Disincantato dall'industria cinematografica, Chili Palmer tenta l'industria della musica, incontrando e facendo il romanticismo di una vedova di un dirigente musicale in arrivo.Disincantato dall'industria cinematografica, Chili Palmer tenta l'industria della musica, incontrando e facendo il romanticismo di una vedova di un dirigente musicale in arrivo.Disincantato dall'industria cinematografica, Chili Palmer tenta l'industria della musica, incontrando e facendo il romanticismo di una vedova di un dirigente musicale in arrivo.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 13 candidature totali
- Elliot Wilhelm
- (as The Rock)
- Sin LaSalle
- (as Cedric the Entertainer)
- Dabu
- (as André Benjamin)
- Darryl
- (as GregAlan Williams)
Recensioni in evidenza
Some movies play with this idea, and "Get Shorty" was one of the most clever of these.
It had two elements: that notion of acting cool and the explicit self-reference of putting it in movies, complete with the command to "look at me."
Behind it was one of the coolest thinkers in cinema, Danny Devito who is a kind of patron saint of self-reference. He who made a film based on "Pale Fire" and whose "Death to Smoochy" is a pinnacle of sorts of introspective writing.
Now comes this, which starts out okay, along the same lines of heavy self-reference until we learn that Devito is to star in a biopic of Johnny Cash.
Then the grind of the inferior mind behind it begins.
Seems they had some idea that Uma Thurman fit into an intelligent enterprise somewhere.
Nope, none of the few things she can do fit into self-reference or folding in any way.
Seems they decided that a mere reference to performance wasn't enough, we had to have the whole pretty-girl-overcomes-adversity thing complete with several performances.
Nope, again.
And they figured that all the cool identity stuff would be carried by a white guy acting black and a black guy acting white.
Nope, nope , nope.
Go watch any Devito-inspired project rather than this.
Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
Getting all the characters on-screen spread them all out a little bit thin, with some barely getting any screen time at all. Most of the better characters got more screen time than I thought they would have. Thankfully, the great chemistry between Vince Vaughn and The Rock gets quite a bit of screen time. Another newcomer who delivers a surprising performance is André Benjamin, or André 3000 as Dabu. Dabu is one of the many in Sin LaSalle's (Cedric The Entertainer) entourage, along with many very large men.
There are many more actors and actresses in this cast but the best characters were those mentioned above. Dustin Hoffman pulled off a great performance, as usual, but even he seemed overshadowed by the rest of the cast. Uma Thurman, Steven Tyler, Danny DeVito, James Woods, Harvey Keitel and many others round off this great cast. I doubt all these actors would commit to something as horrible as we are all led to believe.
The Rock is starting to branch out with his acting range. His big gay bodyguard routine was hilarious, as I doubt I'll ever forget his rendition of "You're Not Woman Enough To Take My Man". Rock and Vince Vaughn as the wannabe pimp complimented each other perfectly and along with Cedric, they are the highlights of the movie. Also, Christina Milian looks to be one of the hotter new actresses on her way up and I was impressed by what I assume was her lip-syncing performance with Steven Tyler. Look for her to be around for awhile.
This was a large cast and, for the most part, they all held their own. My honest review is that this movie is better than it is being given credit for, possibly due to the incredible amount of hype put into it, turning many viewers against it. I went into this movie with an open mind and not expecting a great movie and I came out entertained. Because of this, I can recommend this movie with a clear conscience.
More characters are introduced in "Be Cool" and they are more outrageous. Actors such as Vince Vaughn, The Rock, Cedric the Entertainer, and Andre, bring some good flavor to the movie. Just like with "Get Shorty", there are other sub-plots that all tie together into the main plot and main character. The movie has more-or-less a similar theme and flow to it as "Get Shorty". I think there were a few more funny parts in "Be Cool", but it lacked the originality of "Get Shorty."
I noticed that there was a different director for this project. His resume' isn't that long, but he has done "Friday", "The Negotiator","The Italian Job", and he is on "The Brazilian Job" project. These weren't that bad, nor was "Be Cool". If he continues to improve from here, he will wind up with a very nice career.
The problem here is two fold. First the film has a running gag about hating sequels, which would be fine if it was just a joke and didn't extend to the film making. Few of the actors in this film seem to be doing more than walking through the film for the cash or as a joke and it shows. The second problem is that there is way way too much going on and way too many people doing it. It seems to me that every time that someone of note shows up the movie has to stop to give them their couple of minutes on screen. Usually the material is decent, but it slows the pace down. I kept wanting to speed things up.
That said I did like the film, but regret having paid movie theater prices to do so. This is a rental, not something you pay ten bucks to see. If you get the chance to rent it or see it on cable give it a shot. Just don't expect an equal to Get Shorty.
Lo sapevi?
- QuizJohn Travolta suggested Uma Thurman for the role of Edie, wanting to re-create their chemistry from Pulp Fiction (1994).
- BlooperWhen Chili meets Steven Tyler after the basketball match, Tyler can be seen mouthing other actors' lines.
- Citazioni
Sin LaSalle: Have you lost your mind? I mean, how is it that you can disrespect a mans ethnicity when you know we've influenced nearly every facet of white America... from our music to our style of dress. Not to mention your basic imitation of our sense of cool; walk, talk, dress, mannerisms... we enrich your very existence, all the while contributing to the gross national product through our achievements in corporate America. It's these conceits that comfort me when I am faced with the ignorant, cowardly, bitter and bigoted, who *have* no talent, no guts? people like you who desecrate things they don't understand when the truth is - you should say thank-you, man? and go on about your way. But apparently you are incapable of doing that! So...
[shoots his gun]
Sin LaSalle: ... and don't tell me to be cool. I *am* cool!
- Curiosità sui creditiIn the closing credits, the various cast members are seen dancing, even the Russian "corpse".
- ConnessioniEdited into Summertime - Sole, cuore... amore (2005)
- Colonne sonoreSexy
Written by Antonio Carlos Jobim, Vinicius de Moraes, Will.i.am (as Will Adams)
Performed by The Black Eyed Peas
Courtesy of A&M Records
Under License from Universal Music Enterprises
I più visti
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Tómalo con calma
- Luoghi delle riprese
- Canter's Deli - 419 N Fairfax Ave, Los Angeles, California, Stati Uniti(Raji's meeting with Joe Loop)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 53.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 56.046.979 USD
- Fine settimana di apertura Stati Uniti e Canada
- 23.450.212 USD
- 6 mar 2005
- Lordo in tutto il mondo
- 95.763.716 USD
- Tempo di esecuzione
- 1h 58min(118 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1