Aggiungi una trama nella tua linguaBased on the true story of the rescue of Private Jessica Lynch, by the United States army, in Iraq.Based on the true story of the rescue of Private Jessica Lynch, by the United States army, in Iraq.Based on the true story of the rescue of Private Jessica Lynch, by the United States army, in Iraq.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 candidature totali
Dak Rasheta
- Sgt. James Riley
- (as Dak Rashetta)
Recensioni in evidenza
Saving Jessica Lynch - Please! Ms. Lynch did nothing spectacular. She was just another POW.
How many POWs have their been in the history of war and
statecraft? Where are their movies? Where are their stories? Why
does Lynch get painted as the American Sweetheart. I'll tell you why. It's all part of the pathetic excuse of U.S.
propaganda to try to justify an illegal war. Where are the so-called
weapons of mass destruction? The only reason the U.S. invaded
Iraq is because George W. Bush is a coward. Out of his so-called
"Axis of Evil," Iraq is the weakest. They have been under heavy U.S.
sanction since the Gulf War. How could they create weapons of
mass destruction? They can't. Plain and simple. Why not go after
Iran or North Korea? Iran is an unknown and the North Koreans
would kick America's ass. They don't care about the U.S. Hell,
they'd shoot nukes at the Americans. The U.S. knows if they go
against the North Koreans, then the Chinese get involved and the
Americans don't want to f--k with the Chinese.
How many POWs have their been in the history of war and
statecraft? Where are their movies? Where are their stories? Why
does Lynch get painted as the American Sweetheart. I'll tell you why. It's all part of the pathetic excuse of U.S.
propaganda to try to justify an illegal war. Where are the so-called
weapons of mass destruction? The only reason the U.S. invaded
Iraq is because George W. Bush is a coward. Out of his so-called
"Axis of Evil," Iraq is the weakest. They have been under heavy U.S.
sanction since the Gulf War. How could they create weapons of
mass destruction? They can't. Plain and simple. Why not go after
Iran or North Korea? Iran is an unknown and the North Koreans
would kick America's ass. They don't care about the U.S. Hell,
they'd shoot nukes at the Americans. The U.S. knows if they go
against the North Koreans, then the Chinese get involved and the
Americans don't want to f--k with the Chinese.
I came away from this film the same way as I do when I watch a Second World War film or documentary about the war on the Eastern front in which the Germans are fighting the Russians. The Germans were invaders and were ruthless yet the Russians were equally as bad and they were just defending their homeland against an aggressive invader so just let them all fight and kill each other (which they pretty much did). In viewing this I could not find myself cheering for the U.S. Troops or feeling sorry for them when they came under attack from the Iraqis. It makes no difference if the U.S. said that what they were doing was right and just and were there as liberators (The Germans said the same thing) . The U.S. waged an aggressive unprovoked war under what could very well be false pretenses. Additionally as the mess in Iraq continues it was hard to really enjoy the film. Have we won? Have we lost? It's way to early to say and it was way to early to make a picture about this. Much of what really happened and took place may not be known for some time and when the full story finally does come out as they all eventually do when it comes to war stories it may make this picture seem hypocritical, foolish and totally phony. If you want to see another film about a controversial U.S. war that was made while the real war was still being waged then check out John Wayne in The Green Berets.
5dh_1
Movie was more of a way to cash in on the hysteria of the time. For those who watch it, pay careful attention to the terrain, most of it was filmed in downtown Dallas and nearby areas. Better yet, watch Walker Texas Ranger and this movie at the same time. Look familiar? hehe
Ironically it was cheaper to spread sand and slap styrofoam on old buildings than film in LA or Canada, although the namesake star is a Canadian.
Some trivia, the hospital used was an abandoned one and when the art department put a Saddam portrait outside, it would be paintballed overnight and some guy drove all the way from Longview to Dallas to protest the Iraqis invading Texas.
Overall I would give it a 5 out of 10, not sure if it is available at your local Blockbuster yet.
Ironically it was cheaper to spread sand and slap styrofoam on old buildings than film in LA or Canada, although the namesake star is a Canadian.
