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Proof - La prova

Titolo originale: Proof
  • 2005
  • PG-13
  • 1h 40min
VALUTAZIONE IMDb
6,7/10
47.100
LA TUA VALUTAZIONE
Anthony Hopkins, Gwyneth Paltrow, and Jake Gyllenhaal in Proof - La prova (2005)
CT #2 Post
Riproduci trailer1: 47
2 video
73 foto
Psychological DramaSuspense MysteryDramaMystery

La figlia di un matematico brillante ma mentalmente disturbato, recentemente scomparso, cerca di fare i conti con la sua possibile eredità: la sua follia.La figlia di un matematico brillante ma mentalmente disturbato, recentemente scomparso, cerca di fare i conti con la sua possibile eredità: la sua follia.La figlia di un matematico brillante ma mentalmente disturbato, recentemente scomparso, cerca di fare i conti con la sua possibile eredità: la sua follia.

  • Regia
    • John Madden
  • Sceneggiatura
    • David Auburn
    • Rebecca Miller
  • Star
    • Gwyneth Paltrow
    • Anthony Hopkins
    • Hope Davis
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,7/10
    47.100
    LA TUA VALUTAZIONE
    • Regia
      • John Madden
    • Sceneggiatura
      • David Auburn
      • Rebecca Miller
    • Star
      • Gwyneth Paltrow
      • Anthony Hopkins
      • Hope Davis
    • 200Recensioni degli utenti
    • 132Recensioni della critica
    • 64Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 4 vittorie e 6 candidature totali

    Video2

    Proof (2005)
    Trailer 1:47
    Proof (2005)
    Proof (2005)
    Trailer 1:45
    Proof (2005)
    Proof (2005)
    Trailer 1:45
    Proof (2005)

    Foto73

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    Visualizza poster
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    + 66
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    Interpreti principali24

    Modifica
    Gwyneth Paltrow
    Gwyneth Paltrow
    • Catherine
    Anthony Hopkins
    Anthony Hopkins
    • Robert
    Hope Davis
    Hope Davis
    • Claire
    Jake Gyllenhaal
    Jake Gyllenhaal
    • Hal
    Danny McCarthy
    Danny McCarthy
    • Cop
    Tobiasz Daszkiewicz
    Tobiasz Daszkiewicz
    • Limo Driver
    • (as Tobiacz Daszkiewicz)
    Gary Houston
    Gary Houston
    • Professor Barrow
    Anne Wittman
    Anne Wittman
    • Friend at Party
    Leigh Zimmerman
    Leigh Zimmerman
    • Friend at Party
    Colin Stinton
    Colin Stinton
    • Theoretical Physicist
    Leland Burnett
    • Band Vocalist
    John Keefe
    John Keefe
    • University Friend
    Chipo Chung
    Chipo Chung
    • University Friend
    C. Gerod Harris
    C. Gerod Harris
    • University Friend
    • (as C Gerod Harris)
    Roshan Seth
    Roshan Seth
    • Professor Bhandari
    Lolly Susi
    • Airport Check-In Lady
    Russell Bentley
    Russell Bentley
    • American Student
    • (non citato nei titoli originali)
    Rhys Bond
    • Wake Guest
    • (non citato nei titoli originali)
    • Regia
      • John Madden
    • Sceneggiatura
      • David Auburn
      • Rebecca Miller
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti200

    6,747.1K
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    Recensioni in evidenza

    8favoritesoul

    powerful performance

    by the dialogue, you can tell this story began as a very good play. the issue with making a movie from a very good play is that you have to add something impossible to do on stage. i think paltrow does an excellent job. i'm not a big gwyn fan, but the way she portrayed her deep sadness throughout the movie, in closeups you wouldn't see from the balcony section of a theater - the fragility of her grasp on reality, the trauma of watching her father deteriorate before her eyes... this is something beyond "a beautiful mind," which centered more on the hallucinations and surreality of a victim of mental disease. "proof," instead, focuses on the father-daughter relationship and how, even after caring for his deteriorated mind for years, a daughter doesn't think twice about seeking her father's approval - as if he could be coherent for the moment she needed him to be. i thought that was the most poignant part of the movie. there's not a lot to the story of the movie, but the depth in the performances - paltrow, hopkins and hope davis - is worth the ticket. its nice to actually see a very good movie once in a while.
    9maestro7PL

    Brilliant!

