Quando viene annunciata una cura per i mutanti, si scatenerà una guerra tra gli X-Men del professor Charles Xavier e i seguaci di Magneto.Quando viene annunciata una cura per i mutanti, si scatenerà una guerra tra gli X-Men del professor Charles Xavier e i seguaci di Magneto.Quando viene annunciata una cura per i mutanti, si scatenerà una guerra tra gli X-Men del professor Charles Xavier e i seguaci di Magneto.
- Premi
- 7 vittorie e 40 candidature totali
Elliot Page
- Kitty Pryde
- (as Ellen Page)
- …
Riepilogo
Reviewers say 'X-Men: The Last Stand' is divisive, exploring themes of acceptance and humanity. Visual effects, action, and Ian McKellen's performance are praised. However, pacing, underdeveloped characters, and messy storytelling are criticized. New characters and subplots are seen as overwhelming. Deviations from the source material and character handling, especially Professor X and Jean Grey, are contentious. Some appreciate its ambition and final battle.
Recensioni in evidenza
The latest X-Men movie is disappointing to say the least. I don't know who had the final say on the finished product, (Brett Ratner, the producers or editors, or the studio) but the end result is an eyesore that has been rushed through production.
The movie is full of unexplained cut scenes that run into each other, that leave you frustrated and a little confused. The plot is sub-par with very poor dialog. The plot is not that difficult to follow, it's just full of holes. Holes that leave true X-fans wanting more. The music score throughout the entire movie is horrible and off. Music makes a movie. The writer of the score of X-Men 3 should be ashamed of the final product.
The unexplained introduction of a dozen or so new mutants was attempt to cover up the lame plot. The new mutants come and go without explanation or warning and spout a cheesy one-liner of dialog before they are rushed of the screen. There is an occasional curse word that gets all of the prepubescent teens in the audience a chance to chuckle like a little schoolgirl in their Sunday's best.
Brett Ratner was a poor choice to direct the third installment of the X-Franchise. With his not so impressive track record of Rush Hour movies, with Rush Hour 3 in preproduction; he should have been last on the list to direct this highly anticipated movie. It's like the powers that be just drew his name out of a hat and said lets go in that direction.
I'm not saying it's the worst movie out there, but it is defiantly the worst of the three. It was a poorly planned and over rushed movie that doesn't live up to the standards of true fans, such as myself. I've been reading and collecting X-Men comics for years and I know all of their back-stories and sub-plots and I expect it to at least live up to the standards of the previous two movies.
The end result is a movie that does not live up to the standards of the trilogy. The bad plot and dialog is replaced by CGI and special effects that try to district you from this poor movie that you shell out your hard-earned cash to see. It's worth seeing, but try to go see the lower priced day showing of the film.
The movie is full of unexplained cut scenes that run into each other, that leave you frustrated and a little confused. The plot is sub-par with very poor dialog. The plot is not that difficult to follow, it's just full of holes. Holes that leave true X-fans wanting more. The music score throughout the entire movie is horrible and off. Music makes a movie. The writer of the score of X-Men 3 should be ashamed of the final product.
The unexplained introduction of a dozen or so new mutants was attempt to cover up the lame plot. The new mutants come and go without explanation or warning and spout a cheesy one-liner of dialog before they are rushed of the screen. There is an occasional curse word that gets all of the prepubescent teens in the audience a chance to chuckle like a little schoolgirl in their Sunday's best.
Brett Ratner was a poor choice to direct the third installment of the X-Franchise. With his not so impressive track record of Rush Hour movies, with Rush Hour 3 in preproduction; he should have been last on the list to direct this highly anticipated movie. It's like the powers that be just drew his name out of a hat and said lets go in that direction.
I'm not saying it's the worst movie out there, but it is defiantly the worst of the three. It was a poorly planned and over rushed movie that doesn't live up to the standards of true fans, such as myself. I've been reading and collecting X-Men comics for years and I know all of their back-stories and sub-plots and I expect it to at least live up to the standards of the previous two movies.
The end result is a movie that does not live up to the standards of the trilogy. The bad plot and dialog is replaced by CGI and special effects that try to district you from this poor movie that you shell out your hard-earned cash to see. It's worth seeing, but try to go see the lower priced day showing of the film.
I have the luxury of not being a fan of the comics, so I find no offense when some character's superpowers or origin don't match the "book." Also, I have seen enough Marvel-licensed projects to set my expectations low. In short, I was expecting almost nothing.
