Shameless

Co-written by the writer behind 'Clocking Off', This is one the most stand-out, must-see series British television has produced. The exploits of the Gallagher family are no-holds-barred and guaranteed to either offend the viewer, or cause them to slide off their chair and roll around the floor, laughing their behinds off.

Or both.

If you're offended by social depravity, bad hygiene, lawlessness, homosexuality, heterosexuality - any kind of sexuality, or Mancunians then be warned. If not then watch this comedy/drama and prepare to laugh like a drain.

unbelievably well thought out drama. the grim setting against a council estate in manchester is juxtaposed brilliantly with the warmth of the characters, who are fantastically well-acted. the story lines are well thought out and the issues well-observed. and it's so bloody funny. i've never been taken by soaps, every one has left me cold apart from shameless. but this here, this is eastenders for a new generation. quality quality quality. so much so that it has inspired my first (and no doubt last) post on this forum. two last points: do not listen to the one negative review. look at his/her profile. every review out of hundreds is negative. does this person not have anything better to do that sit about whinging about things? secondly, great to see some American shameless fans. there are some out there that 'get it'. spread the word my friends. and to the big American corps... by all means take the name and the concept and do your own thing with it. that's just more money in channel 4's pocket to keep on producing masterpieces such as this. i salute you channel 4.

Never watched this until now. I'm pleasantly surprised because I thought it would be something I would have on in the background while I was on my phone. Turns out I really like the characters! Some good actors in the programme and likeable characters. Mostly all abit fantastical but fun nonetheless. You get to love the characters and feel joy and sadness with them, feel like you know them. Lots of stuff happening all the time, people coming and going. David threllfall is very good.

From the very first episode you will be drawn into the lives of each of the principal characters - warts and haloes and all. Each is fully realized with a light and dark side, shown incrementally and alternately through their actions and their reluctantly expressed concerns. The story lines are both outrageous and – once you spend a few minutes with this family – absolutely believable, and move at an enervatingly brisk while gratifyingly even pace. I'm so glad I found out about it when Series II had already completed, and could enjoy it from episode 1.1 through the end of series II. While it seems evident that Series III will commence with casting changes, this production is so incredibly well planned (unlike most U.S. series - Lost, I'm looking at you) that the story arc girds you quite well for even fundamental shifts, and instills great anticipation. The show addresses immediate, on-the-ground social issues like complacency vs. poverty, avarice vs. honor, cheating vs. work (and stealing vs. profit), lust vs. love, and 9 times out of 10 the virtuous parts of humanity are exemplified and enjoyed (but always with the other side engaged and/or confronted in the process). That 10th time is where Frank comes in. Paul Abbott is a brave artist, a brave man, and a brave son. Never has such a reluctant father been so well-realized and so generously presented. Now. When do we get Series III?

I'm not a great authority on this, as I hardy watch TV any more. If they came up with more stuff like this, I would be addicted to the Box. Fantastic script, characters and acting and the funniest, freshest British made comedy I've seen since Spaced and (to a slightly lesser extent) The League of Gentlemen.

Although I come from the north of England and lived in Manchester for two years and therefore, through direct association, find I can relate very naturally to this humour, it must surely transcend 'northern' taste and appeal, in the same way that Phoenix Nights did, to absolutely anybody who sees it.

It's no wonder Channel 4 are taking the unusual step of running the whole series again, as I think media interest/hype came too late this time round. It's the only British thing to come remotely close to challenging the HBO stable (6ft Under/S.A.T.C) stuff that has attracted TV's biggest plaudits in this last 4/5 years. I think it will go down as being an important landmark in British comedy broadcasting and gain cult status for years to come.

Commissioning a series two is a must - it was just hitting full speed last night with the closing episode of this first run.