Some trivia, the hospital used was an abandoned one and when the art department put a Saddam portrait outside, it would be paintballed overnight and some guy drove all the way from Longview to Dallas to protest the Iraqis invading Texas.
Overall I would give it a 5 out of 10, not sure if it is available at your local Blockbuster yet.
Saving Jessica Lynch is a TV docudrama that was literally thrown together within months following the dramatic rescue of Private Jessica Lynch in the first weeks of `Iraqi Freedom.' There was much skepticism for many who even considered working on the project do to the quick timing. To this day, rumor and innuendo still surround the facts.
NBC claims that this particular version of events are the story rights of Mohammed Al Rehaief, the Iraqi lawyer who risked his life and family by telling American Soldiers of Lynch's where abouts. Yet, the movie starts long before Al Rehaief's participation, and the circumstances surrounding events without Al Rehaief are apparent matter of fiction, creative conjecture, and public record, that the creators have handled well. But there will always be this question, that I hope critics will answer, who does this story really belong to?
With all politics aside, and much to my surprise, this movie was particularly enthralling with its suspense, action, and heart felt drama.
The movie starts with the military convoy of the 507th maintenance support vehicles in the dark desert, headlights bouncing light and shadows between vehicles and blowing sand, quickly setting a desolate and soon to be lost mood. With a lack of communication and an aberrant GPS device, choosing the right turn is negligible. The chosen road takes the convoy to the small town of Nasiriya, where all types of Iraqi fighters are seemingly eager to shoot their first American. The tempo methodically builds as the Iraqi fighters push a school bus out into the street causing the convoy to abruptly come to a halt. A long pause for thought and what to do adds to the tension. A plan for escape ensues, but it quickly unravels as the Iraqi's open fire, bullets ricocheting and penetrating all the vehicles at once. Trying to see through the barrage of gunfire as if driving through a pounding rain storm, Lynch's vehicle driven by her close friend Lori Piestewa, crashes into a supply truck.
The passengers of the supply truck, which include soldiers Shoshona Johnson and Patrick Miller, attempt to lend aid to Lynch's vehicle. While dodging bullets, they realize and assume that all are lost, including Lynch.
The devastating battle continues. Patrick Miller and the unknown `blonde' soldier's heroics go practically unnoticed, but that does not stop the drama of the moment or performances from painting a descriptive picture of what essentially happened. We even see Shoshana Johnson take a shot in the ankle. A significant and identifiable moment for woman in the military.
The Iraqi fighters take the surviving soldiers Edgar Hernandez, Joseph Hudson, Shoshona Johnson, Patrick Miller, and James Riley as Prisoners of War. Jessica Lynch is then pulled from the bullet ridden vehicle by the Iraqi's, her seemingly lifeless body, dropped to the ground.
An Iraqi soldier dressed in black, presumably Fedayin, notices that Jessica is still alive, and he orders his men to take the remaining bodies and Jessica away.
Lynch is taken to a warn out hospital where the Fedayin impose their headquarters amongst doctors and patients. With trepidation, a woman doctor makes several clandestine attempts to comfort Jessica. While visiting his wife, who is also a doctor at the hospital, Mohammed Al Rehaief discovers that Lynch is being held. Al Rahaief begins to wrestle with his own conscious and how his family has been affected by Hussein's regime. We even see his neighbor, a woman, being dragged down the street behind a truck because she merely waved at an American helicopter. With years of watching his people tortured, and fearing for the future life of his own little girl, it appears that his selfless decision to contact the US military didn't even take a second thought.
Al Rehaief walks out into the desert at night after the Fedayin imposed curfew, and finds a military regiment to share his news. In a horrifying moment, Al Rehaief is secured at gun point, and shrouded with a bag over his head before being brought to the commander. At one point, Al Rehaief even asks if he will be tortured.
The discovery of the location of a missing soldier, let alone a 19 year old young woman who wants to be a kindergarten teacher, creates great concern and interest to the white house. `We leave no soldier behind' rings true in this story. Without much hesitation, the military takes a leap of faith in believing Al Rehaief's story, and organizes one of the most carefully calculated and meticulous rescues that even the best writers in Hollywood gulped and stuttered at.