The first two X-men were poor projects, but at least had *some* imagination. Sadly, it wasn't visual or cinematic. This lacks everything, but you can read all about that elsewhere. Here, all you'll find is some speculation about the root of thing: why it is rotten and probably unfixable at the core.
The book depended on a the universality of differentness. The idea behind the notion of "mutant" was that there were perhaps tens of millions of mutants including nearly every reader. Different, strange but talented beyond the norm in some usually unappreciated way. Spurned or at least misunderstood by parents and bosses.
In this cosmology, we all live in a modified noir world, one that toys with the fate of a whole class rather than a single, accidentally selected individual (and his girl). When we see higher level mutants behaving heroically, they do it as representatives of us, or so the comics go.
That's turned on its head here: lower level mutants are innocent pawns just as all the other types of people, soldiers, random motorists whose idea was it to show that every car had children in it, then use those occupied cars as firebombs?
And if the target demographic is 14 year old boys and those who wish they were, why use 40 year old women? Or is it not supposed to matter? Well, it didn't to me, but the complete lack of cinematic imagination says this needs to go away.
The anti-mutating mutant was apt, though.
Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
The first two X-men were poor projects, but at least had *some* imagination. Sadly, it wasn't visual or cinematic. This lacks everything, but you can read all about that elsewhere. Here, all you'll find is some speculation about the root of thing: why it is rotten and probably unfixable at the core.
The book depended on a the universality of differentness. The idea behind the notion of "mutant" was that there were perhaps tens of millions of mutants including nearly every reader. Different, strange but talented beyond the norm in some usually unappreciated way. Spurned or at least misunderstood by parents and bosses.
In this cosmology, we all live in a modified noir world, one that toys with the fate of a whole class rather than a single, accidentally selected individual (and his girl). When we see higher level mutants behaving heroically, they do it as representatives of us, or so the comics go.
That's turned on its head here: lower level mutants are innocent pawns just as all the other types of people, soldiers, random motorists whose idea was it to show that every car had children in it, then use those occupied cars as firebombs?
And if the target demographic is 14 year old boys and those who wish they were, why use 40 year old women? Or is it not supposed to matter? Well, it didn't to me, but the complete lack of cinematic imagination says this needs to go away.
The anti-mutating mutant was apt, though.
Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
I must be one of the few, it seems, who enjoyed X-Men: The Last Stand. I have been an X-fan for many years and my expectations were still met by this film. Do I think that it could have been a bit better? Certainly. The script seemed to pack too many elements into a short running time. With those issues solved I believe that it would have been fantastic. Still, I felt that X-3 was almost on the level with X-2's greatness. It has taken another viewing and some time to reach this point. At first, I felt betrayed at the many liberties taken with story elements. But after I left the theatre, I could not shake the feeling that I needed to view it again. After the second time, I came to grips with the film and now like it quite a bit.
Contrary to some critics' reviews, I do not believe that X-3 became overshadowed by action. There really is quite little of it until the finale, which feels quite epic. There are excellent character moments sprinkled throughout. The acting is generally superb across the board. More Ian McKellen is always nice, and Hugh Jackman impresses again with Wolverine. Kelsey Grammar actually does a respectable job with Beast. The other characters all do well with what they are given. There are a few poorly written one-liners that reminded me of the ones in X-Men 1, but the script is mostly intelligent with powerful themes such as the Cure. Another difficulty is that the film cannot pay the proper amount of attention to the many characters, including the new ones. But they still all seem to contribute something to the larger plot movement in the film. Ratner's only obvious difference from Singer is his frenetic pacing and energy. X-3 really moves quickly, and this does not have to be a negative. I also enjoyed the emotion that was hinted at in X-2, and came into full force during X-3. I do not think that it reached sentimentality or was melodramatic; it really felt powerful. The stakes really do seem to be high for the final chapter of this trilogy. The viewer finds this out quickly concerning Cyclops and Mystique, later with Jean and Xavier (in a particularly awe-inspiring scene), and during the finale in a nice moment with Jean and Wolverine. I think that many of the problems people are seeing in the film resulted from the pressure the entire production team was placed under in order to develop and finish the entire film in less than a year.
