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The picture deals upon a varied bunch aboard airplane after locking-out an oil rig . The group is formed by an obstinate pilot (Dennis Quaid), a navigator pilot (Tyrese Gibson) and the passengers crew (Hugh Laurie, Miranda Otto , Jacob Vargas , Giovanni Rivisi..). The airplane crashes on desert of Mongolia (in first version was Sahara) and they must survive and hold numerous risks , odds , dangers , hardships and try to rebuild their aircraft from the wreckage in order to prevent the suffering caused for hostile elements : sandstorms , burn sun and Mongolian enemies. Misfortunes on desert atmosphere filling one with revulsion for the conditions in that unlucky are forced to exist stranded at uninhabited place : famine , warming , thirsty , bandits (in this adaptation have more importance than the first) and taking on themselves .

Movie is a thoughtful change about the Hollywood screenplay of the plane that crashes in far countries as : ¨Alive : Miracle of the Andes¨ or ¨Airport¨ series . The film is based on Lukas Heller novel and screenwriter is the actor Edward Burns . It's an intelligent and dramatic movie developing the narration about the plane construction of riveting manner and with a semi-male star-studded , exception of the enticing Miranda Otto but in the original adaptation was totally masculine . Dennis Quaid acting as a stubborn pilot is nice although he doesn't reach to James Stewart who was greatest but he feels embittered considering himself guilty of the accident for his error . Tyrese Gibson as navigator is cool but in same role Richard Attemborough was better as a boozy alcoholic co-pilot . Giovanni Rivisi interpretation is first-rate but he copies the terrific playing by Hardy Kruger and imitates even the physical , bleaching the hair . Other secondary cast : Hugh Laurie , Jacob Vargas , Scott Campbell , Tony Curran , all of them are very fine . Sensational music score by Marco Beltrani. Motion picture was rightly directed by John Moore , though with no originality .

Comparing this new version to the original would be comparing a farm horse to a thoroughbred from the Kentucky Derby. This version has new actors filling the shoes of established characters, and yet none have the quality to hold the story on course, causing it to crash like their airplane. The original had James Stewart and Richard Attenborough, both with performances worthy of academy awards and established the foundations of a true classic. In addition, the rest of the cast stood of themselves and even Ronald Fraser gave a most stirring performance as Sgt. Watson. Superior veteran actors like Peter Finch, Hardy Krüger, Ernest Borgnine, Ian Bannen, Christian Marquand, Dan Duryea and George Kennedy, all gave the original solid star power and allowed the Phonix to rise from the screen into the memory of it's viewers. This new version has Dennis Quaid as Frank Townes, sympathetic enough, but far less convincing of his character. All in all, the new version falls, like most remakes, well short of the original. Sorry, but this film should have been left in the desert with the remains of the fallen airplane. **

Remake season is usually from May-August, yet for some reason Flight of the Phoenix is coming out in December, right before Oscar season. From what I saw tonight, there were maybe 15 people in the theater for a 7:50 Friday evening showing (opening night). What could Fox have been thinking? A big budget blockbuster while we're waiting for The Life Aquatic with Steve Zissou or The Aviator to come out? Does that make any sense? Well, anyway, Phoenix certainly doesn't deserve a December release (April, maybe?), but it's still pure, simple escapist entertainment. Thankfully, it didn't try to be anything more (in fact, Dennis Quaid's character made fun of the inspirational talks in the movie), allowing it to be something to see on a boring Friday night.

When an unsuccessful oil drill is abandoned in a remote place in Asia, Frank Towns (Quaid) and others are sent to fly them back to civilization. However, there's one extra person on board, Elliott (Giovanni Ribisi), causing the plane to be overweight and crashing in the midst of a gigantic random storm. Things get hairier when they realize that help probably won't come. However, Elliot mentions that he designs airplanes (of course), and now they're hell-bent on rebuilding their plane (dubbed "The Phoenix"), while going through tough weather, low supplies, bandits, and interpersonal relationship hardships.

