's prologue set the tone quite nicely, Elton John's contribution to the soundtrack is faultless, and the voice cast is a hoot. Aside from the filmmakers having the nerve of putting Jason Statham and Ozzy Osbourne in the same film as Smith and Caine (surely a once in a lifetime kind of thing), the idea of incorporating Shakespeare himself as a character (voiced by Patrick Stewart) and having him criticize the film's plot detours is the self-mocking stroke of genius there should be more of throughout the movie.
All in all, this is a nice little film that is worth watching for entertainment value. It suffers from some lazy writing and questionable gags (shouldn't the Terrafirminator be voiced by Arnold Schwarzenegger instead of Hulk Hogan?), but it contains enough Shakespearean wit and invention to make for a fun 82 minutes.
The film takes place in the present day, where Montague and Capulet no longer are two warring families, but simply two next-door neighbors who just don't get along. This animosity is also found in their adjacent gardens, where the gnomes, much like the toys in Toy Story, come to life when no one's watching. The blue gnomes, led by Lady Blueberry (Maggie Smith), belong to Mrs. Montague, while Lord Redbrick (Michael Caine) and his red acolytes belong to Mr. Capulet. Their mission is to find new ways to make the enemy garden look bad, and it all goes well - so to speak - until a full-scale war erupts, and star-crossed lovers Gnomeo (James McAvoy) and Juliet (Emily Blunt) find themselves caught in the middle...
The material is an unusual choice for Disney, which traditionally favors straightforward adaptations of popular stories (albeit with necessary alterations) over postmodern riffs that combine tribute and spoof. This take on Shakespeare's tragedy would probably be better suited for a Dreamworks treatment, as they make no mystery of having older audiences in mind. Disney, on the other hand, is torn between pandering to younger viewers and giving Bard aficionados the fun yet intelligent picture they crave and deserve. Sure, there are in-jokes galore (the house numbers 2B and Not 2B are the standout), but the third act is particularly underwhelming, with too much screen-time for the mandatory talking animal sidekick (an annoying flamingo, voiced by Disney mainstay Jim Cummings) and a climax that has inevitably been altered - presumably - to keep the kids from crying.
When it works, however, Gnomeo & Juliet is an absolute joy: the opening send-up of the play's prologue set the tone quite nicely, Elton John's contribution to the soundtrack is faultless, and the voice cast is a hoot. Aside from the filmmakers having the nerve of putting Jason Statham and Ozzy Osbourne in the same film as Smith and Caine (surely a once in a lifetime kind of thing), the idea of incorporating Shakespeare himself as a character (voiced by Patrick Stewart) and having him criticize the film's plot detours is the self-mocking stroke of genius there should be more of throughout the movie.
All in all, this is a nice little film that is worth watching for entertainment value. It suffers from some lazy writing and questionable gags (shouldn't the Terrafirminator be voiced by Arnold Schwarzenegger instead of Hulk Hogan?), but it contains enough Shakespearean wit and invention to make for a fun 82 minutes.
Gnomeo (James McAvoy) is a blue gnome, and Juliet (Emily Blunt) is a red gnome from next door. Neither side gets along including the human owners. One night, Gnomeo and Juliet meet and they fall in love before they realize they're on opposite sides. Now they must deal with their battling families.
It's an animated story of Romeo and Juliet produced by Elton John. It's notable for the many Elton John songs. However there isn't much truly funny moments. The comic relief lack real comedy. And the lead voices don't have anything special. They make the mistake of using their regular voices. They really need to develop their cartoon voices. The story is fair and watchable. It doesn't have the memorable characters needed.
It's an animated story of Romeo and Juliet produced by Elton John. It's notable for the many Elton John songs. However there isn't much truly funny moments. The comic relief lack real comedy. And the lead voices don't have anything special. They make the mistake of using their regular voices. They really need to develop their cartoon voices. The story is fair and watchable. It doesn't have the memorable characters needed.
When I first saw trailers for "Gnomeo & Juliet", I groaned at the thought: Romeo and Juliet as told by garden gnomes? Really? Aside from the obvious absurdity of the concept, I wondered exactly how faithfully they'd stick to the story. The ending of Shakespeare's original story would prove awfully dark for the young audiences that would be naturally drawn to this.
So, with these reservations in mind I saw the film last night with my 7 and 10 year old daughters, and found myself enjoying the movie much more than I expected to. Is the concept absurd? Sure, but the writers made plenty of clever use of that absurdity, with some great sight gags and setups.
I won't go into detail on the issue of the original's dark ending, but the writers here found a sly way to acknowledge that original ending without having to actually incorporate it in this loose remake.
Elton John is credited as an Exec Producer (and his partner David Furnish has a Producer credit as well). The movie makes liberal use of EJ's music, generally to good effect.
And my daughters both loved it. Great family fare.
So, with these reservations in mind I saw the film last night with my 7 and 10 year old daughters, and found myself enjoying the movie much more than I expected to. Is the concept absurd? Sure, but the writers made plenty of clever use of that absurdity, with some great sight gags and setups.
I won't go into detail on the issue of the original's dark ending, but the writers here found a sly way to acknowledge that original ending without having to actually incorporate it in this loose remake.