But all in all, I have really come to enjoy it as a satisfying film that met my high expectations. Look at it this way if you must. Try to see X-3 as not a stand-alone film but more as the third portion of one large story. The first X-Men had the difficult job of introducing a large ensemble cast of mutants and establishing a story and tone (other superhero films with one primary character have it much easier). X-2 had the most enviable position as most of the characters had already been partly developed and it did not have to conclude the entire story. It could work mostly on its own, just having to leave threads open for the next one. X-3 had the extremely difficult task of closing out the entire trilogy for good. I see it more as the third portion of one expansive tale, thus in the larger scheme it must move quickly toward a complete conclusion. In my opinion, the many actors under the abrupt switch in direction did an x-cellent job.
Contrary to some critics' reviews, I do not believe that X-3 became overshadowed by action. There really is quite little of it until the finale, which feels quite epic. There are excellent character moments sprinkled throughout. The acting is generally superb across the board. More Ian McKellen is always nice, and Hugh Jackman impresses again with Wolverine. Kelsey Grammar actually does a respectable job with Beast. The other characters all do well with what they are given. There are a few poorly written one-liners that reminded me of the ones in X-Men 1, but the script is mostly intelligent with powerful themes such as the Cure. Another difficulty is that the film cannot pay the proper amount of attention to the many characters, including the new ones. But they still all seem to contribute something to the larger plot movement in the film. Ratner's only obvious difference from Singer is his frenetic pacing and energy. X-3 really moves quickly, and this does not have to be a negative. I also enjoyed the emotion that was hinted at in X-2, and came into full force during X-3. I do not think that it reached sentimentality or was melodramatic; it really felt powerful. The stakes really do seem to be high for the final chapter of this trilogy. The viewer finds this out quickly concerning Cyclops and Mystique, later with Jean and Xavier (in a particularly awe-inspiring scene), and during the finale in a nice moment with Jean and Wolverine. I think that many of the problems people are seeing in the film resulted from the pressure the entire production team was placed under in order to develop and finish the entire film in less than a year.
But all in all, I have really come to enjoy it as a satisfying film that met my high expectations. Look at it this way if you must. Try to see X-3 as not a stand-alone film but more as the third portion of one large story. The first X-Men had the difficult job of introducing a large ensemble cast of mutants and establishing a story and tone (other superhero films with one primary character have it much easier). X-2 had the most enviable position as most of the characters had already been partly developed and it did not have to conclude the entire story. It could work mostly on its own, just having to leave threads open for the next one. X-3 had the extremely difficult task of closing out the entire trilogy for good. I see it more as the third portion of one expansive tale, thus in the larger scheme it must move quickly toward a complete conclusion. In my opinion, the many actors under the abrupt switch in direction did an x-cellent job.
First off, X-Men: The Last Stand was by no means "drivel." In combination with the previous ventures, moviegoers and fans will receive a decent whole. The plot itself is not convoluted, but there are numerous mini-plots for just about every other character in the film. The huge number of plot lines Ratner chose to cast wound up limiting the film, removing key emotional elements. The film just was not long enough to adequately cover everyone's story. The music did not add anything to the movie either, it seemed tacky and amateur. Through length, plot numbers and music, X3 failed to properly and satisfyingly tie up the trilogy.
Problems aside, X-Men did succeed in creating a fabulous action-driven film. Ratner and Fox worked magic on the special effects side of things. I was particularly impressed with the opening scene, which found a 20 year younger Xavier and Eric (Stewart and McKellan) at the house of Jean Grey.
Despite being somewhat of a letdown, the film does bring in some interesting parallelism to the first two films. Speaking of the first films, I recommend viewing them right before or soon after seeing the third, as viewing them reminds you that you do care about the characters (being underdeveloped in X3). Most should find the third entry reasonably enjoyable and miles ahead of poorer entries into the superhero genre (Fantastic Four, League of Extraordinary Gentlemen, Ultraviolet, and the extraordinarily bad Batman Forever and Batman and Robin).
Problems aside, X-Men did succeed in creating a fabulous action-driven film. Ratner and Fox worked magic on the special effects side of things. I was particularly impressed with the opening scene, which found a 20 year younger Xavier and Eric (Stewart and McKellan) at the house of Jean Grey.
Despite being somewhat of a letdown, the film does bring in some interesting parallelism to the first two films. Speaking of the first films, I recommend viewing them right before or soon after seeing the third, as viewing them reminds you that you do care about the characters (being underdeveloped in X3). Most should find the third entry reasonably enjoyable and miles ahead of poorer entries into the superhero genre (Fantastic Four, League of Extraordinary Gentlemen, Ultraviolet, and the extraordinarily bad Batman Forever and Batman and Robin).