One almost expects Jerry Bruckheimer's name on this-it's mindless fun, with any plot being stupid, any special effect being fake, and any characters being underdeveloped. The fate of this movie, in my opinion, was in the hands of director John Moore, who last made Behind Enemy Lines a hit for Fox. During the so-called "action" scenes, Moore switches over to hand-held camera (as if he tries to get the audience to get into the movie-makes us think that a situation like this could happen in real life?) and really makes the movie disjointed at those few points. However, some of the shots are pretty fantastic looking, but at other times, it's completely false CGI. I mean, it's terribly fake-and some critics have been saying that the special effects are great? It's most obviously some backlot with fake sanddunes everywhere. And yet, somehow, Moore manages to keep interest for the two hours, and, more importantly, makes it fun to watch. When you have characters just randomly be introduced (like that person of unknown Middle Eastern descent and the black guy with an eyepatch), you realize that the plot is not important, and you focus on having fun.

I've seen a few ads that talk about the "HUGE" plot twist, and although the twist at the end was pretty good, it's not really noteworthy. However, there was something about Ribisi's character-and the way he played it-that made me really like him. He's like the bad guy in movies where you want the bad guy to win (although he's not really a bad guy here). Quaid does a pretty good job here, about what's required. His character, and all the others, fulfill the stock characters. We have the All-American pilot, the hot, smart woman (who's also sassy-add an extra point), the black guy, a black guy with an eyepatch (a disability AND an extra minority-five extra points), a person from a place that we currently hate (Middle East (actually two-Britain-wow, Flight of the Phoenix is raking up the point)), the computer nerd. And that's just the character clichés. There's boatloads more, but you'll be able to guess them as they come along.

Flight of the Phoenix will probably bomb at the box office. I suppose I can see why-you don't have enough advertising, you bomb. But Flight of the Phoenix is a true popcorn movie if there ever was one. Once you've gotten everything in the Netflix catalogue, try this one on for size.

My rating: 6/10

Rated PG-13 for some language, action and violence.

Before the TV series Lost made being stranded after a plane goes down hip, there was the Flight of the Phoenix. This is a modern remake of the 1965 original, and we follow a group of misfits who must play on one another's strength, and one man's ability to think out of the box, in order to make it out alive.

Dennis Quaid plays cocky pilot Frank Towns, who together with his co-pilot AJ (played by Tyrese Gibson), are tasked to fly a group of oil-riggers out of their just-closed outpost in the Gobi desert. Led by a lady called Kelly (Miranda Otto), this group of men seemed close to that ensemble lined up in Armageddon.

On a routine flight out of the desert, they encounter a humongous sandstorm, which Towns underestimates, and ended up with a broken plane in the middle of the desert. Well, you should know the rest, it's the usual distrust turned into camaraderie building opportunity, as the troupe gathers to build a new plane (hence called the Phoenix) by salvaging parts from the rubble. Sandstorms, electrical storms, and nasty nomads stand in their way, and it's kinda fun to see how our survivors overcome these challenges on their road to freedom.

Perhaps what appealed to me was how this film was shot. My eyes were constantly glued at how it made the desert so enchantingly sexy. The special effects too were great, from the sandstorm, to the usage of effects to bring out the whole "what-ifs" scenario. Slow motion techniques were used sparingly, but nonetheless effectively.

And I just got to raved about the music. You wouldn't think that Outkast's Hey Ya would make it to the film, but it did. But what takes the cake is the awesome use of Massive Attack's Angel during the entire scene when the group approaches a gang of nomads. Wow. I dig that song, and to witnessed it being used in that sequence, totally blows me away.

Don't expect too much from the plot, as it's as simple as it can be, with of course, some plot holes thrown in. Questions like food and water will ring throughout the movie, but I suppose one can gloss over the fine details and accept that they had enough to tide them through.

The Code 1 DVD contains deleted and extended scenes, and one almost 45 minute long making-of documentary titled the "Phoenix Diaries". It's one extremely detailed look at the making of the movie, without using too many footage from the final product.

An instantly forgettable - a film that rewards no one with renewed viewings. I got the impression no one cared about this film - certainly not the actors and all the tech stuff was thrown away . So how do you build a plane out of a crashed one ? That bit was skimped over but if so, where was the film's plot ? There was no love interest, no real threat (except at the end when the 'Nomads' lined up on a horizon in the way I think I have seen in many Westerns). Everyone phoned in a performance on this movie and it should have been scrapped on the runway.

I trust everyone will be tempted to see the original 1965 film.