Although we as an audience know the outcome, watching the rescue events unfold in this docudrama brings out an emotion of recent memory of watching the specifics on CNN in green. Even though the creators have mixed fact with fiction, the fact that this young woman was rescued in the condition she was in with the help and aid of Iraqi citizens is truly a miracle. The story of the 507th and downed pilots David S. Williams and Ronald Young Jr. is one that needs to be told. Someday it would be nice if there was a narrative that is a compilation of each of their stories, and that it be made into a feature film with all of their blessings.
`Saving Jessica Lynch' is unauthorized by Lynch, and I think it was made and released too quickly and without proper consent. But this story was put together well, and did not particularly exploit the soldiers as feared by critics. It was most certainly worth seeing.
NBC claims that this particular version of events are the story rights of Mohammed Al Rehaief, the Iraqi lawyer who risked his life and family by telling American Soldiers of Lynch's where abouts. Yet, the movie starts long before Al Rehaief's participation, and the circumstances surrounding events without Al Rehaief are apparent matter of fiction, creative conjecture, and public record, that the creators have handled well. But there will always be this question, that I hope critics will answer, who does this story really belong to?
With all politics aside, and much to my surprise, this movie was particularly enthralling with its suspense, action, and heart felt drama.
The movie starts with the military convoy of the 507th maintenance support vehicles in the dark desert, headlights bouncing light and shadows between vehicles and blowing sand, quickly setting a desolate and soon to be lost mood. With a lack of communication and an aberrant GPS device, choosing the right turn is negligible. The chosen road takes the convoy to the small town of Nasiriya, where all types of Iraqi fighters are seemingly eager to shoot their first American. The tempo methodically builds as the Iraqi fighters push a school bus out into the street causing the convoy to abruptly come to a halt. A long pause for thought and what to do adds to the tension. A plan for escape ensues, but it quickly unravels as the Iraqi's open fire, bullets ricocheting and penetrating all the vehicles at once. Trying to see through the barrage of gunfire as if driving through a pounding rain storm, Lynch's vehicle driven by her close friend Lori Piestewa, crashes into a supply truck.
The passengers of the supply truck, which include soldiers Shoshona Johnson and Patrick Miller, attempt to lend aid to Lynch's vehicle. While dodging bullets, they realize and assume that all are lost, including Lynch.
The devastating battle continues. Patrick Miller and the unknown `blonde' soldier's heroics go practically unnoticed, but that does not stop the drama of the moment or performances from painting a descriptive picture of what essentially happened. We even see Shoshana Johnson take a shot in the ankle. A significant and identifiable moment for woman in the military.
The Iraqi fighters take the surviving soldiers Edgar Hernandez, Joseph Hudson, Shoshona Johnson, Patrick Miller, and James Riley as Prisoners of War. Jessica Lynch is then pulled from the bullet ridden vehicle by the Iraqi's, her seemingly lifeless body, dropped to the ground.
An Iraqi soldier dressed in black, presumably Fedayin, notices that Jessica is still alive, and he orders his men to take the remaining bodies and Jessica away.
Lynch is taken to a warn out hospital where the Fedayin impose their headquarters amongst doctors and patients. With trepidation, a woman doctor makes several clandestine attempts to comfort Jessica. While visiting his wife, who is also a doctor at the hospital, Mohammed Al Rehaief discovers that Lynch is being held. Al Rahaief begins to wrestle with his own conscious and how his family has been affected by Hussein's regime. We even see his neighbor, a woman, being dragged down the street behind a truck because she merely waved at an American helicopter. With years of watching his people tortured, and fearing for the future life of his own little girl, it appears that his selfless decision to contact the US military didn't even take a second thought.
Al Rehaief walks out into the desert at night after the Fedayin imposed curfew, and finds a military regiment to share his news. In a horrifying moment, Al Rehaief is secured at gun point, and shrouded with a bag over his head before being brought to the commander. At one point, Al Rehaief even asks if he will be tortured.
The discovery of the location of a missing soldier, let alone a 19 year old young woman who wants to be a kindergarten teacher, creates great concern and interest to the white house. `We leave no soldier behind' rings true in this story. Without much hesitation, the military takes a leap of faith in believing Al Rehaief's story, and organizes one of the most carefully calculated and meticulous rescues that even the best writers in Hollywood gulped and stuttered at.
Although we as an audience know the outcome, watching the rescue events unfold in this docudrama brings out an emotion of recent memory of watching the specifics on CNN in green. Even though the creators have mixed fact with fiction, the fact that this young woman was rescued in the condition she was in with the help and aid of Iraqi citizens is truly a miracle. The story of the 507th and downed pilots David S. Williams and Ronald Young Jr. is one that needs to be told. Someday it would be nice if there was a narrative that is a compilation of each of their stories, and that it be made into a feature film with all of their blessings.
`Saving Jessica Lynch' is unauthorized by Lynch, and I think it was made and released too quickly and without proper consent. But this story was put together well, and did not particularly exploit the soldiers as feared by critics. It was most certainly worth seeing.
Hard to see what Jessica Lynch did to become a hero from this movie. She spent most of the film in a hospital bed.
The battle scene in which she was captured showed her knocked out in an accident while her fellow soldiers battled against overwhelming Iraqi forces. It would be nice to see a movie about those folks and not about a woman who was asleep the whole time.
The battle scene in which she was captured showed her knocked out in an accident while her fellow soldiers battled against overwhelming Iraqi forces. It would be nice to see a movie about those folks and not about a woman who was asleep the whole time.
Lo sapevi?
- QuizAt around 21:06, after two soldiers jump on board Lynch's Humvee and they drive away, you can hear Lynch cry, "What about Donald!" She is referencing Sgt. Donald Walters. The film shows that the truck he was is disabled and he jumps out. While under fire he tell the others to go and he'll cover them. This is the only time in the film that Sgt. Walters is seen and referenced until the very end where, in memorial, he's listed with his comrades as killed in action.
This is crucial for two reasons: Sgt Walters was one of the few in the 507th that had combat experience. During the First Gulf War he guarded Iraqi prisoners as Military Police. During the ambush, the truck he was riding in, driven by PV2 Sloan, was disabled and the two bailed. PV2 Sloan was picked up by another truck while Sgt. Walters gave fire to the Iraqis. The last reported member to see Sgt. Walters alive was PFC Miller, who claimed he saw Sgt. Walters talking to 1st Sgt. Dowdy at his Humvee. For some unknown reason, as the convoy turned around and made its run back into the city, Sgt. Walters was left behind. He ran after the convoy. It wasn't long before the Iraqis found this lonely soldier and converged on him. Intercepted Iraqi communications said that there was a single, blonde haired, soldier that was alone and fighting tenaciously.
Sgt. Walters was shot and taken prisoner only after he had run out of ammunition. He was taken by several Fedayeen members to an abandoned army headquarters near where the convoy made its first U-turn. An Iraqi ambulance driver later claimed to have seen Sgt. Walters surrounded by six Fedayeen and was led inside inside the building. Later on, the same ambulance driver picked up and delivered Sgt. Walters's body to the same hospital Lynch was being held in. His body had at least two gunshot wounds, several stab wounds and a dislocated shoulder. He was buried along with his fallen comrades. Since no American saw his death, the only information on his fate stemmed from Iraqi testimony and forensic investigation, it's unknown if the wounds inflicted upon him occurred during or after his capture with the exception one gunshot wound to his back. According to DNA analysis found at the scene, Sgt. Walters was executed in the building after being tortured for some time, ranging from a few hours to a day or two.
It's believed that the intercepted Iraqi communications were not properly translated, that the pronouns 'he' was mixed with 'she' and that a blonde haired soldier was fighting. This led to the idea that PFC Jessica Lynch, also blonde, was the fighter they were talking about, when it was actually Sgt. Walters, who was also blonde. This discrepancy was not cleared until about a year after the event.
For his bravery and sacrifice, Sgt. Walters's family was bestowed their son's Silver Star Medal, Prisoner of War Medal, and Purple Heart.
- BlooperWhen the convoy is driving through Nasiriyah just before they are attacked, Reunion Tower (a major feature of Dallas' downtown skyline) is clearly visible in the background.
- Citazioni
Pfc Jessica Lynch: Two years, Dad. It'll be over before you know it.
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