Ha-Asonot Shel Nina

I enjoyed the movie, and laughed out loud, particularly at some of the surprises, which I will not reveal here. Nadav (the boy) is the narrator, and while events in his life may play important roles, the movie really centers around Nina. At the start of the movie we learn that Nadav's father died, and that he was given Nadav's diary, which is the source of our story. The movie finishes at Nadav's father's funeral, with some degree of hope, in spite of Nina's misfortunes. Nina is unlucky in and/or makes bad choices in her relationships, along with suffering from some genuine tragedy and some misinterpreted comic coincidences. I understand why it won several awards in Israel, and would enjoy seeing it again. The movie deliberately begins and ends with the father's death and funeral as it is about beginnings, endings, life, death, despair, and hope.

"Nina's Tragedies (Ha-Asonot Shel Nina)" is a charming mix of genres.

It's a coming of age story of a young teen boy (played very age appropriately with wide-eyed naiveté by Aviv Elkabeth) who acutely observes his dysfunctional family and their friends without really comprehending their adult emotions.

It's also a sophisticated urban comedy about artists and intellectuals that we are more used to seeing in movies set in Paris or New York, including a fashion designer, a book editor, photographer, sculptor and nudist performance artist.

The casual fillips that make us know they live in Tel Aviv add unique ramifications, as one character is killed while serving in the Army reserves (which for non-Israelis gives the film a post-9/11 overlay) and another gets caught up in ecstatic Orthodox Judaism.

It also capitalizes on unusual twist of fate relationships, as portrayed in such movies as "Next Stop Wonderland" where we think we are watching magic realism but it turns out to be grounded in coincidence.

The boy's desperate crush on his beautiful aunt is the mechanism to link the stories, as his voyeurism becomes a metaphor for the viewer and for artists in general, almost a bit too preciously as the boy is, as in most every such film, a budding writer.

The film combines cheerfully earthy and frank sexuality with intense romantic longing, so it is a much more ironic view of grief than the Israeli film "Broken Wings (Knafayim Shvurot)" that was released in the U.S. last year. There's a long kiss that matches TV's most sensual kiss of the season in "Lost" with beautiful cinematography of temporary fulfillment. The primarily night-time cinematography is lovely.

The acting is wonderful, particularly Ayelet Zurer as the strikingly lovely aunt who has intense chemistry in contrast with the solidity of craggy-faced Alon Abutbul. Anat Waxman makes the quirky mother a real person, not a silly joke. The concluding coda seems too much wishful thinking, even if it is emotionally satisfying.

The credits are not translated into English and many of the subtitles are white on white.

I saw this movie yesterday and i thought it was OK ,but i don't understand what's all the fuss about. The movie tells about the happenings of Nadav, a 13 years old boy, that falls in love with his beautiful aunt, Nina. The movie tells the story through Nadav's eyes from the moment his aunt got married to Haimon, till the moment his father dies of cancer. The movie has some sad and funny moments, and i enjoyed watching it. Most of the actors perform very well, especially Dov Navon, in the role of Menashe that always makes me laugh, even though the character was negative. Anat Waxman and Ayelet Zorer also performed pretty well. In my opinion, the movie's number one problem is that the main character, Nadav, and the actor that plays him, Aviv Elkabetz. First of all, the character is pretty negative: he is peeking at his aunt and some other women together with Menashe, and tends to argue with the people he love and confiscate them(Nina and his Dad). Second of all, the actor wasn't very persuasive and had annoying face. Because of his behavior, i had a problem identifying with the main character and that is what bothered me mostly in the movie(i think i even identified with "The Godfather"'s Michael Corleone more than i identified with him), but i can't blame it all on him. I guess the movie was just not that good. Many parts of it were slow, and it just didn't have such an interesting plot after all (but it is worth seeing). I still don't understand how it got such good reviews and so many Israeli Oscars.

i gave it 7/10.

One of the most common errors in film reviewing is mistaking "Realistic" with "Genuine". For example, a movie might be considered realistic because it depicts a harsh environment, poverty, crime and all the other features that are a part on any country but it will be completely not genuine because the characters are shallow, stereotypical and the plot would just too dramatic to actually occur like a 16 year old who becomes a drug baron or something (sweet 16 comes to mind as an example).

On the other hand, there are films who arre not very (or even remotely) realistic but they're genuine because their feelings and lines (in the dialogue, enough about drugs) are something we can all relate to. films that are genuine could be: Jerry Mcquire, His girl friday, Trainspotting, se7en etc. I am happy to say that Nina's tragedies, although nowhere near as good as those masterpieces, definitely earns its place in the Genuine hall of fame.

The movie, in short, tells the tale of Nadav, a 14 year old kid who reminisces 6 months of his life, beginning from the death of his aunt's husband up to his father's death. His aunt, Nina ( portrayed by Ayelet Zorer, in my opinion, the Israeli equivalent of Maryl Streep)is shattered and Nadav is asked by his mother to move in with her and Nadav who is secretly infatuated with Nina, is more than happy to be a shoulder to cry on.

Unfortunately, Nadav's already complex plot thickens even more when his father who became a fanatic religious a couple of years ago, falls ill with cancer and wants to reconcile with his estranged son while into Nina's life enters an eccentric photographer (Alon Aboutboul). Nadav is about to face every demon he has in the next six months and in the worst possible time- when he reaches puberty.

The movie is magnificent, it boasts great acting and script but most of all, it has those little scenes that are seemingly insignificant but they are the scenes that make us want to rent it again and again.

8.5 out of 10 in my FilmOmeter. The best Israeli film of 2003, so far.

This is a truly great film, perhaps the first Israeli film to enter that category. It is, at once, funny and sad, raucous and sensitive. It beautifully encapsulates the bizarre realities of life in modern Israel, and vividly captures the many moods and faces of Tel-Aviv. Woody Allen would have been proud, even in his heyday, to have produced such a humorous and moving piece. And the acting is just terrific.

I am quite frankly amazed that 3 people found Gadi I's comments ("A nice movie! nothing more") helpful. I cannot comprehend why he finds the Nadav character to be "negative" for "peeking at his aunt" - Anat Zorer is drop-dead gorgeous, and if I had had an aunt who looked like that when I was a post-pubescent teenager, I wouldn't have been able to STOP "peeking" at her! To say that the movie is "just not that good" beggars belief.

Whether you are Israeli or not - and even if you have never been to Israel - if you haven't seen this movie, what are you waiting for?!