Un giorno senza messicani

OK, so it wasn't some blockbuster that had a chance at an Oscar, but it did win a couple of awards at film festivals. You won't see brilliant acting or compelling dialog, but it was worth watching just to bring into focus the contributions of Latinos to our daily lives and our economy.

You may be feeding on a steady diet of Lou Dobbs' anti-immigration screed and not realize just how important Latinos are to the United States. Their contribution to out food supply and their presence in every aspect of our lives, not to mention the great Latino actors that we would miss.

It was the documentary part of this mocumentary that was satisfying and worthwhile. Check it out on the tube - you won't be disappointed; and you'll get a few laughs with your information.

Sergio Arau's satire "A Day Without a Mexican" takes a poignant look at something that has been in the news lately. Mr. Arau's new take on the theme he has explored already, give us a vision about how inter connected we are in this country. This movie will resonate more with people from California. Mexicans in that state account for most of the immigrants, illegal, or otherwise.

We are given the premise that a fog is enveloping the state and all Mexicans have disappeared into it. The Anglos, so dependent for much of the work from Mexicans don't seem to be coping well when the reality about having to do something they take for granted will be done by their Mexican workers.

Yareli Arizmendi and Eduardo Palomo do fine work under Mr. Arau's direction.

I just finished watching A Day Without a Mexican, so my comments are fresh.

As some other reviewers have mentioned, this film had the potential to be much more in terms of social commentary. The fact that it went in a comedic direction isn't bad in itself, it's just the execution of everything seemed so flawed.

There were chances to make statements, and to be relevant; one can still do that while still being funny. It's just -- I never laughed during the entire film, and I never felt as if any point was driven home, so it failed both goals.

I won't call this a bad film, but it's certainly not worth the $4 rental fee. If it shows up on TV for free, go ahead and watch it, otherwise find something else to spend your money on. Stereotypes can be used to convey a serious message (see Hollywood Shuffle), however I'm not sure what this film's message really was. Was it that Mexicans are a cheap economic revenue? That they're our maids, and token love interests?

As for bad acting, I can get over that. The problem is with the script. The initial idea sounds great, but the initial idea needs followed up with original and clever thought; that's where this film went downhill quickly.

There are times when you just have to take a movie for what it is- a movie. Instead of worrying about racism and social commentary-enjoy the idea of the movie. I liked the movie as a whole because it had an original idea for a script. It gives you an idea of what an important role each of us plays in this big old world we live in. At the very least, the music can be appreciated. It was diverse, appropriate, and fun to listen to. It wasn't the best movie I've ever seen, but if you've ever lived in Southern California, this movie will make you laugh (at least a couple of times). And if your really lucky, it will also broaden your mind.

Sergio Arau is a Mexican artist whose main work has been done in the field of visual arts and in music, but in 1998 he along with his wife Yareli Arizmendi, wrote and directed a short comedy named "A Day Without a Mexican", a fake documentary chronicling the fictitious events that happened in California when suddenly all the Hispanic people disappeared without any reason. Their fake documentary was a satire about U.S. immigrant policy and the unfair treatment the Hispanic immigrants received. Their work was well received but the couple decided to take their message to the main audience by turning their short film into a feature length film.

Like Arau's original short, the movie's premise is that for strange circumstances all the Hispanic immigrants (not only Mexicans) disappear of the state of California and the state is surrounded by a mysterious fog that isolates the people leaving them without the work that Hispanics usually do. The movie chronicles the events happening in that situation and showcases how important are the immigrants for the development of California.

Writer Yareli Arizmendi plays Lila, a reporter hired for her Latin looks who later becomes the center of the attention as she becomes "the last Latin in California". John Getz plays Senator Steven Abercombie III, an anti-immigrant politician who becomes governor of California after the actual Governor disappears due to Hispanic heritage. Muse Watson is Louis McClaire, owner of a ranch who understands the importance of the immigrant's work but who has to deal with his overtly patriotic and racist son George (Bru Muller).

These three main stories as well as other minor subplots get together to showcase different situations of the immigrants in California. Arau mixes "interviews with experts" giving opinions on the Hispanics disappearance and noticing the importance of their presence for the country. Using comedy as a medium to deliver his message, Arau's film delivers good laughs and flows smoothly most of the time, however, at times it is notorious that the project started as a short as there are scenes that seem to be shot only to reach the runtime of a feature length film.

Being a music video director before, Arau can't help but to display the influences of his previous work, giving the movie a modern albeit a bit MTV-like look. Also, the movie has been severely criticized for its highly fictitious premise. While this criticism is valid in the sense that the unexplained disappearance and the comedic tone do diminish the importance of the subject matter, Arau makes his point clear despite the flawed conception of his plot.

The acting is good on the main roles, but the apparently undeveloped script makes it look a bit forced at times. Arizmendi and Getz shine in their respective roles and without a doubt they are the driving force of the film. The rest of the cast is also good, but nothing spectacular. This in my opinion is due to the lack of details in the script that leaves some characters at a very shallow stereotypical level.

"A Day without a Mexican" may not be subtle in its approach, and probably it forces its message a bit too much, but still raises very important points and delivers its message without problems. The Arau couple had a brilliant idea and raised very good points, however, the film still feels as if it could had been better. Hopefully the couple will continue making films that will be better than this first attempt. 7/10. Interesting film.