    Seeing this movie makes one realize how truly dumb and unchallenging most Hollywood movies, aimed at young teenage boys, are. The script was brilliant, and all four actors do a fine job of bringing the story to life. I too saw Mary Louise Parker in the stage version, and though I slightly preferred her to Gwynneth, the latter nonetheless was fine as the gifted and disturbed Catherine. I thought Jake Gyllenhaal was very good in his role, but too good-looking and hunky to play a geeky mathematician. Compared to the play, his relationship with Catherine developed a little too quickly in the movie, considering what a loner Catherine had been up to this time. Hope Davis was great as the more "normal," but controlling sister Claire, her second best performance ever, after the under-appreciated one she gave in "American Splendor" (be sure to rent THAT movie if you haven't seen it), and she manages to be more sympathetic than the actress who played her in the stage version. Hopkins as the brilliant, mentally ill mathematician-father was fine, though not particularly special in the role.

    I only have two quibbles. One, there was not enough mathematics in the movie OR the play. Everyone has studied advanced math, so why not challenge the audience a little more and let us in on what the proof is actually about. It is kind of like watching a movie about a musician and not letting the audience hear any of the music! Two, it is not believable that in a crucial scene towards the end of the movie, that neither Catherine and especially the more materialistic Claire would not care what ultimately happens to the proof, especially when being told of its possible value.

    Aside from these flaws, if you are looking for intelligent fare and a break from mindless action films and the mostly unfunny comedies of the past summer, you owe it to yourself to see this film. The theater I saw it in was almost empty, so I fear it is not doing too well. Remember that every ticket you buy is a vote for more of that kind of film being made. Let's hear it for more stimulating and mature films like this one!
    7ferguson-6

    The Bottle is the Right Shape

    Greetings again from the darkness. Rarely do we get to see a film based on a Pulitzer Prize and Tony award winning story (by David Auburn). It does tend to jump the expectations a bit! There are facets of this story that we have seen on screen before in such fine films as "A Beautiful Mind", "Shine" and "Good Will Hunting". The topics of brilliance and insanity often overlap, in fact, the line is often so blurry as to prevent accurate diagnosis. Gwyneth Paltrow is spectacular in her gut-wrenching, emotional roller coaster of a role. I feel very cheated having read recently that she is contemplating giving up acting to enjoy her life and family. This would be a shame as she is only scratching the surface of her talents and artistry. Teaming again with director John Madden ("Shakespeare in Love"), Paltrow delivers an Oscar worthy performance that is emotionally deep and profound. Thank goodness she was selected over the bitter Mary Louise Parker.

    The assembled supporting cast is impressive in name; however, Sir Anthony Hopkins is solid, but not great in the relatively small, but crucial role as Paltrow's once genius, then insane, now dead father. His influence on her life is beyond question and how she deals is the heart of the story. Jake Gyllenhaal, although a fine actor, is totally miscast as Hopkins' former student who tries to secure the legacy. Hope Davis is perfect as the irritating sister of Paltrow who has "been working 14 hour days" for 5 years while Paltrow cared for dear old nutty dad.

    What prevents the film from being great is that it never decides what it is about. It is a film about a math genius (or two) but it shows almost no math. Is it a film about genius? Is it about insanity? Is it about caring for an elderly parent? Is it a film of self-discovery? All of these are touched on, but none are hit head-on. It is a fine film, definitely worth seeing, but it will probably leave you feeling a bit empty.
    9galasius

    Madden + Paltrow = Something Good. Proof? Proof.

    This film is about death, love, and mental incapacity. There are bound to be endless clichés, comparisons, and parallels drawn with Ron Howard's "A Beautiful Mind", so I won't go there.

    In the end, this film is all about Gwyneth Paltrow.

    She is on screen at least 80% of this film. Her character dances between mourning, anger, remorse, confusion, fear, vulnerability, sadness, and just a little bit of love. There are very dramatic changes in emotion from moment to moment, and Paltrow pulls it off brilliantly.

    Sir Anthony Hopkins role, while relatively small, is crucial to the film. His performance was good, but not great. But it didn't really matter, as Proof is all about Paltrow. Hope Davis and Jake Gyllenhaal also gave solid performances, but their as with Hopkin's role were really nothing more than support Paltrow.

    The biggest disappointment for me was the almost total lack of any 'real' mathematics. For a film that revolves around brilliant mathematical proofs, there's an almost painful scarcity of and real math in the film. There are shots of seemingly random equations scrawled across paper or a blackboard, and the odd conversation making reference to some known mathematical law or theorem, but I would have liked more.

    IF you want a happy film, go see something else. If you want a mindless film, go see something else. If you want a typical love story, go see something else. If you want an intelligent well written and presented story of substance involving a a character experiencing a roller-coaster of emotions, Proof may be for you.
    7noralee

    Paltrow Shines As A Fragile Woman In Crisis

    "Proof" hones in on the emotional relationships in the play. With Rebecca Miller jointly credited with David Auburn on adapting his play, this is less coy about who did what to whom when in reality or delusion than it is about connections between people.