It is safe to say that every X-Men fan, or any movie fan for that matter would have much rather seen Bryan Singer finnish out his first two X mens into a brilliant trilogy. I was very unsure that Brett Ratner, who has directed some pretty decent movies, not great, but not terrible could do a good job. Much to my chagrin Brett Ratner exceeded my expectations on how well he could direct the final chapter of this comic masterpiece.
Although I feel a comic book movie has yet to top Batman Begins, I feel that all superhero movies owe it to the X men for 'relaunching' this superhero craze that we have been blessed with, and for that we have to thank Singer.
For those who have seen the movie you can agree with me that Ratner did not give us the in depth character build up that Singer gave us. Instead, giving us a fun action packed movie, with a little character glimpse at Wolverine and a touching moment between Kitty and Bobby. However, that is not the director that Ratner is. Ratner is 'an action' director, one who focuses mainly on fight sequences and explosions mixed in with some mild humor, and that is what made this movie work.
Although Singer's genius was deeply missed in this third chapter, I do not feel we need to be ashamed at the third movie. I know we all feel that Singer could have given us a better close on his trilogy, Brett Ratner still needs to be applauded for giving us his different yet great take on the wonderful and never to be forgotten X-Men series.
Although I feel a comic book movie has yet to top Batman Begins, I feel that all superhero movies owe it to the X men for 'relaunching' this superhero craze that we have been blessed with, and for that we have to thank Singer.
For those who have seen the movie you can agree with me that Ratner did not give us the in depth character build up that Singer gave us. Instead, giving us a fun action packed movie, with a little character glimpse at Wolverine and a touching moment between Kitty and Bobby. However, that is not the director that Ratner is. Ratner is 'an action' director, one who focuses mainly on fight sequences and explosions mixed in with some mild humor, and that is what made this movie work.
Although Singer's genius was deeply missed in this third chapter, I do not feel we need to be ashamed at the third movie. I know we all feel that Singer could have given us a better close on his trilogy, Brett Ratner still needs to be applauded for giving us his different yet great take on the wonderful and never to be forgotten X-Men series.
Lo sapevi?
- QuizRebecca Romijn's (Mystique's) and James Marsden's (Cyclops') roles were reduced substantially when this movie was rushed into production, and the two cast members had prior scheduling conflicts.
- Blooper(at around 1h 15 mins) Time of day during the final battle sequence. The first pan over the bridge from southeast looking north, is clearly midday as the shadow of the bridge is almost directly underneath it. When Magneto first walks onto the Golden Gate bridge it is close to sunset, and the shadowing is very inconsistent, sometimes sharp from direct sunlight, sometimes not. By the time they move the bridge and drops it onto the island, and lowers himself to the bridge, and all the mutants move forward, it is suddenly dark. In the DVD commentary, everyone acknowledges it, but says "Hopefully you're into the movie enough..." The whole battle is then shown as taking place in the dark.
- Citazioni
Eric Lensherr: Charles Xavier did more for mutants than you will ever know. My single greatest regret is that he had to die for our dream to live.
- Curiosità sui creditiSPOILER: A scene appears after the closing credits: Dr MacTaggart checks up on her comatose patient, and discovers Professor Xavier transferred his mind into the patient's body.
- Versioni alternativeThe original DVD release of the film had two different sets of navigation menus, one themed around the Brotherhood, and one themed around the X-Men. The content selectable is the same regardless, but this aesthetic was not reused on the Blu-ray release.
- ConnessioniEdited into The Charlotte Church Show: Episodio #1.6 (2006)
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
- How long is X-Men: The Last Stand?Powered by Alexa
- Which characters were adapted from Marvel's X-Men comic books?
- What is 'X-Men: The Last Stand' about?
- Is 'X-Men: The Last Stand' based on a book?
Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- X-Men 3 - La batalla final
- Luoghi delle riprese
- Hatley Castle, Royal Roads, Colwood, British Columbia, Canada(Xavier's mansion)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 210.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 234.362.462 USD
- Fine settimana di apertura Stati Uniti e Canada
- 102.750.665 USD
- 28 mag 2006
- Lordo in tutto il mondo
- 460.435.291 USD
- Tempo di esecuzione1 ora 44 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti