Sideways - In viaggio con Jack

I had known of Sideways for a long time now. Being the huge film fan that I am, I remember always seeing it get mentioned in many message boards, or websites, or critics' best-of-the-decade lists. It wasn't until now that I saw it, and the reason is because I recently saw Payne's new film The Descendants and I fell in love with it. It wasn't just his simple writing, but his direction, the feel that he gave it. Sideways was another gem, and an even better one.

This could be called a dramedy in many ways, a comedy/drama. There are many films these days getting released that could be labeled in those two genres, and yet Sideways makes it look easier than The Descendants even. What we have here is a brilliant script all around, fully fleshing out these characters. And the investment I had with Giamatti... enormous. I was on this ride with him, I felt his pain, his anger, his awkwardness when confronted with aggravating or tense situations. I found myself telling him things on the screen, and even staying at the edge of my seat in a funny situation he is put in by his friend near the end. Whereas The Descendants lived on it's script through a lot of quiet moments, Sideways blends in simple, subtle moments with really incredible dialogue. The dialogue between the two was the main difference, and yet Sideways is very much of the feeling one is put in.

I want to say the ensemble cast is fantastic. Church really made me question just how much of a friend he was, and yet still made him completely sympathetic and be able to be understood. As for Virginia Madsen... I felt like I was also falling for her like the lead. Some of her scenes, especially the conversations between her and Giammatti, she plays incredibly. She makes you feel the likability of her character, and yet also feel the sensuality and the vulnerability that she is pushing through with her shared desire. She was fantastic. Giamatti is fantastic as the disappointing lead, and although he always seems to play these sort of characters, he knows what to do to make them completely work.

Overall, extremely satisfied with this, and still here is the unique touch of real feeling for the characters that I witnessed in the Descendants. How could I not love this? Payne's film pushes through the screen what can only be described as an incredibly real connection, a connection that I honestly don't witness very often with comedies.

What a refreshing adventure great writing really is. Through the mind, heart and soul of a filmmaker like Alexander Payne you can enter forbidden territory and dive into experiences that, at first glance, seem so far removed from our own. Little tales with enormous, universal implications. Paul Giamatti, Thomas Haden Church and Virginia Madsen jump out of the screen and as soon as the movie ends we find them sitting next to us. We get home and find them waiting for us there, we even find them on the mirror looking back at us. This is the sort of movie going experience that will never get old. Its strength is in its truth. You may not like it, you may even resent it. Good, that's what art is all about. It provokes you. It motivates and inspires you. And as if all that wasn't enough, it entertains you it amuses you, it gives you one hell of a great time. I want another Payne soon in a theater near me.

Sad, disillusioned and depressed middle school teacher/aspiring novelist Paul Giamatti takes his best friend (Thomas Haden Church) to California's wine country for one last week of freedom before he marries. Church is on the prowl though and extremely horny as he wants nothing more than to sleep with women before his wedding. Thus these two opposites (who are more alike than they appear on first glance) have all sorts of adventures and misadventures. They meet two women (Virginia Madsen and Sandra Oh) and immediately take an interest in them. Divorcée Giamatti is shyly attracted to Madsen while Church falls in lust real quick with Oh. What is going to transpire over this week? Outstanding direction by Alexander Payne (who is one of the better "new-age" film-makers) knows which comedic and dramatic buttons to push here. His screenplay (which he co-wrote with cohort Jim Taylor) is deeper than it appears on the surface. Just like "Election" and "About Schmidt", "Sideways" works because the characters are quirky and hilarious, but also vulnerable and real. The four leads are remarkable with Church stealing the show and Madsen doing the work of her life. Giamatti's quiet and heartfelt role makes you sympathize and care for this flawed man. An intelligent adult-themed comedy/drama that works from many angles. 4.5 out of 5 stars.

'Sideways' might be this year's acid test of whether you like good movies or not. It will be exciting over the next few weeks to see if the justifiably positive buzz surrounding this film and a good audience turnout (in San Francisco it was well attended, at least) will entice viewers. Without a teen audience it cannot be real blockbuster, but 'My Big Fat Greek Wedding' drew out the 50-somethings and it wasn't even a very good movie!

The premise: two friends (Paul Giamatti as Miles, Thomas Haden Church as Jack) set off on a road-trip before Jack's wedding a week hence. Miles, a teacher with aspirations of publishing a novel and Jack, a veteran actor (but not exactly prospering) are resolved – well, Jack is anyway – to have some fun as they sample wine and play golf while heading up the California coast.

What ensues is that Jack, committed at a bachelor-party level ( Miles is still reeling from his divorce two years previous) has to prod his less-than-enthusiastic accomplice to lighten up. Meeting a likely pair of attractive female matches, things get more complex. What comes of Jack's misadventures and Miles' reluctant accompaniment is not only borderline hysterical but painfully closer to our own experience than might be comfortable.

Director Alexander Payne (he of the fabulous'Election') has really assembled all the necessities here. A great cast working with solid material rarely misses; here is proof. Paul Giamatti – showing us his everyman acting chops in last year's 'American Splendor', is our James Gandolfino for 2004. Thomas Haden Church (his resume sports a long string of small screen and TV parts) is such a scene stealer that it will be a film-crime if we don't see him in some lead role in the near future.

The girls. Virginia Madsen (Miles' love interest Maya) and Sandra Oh (as Jack's fling thing Stephanie) turn in striking performances, with Ms. Oh showing us charming and vicious in equal measure; but in particular she epitomizes the date every man always wanted to have, showing an intangible sexuality not easily conveyed in film.

In an interview (http://www.darkhorizons.com/news04/sideways3.php) with Director Alexander Payne we hear an interesting comment about how typical 'art-house' fare might shake the industry:

'I want Sideways which has no movie stars in it, and a movie for which I had final cut, to make money, not just for my own career but for other film makers so that film makers and studios can point, if I didn't have stars to make money, Sideways didn't have a gun or a chase even though that made money, we have to be changing our cinema, little by little and have more human films. But the only way it's going to happen is there are examples they can point to, where they made money. It was just like that in the late 60's and 70's. Look, Easy Rider made money, The Graduate made money, Midnight Cowboy made money, and we should make more movies like those. That's what we need.'

It is indeed.

Rating: Four Stars.

My girlfriend is lucky enough to be on the Screen Actor Guild Awards nominating committee this year, so the promotional DVDs are flowing in, and SIDEWAYS is absolutely the best film we've seen so far. (Kinsey is a close second.) Paul Giamatti should get a nomination for this, and I want people on IMDb to start understanding that when you critique a film, it's not ALL about liking the character-- one IMDBer commenting on this film trashed Sideways because she thought the characters were morally bankrupt, and I challenge all of you to show me a good movie where the main characters aren't! That's how the necessary element of conflict is created in a story!

Can you really only enjoy films where the characters in them are people you'd have over for dinner? OPEN YOUR MINDS! Feature Films are not popularity contests, and as far as I'm concerned, neither are awards competitions. Giamatti steals cash from his mother's bedroom dresser drawer near the beginning of the film. Morally reprehensible? Absolutely! But my heart broke for him when he did it. You could see how much he hated himself in that moment!!! Giamatti's ability to have intensely personal thoughts flash through his eyes like flickering film through a projector, all the while maintaining such beautiful stillness, was for me breathtaking. Giamatti makes you completely suspend your disbelief...he makes you feel like you have ESP!!!

Thomas Hayden Church was hilarious as his ex-college roommate/infantile thirtysomething playboy buddy who can't let go of "his plight." He's a stitch. And I agree with everyone, Virgina Madsen makes you melt in this film. She is scrumptuous. Remember, IMDb moralists,...people who live in glass movie-houses, shouldn't throw popcorn! ~peace