    The flashbacks cut effectively back and forth and smooth out where each character is coming from.

    "Catherine," the daughter of a brilliant mathematician who is somewhat modeled on John Nash's struggles with madness which were portrayed in "A Beautiful Mind," is still the focal point of attention. But with the other characters fleshed out more Gwyneth Paltrow has more to naturalistically react to than the stage actresses (I saw it on Broadway with a mercurial Anne Heche). Paltrow brings unexpected fragility to the role and makes her sarcastic accusations to her sister come out of personal pain and not just spitefulness. You really see that she is emotionally ravaged from putting her life and mind on hold for a father with a very strong personality.

    Anthony Hopkins is unusually paternal as the father and you understand her attractions and fear of him, as well as why the sister had to flee how insecure she felt there, as Hope Davis manages to breathe some life into a strident character. We see very clearly the demands of being a caregiver to a legend. Unlike in "Iris" at the end of careers, we do ache at the sacrifices the young caregiver has made and how this claustrophobic existence has led to her own crippling doubts about her work, her life and her sanity.

    Jake Gyllenhaal is the hunkiest, most adorable, rock 'n' rollin' math graduate student since Matt Damon in "Good Will Hunting" and could help increase math enrollments around the country. But as irresistible as he is, and their relationship is literally more believably fleshed out as young people than in the play, we also can share Paltrow's suspicion of him. But we see more of his activities, as the film opens up the play, so we too clearly know before she that he has regained in our credibility as he seeks his proof. I don't mind that the film adds to the romantic aspects and drawn out coda as I thought the play tempted unfulfillingly in that direction and it is a means to help her regain the multiple meanings of proof -- as evidence, as trust, as confidence.

    Director John Madden keeps the camera moving actively during long dialog interchanges, reflecting "Catherine"s agitated state of mind. The house and academic setting well establish the atmosphere, particularly when there's more people around, though some of the outdoor shots seemed like filler.

    The score is occasionally intrusive, but the concluding voice-over is even more annoying and unnecessary.

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    Trama

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    Lo sapevi?

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    • Quiz
      According to the clues of Hal, played by Jake Gyllenhaal, the proof can be the proof of Riemann hypothesis. He says "a very important proof, of a mathematical theorem about prime numbers, which mathematicians are trying to prove; it's historic; you can publish it, give press conferences; all newspapers in the world will talk to the person who have found it." It's one of the Millennium Problems.
    • Blooper
      The daughter talks about how the father was looking for a message from aliens in the Dewey decimal call numbers on the books from the University of Chicago library. The University of Chicago uses Library of Congress call numbers, which begin with letters, not numbers.
    • Citazioni

      Catherine: [Reading Robert's Notebook] "Let X equal the quantity of all quantities of X. Let X equal the cold. It is cold in December. The months of cold equal November through February. There are four months of cold, and four of heat, leaving four months of indeterminate temperature. In February it snows. In March the Lake is a lake of ice. In September the students come back and the bookstores are full. Let X equal the month of full bookstores. The number of books approaches infinity as the number of months of cold approaches four. I will never be as cold now as I will in the future. The future of cold is infinite. The future of heat is the future of cold. The bookstores are infinite and so are never full except in September..."

    • Connessioni
      Featured in The 63rd Annual Golden Globe Awards 2006 (2006)
    • Colonne sonore
      El chocha loca
      (2002)

      Written by Claudio Quattrocchi

      Performed by Loca

      Published by Big Tiger Music (BMI)

      Courtesy of Lovecat Records

      By Arrangement with Ocean Park Music Group

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    • How long is Proof?Powered by Alexa

    Dettagli

    Modifica
    • Data di uscita
      • 3 febbraio 2006 (Italia)
    • Paese di origine
      • Stati Uniti
    • Sito ufficiale
      • Official site
    • Lingua
      • Inglese
    • Celebre anche come
      • Proof
    • Luoghi delle riprese
      • Elstree, Hertfordshire, Inghilterra, Regno Unito
    • Aziende produttrici
      • Miramax
      • Endgame Entertainment
      • Hart Sharp Entertainment
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 20.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 7.535.331 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 193.840 USD
      • 18 set 2005
    • Lordo in tutto il mondo
      • 14.189.860 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 40 minuti
    • Colore
      • Color
    • Mix di suoni
      • DTS
      • Dolby Digital
      • SDDS
    • Proporzioni
      • 2.35 : 1

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