Elton John is credited as an Exec Producer (and his partner David Furnish has a Producer credit as well). The movie makes liberal use of EJ's music, generally to good effect.
And my daughters both loved it. Great family fare.
In the beautiful British town of Stratford-Upon-Avon there's a street where the owners of two neighbouring houses have no idea of the rich lives being led in their backyards. In these backyards there are two groups of garden gnomes - one garden is ruled by the blue hatted variety, the other is ruled by the red hatted variety. An age old feud - of which the reason has long since been forgotten - is keeping them apart, but unexpected events might just be enough to get them back together again.
Loosely based on the Shakespearean tragedy Romeo And Juliet this animation film keeps the middle line between tragicomedy and romance. Like many animation films being made these last years it combines fun things for kids with fun things for adults - without hurting either group (the innuendo that is fun for adults is not seen by kids whose innocence protects them from it, the deviation from the original tales to make it fun for kids is not so warped that it makes it unrecognisable for them parents).
The animation is great - the gnomes and the gardens are just lovely to watch. The setting with gnomes is flawless - the sounds, the implications of being a garden gnome - it works out really well.
If there would be one bit of negativity for this film it is that its trailer is a bit too biased towards an audience that wants to see romance instead of a bit of light comedy.
8 out of 10 midsummer night's dreams
Loosely based on the Shakespearean tragedy Romeo And Juliet this animation film keeps the middle line between tragicomedy and romance. Like many animation films being made these last years it combines fun things for kids with fun things for adults - without hurting either group (the innuendo that is fun for adults is not seen by kids whose innocence protects them from it, the deviation from the original tales to make it fun for kids is not so warped that it makes it unrecognisable for them parents).
The animation is great - the gnomes and the gardens are just lovely to watch. The setting with gnomes is flawless - the sounds, the implications of being a garden gnome - it works out really well.
If there would be one bit of negativity for this film it is that its trailer is a bit too biased towards an audience that wants to see romance instead of a bit of light comedy.
8 out of 10 midsummer night's dreams
I had initially heard good stuff about this animated movie, so I decided to give it a go! The story, well sure it is loosely based on the Romeo & Juliet story, but it is more than just that. There is also a bunch of comedy in the story, along with some really interesting characters.
The CGI animation looked really cool and were nicely made. Lots of really great details in the scenes and the in each characters. It was obvious that lots of efforts had been put into this.
As for the best part of the movie, well that would simply have to be the list of voice actors/actresses. Holy moly! There is such a bunch of really good names on this list, James McAvoy, Emily Blunt, Michael Caine, Jason Statham, Patrick Stewart and a bunch others. There were also some really cool cameo appearances by Hulk Hugan and Ozzy Osbourne.
That being said, then the movie was somewhat shallow. Sure it had enough entertainment value for one watching, but I doubt it highly that I will ever be watching this movie ever again. For an animation of 2011 it didn't quite reach up to the likes such as "How to Train Your Dragon", "Megamind" or "Despicable Me". The movie is beautifully made, but it just lacks something vital.
A good enough movie for an evening of entertainment, but it is about as far as it goes.
The CGI animation looked really cool and were nicely made. Lots of really great details in the scenes and the in each characters. It was obvious that lots of efforts had been put into this.
As for the best part of the movie, well that would simply have to be the list of voice actors/actresses. Holy moly! There is such a bunch of really good names on this list, James McAvoy, Emily Blunt, Michael Caine, Jason Statham, Patrick Stewart and a bunch others. There were also some really cool cameo appearances by Hulk Hugan and Ozzy Osbourne.
That being said, then the movie was somewhat shallow. Sure it had enough entertainment value for one watching, but I doubt it highly that I will ever be watching this movie ever again. For an animation of 2011 it didn't quite reach up to the likes such as "How to Train Your Dragon", "Megamind" or "Despicable Me". The movie is beautifully made, but it just lacks something vital.
A good enough movie for an evening of entertainment, but it is about as far as it goes.
Lo sapevi?
- QuizThe name of the pink lawn flamingo, "Featherstone", is an homage to the creator of the original pink flamingo lawn ornament, Don Featherstone. All official pink flamingos now carry Don Featherstone's signature on the bottom of the bird.
- BlooperWhen Featherstone starts to reflect on the memory of his mate, the female flamingo is on the left, however, when the moving van arrives to move the female, the female flamingo is on the right.
- Citazioni
Red Good Gnomes: [First Lines] The story you are about to see has been told before. A lot.
- Curiosità sui creditiThe end credits come with animated backdrops.
- Versioni alternativeAlso released in a 3D version.
- ConnessioniFeatured in Breakfast: Episodio datato 2 febbraio 2011 (2011)
- Colonne sonoreCrocodile Rock
Written by Elton John and Bernie Taupin
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Dettagli
Botteghino
- Budget
- 36.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 99.967.670 USD
- Fine settimana di apertura Stati Uniti e Canada
- 25.356.909 USD
- 13 feb 2011
- Lordo in tutto il mondo
- 193.967.670 USD
- Tempo di esecuzione1 ora 24 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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