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Sideways - In viaggio con Jack

Titolo originale: Sideways
  • 2004
  • T
  • 2h 7min
VALUTAZIONE IMDb
7,5/10
212.403
LA TUA VALUTAZIONE
POPOLARITÀ
1767
528
Thomas Haden Church and Paul Giamatti in Sideways - In viaggio con Jack (2004)
Trailer
Riproduci trailer2: 30
5 video
99+ foto
Buddy ComedyCommediaCommedia darkDrammaRomanticismoViaggio on the road

Due uomini quasi quarantenni con pochi successi intraprendono un viaggio di una settimana nella regione del vino della California, proprio quando uno dei due sta per sposarsi.Due uomini quasi quarantenni con pochi successi intraprendono un viaggio di una settimana nella regione del vino della California, proprio quando uno dei due sta per sposarsi.Due uomini quasi quarantenni con pochi successi intraprendono un viaggio di una settimana nella regione del vino della California, proprio quando uno dei due sta per sposarsi.

  • Regia
    • Alexander Payne
  • Sceneggiatura
    • Rex Pickett
    • Alexander Payne
    • Jim Taylor
  • Star
    • Paul Giamatti
    • Thomas Haden Church
    • Virginia Madsen
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,5/10
    212.403
    LA TUA VALUTAZIONE
    POPOLARITÀ
    1767
    528
    • Regia
      • Alexander Payne
    • Sceneggiatura
      • Rex Pickett
      • Alexander Payne
      • Jim Taylor
    • Star
      • Paul Giamatti
      • Thomas Haden Church
      • Virginia Madsen
    • 972Recensioni degli utenti
    • 156Recensioni della critica
    • 94Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Vincitore di 1 Oscar
      • 123 vittorie e 91 candidature totali

    Video5

    Sideways
    Trailer 2:30
    Sideways
    Sideways
    Trailer 2:29
    Sideways
    Sideways
    Trailer 2:29
    Sideways
    Sideways Scene: Are You Chewing Gum?
    Clip 1:28
    Sideways Scene: Are You Chewing Gum?
    Sideways Scene: I'm Not Drinking Merlot
    Clip 0:58
    Sideways Scene: I'm Not Drinking Merlot
    Sideways Scene: Why Are You So Into Pinot?
    Clip 1:22
    Sideways Scene: Why Are You So Into Pinot?

    Foto166

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
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    + 160
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    Interpreti principali39

    Modifica
    Paul Giamatti
    Paul Giamatti
    • Miles
    Thomas Haden Church
    Thomas Haden Church
    • Jack
    Virginia Madsen
    Virginia Madsen
    • Maya
    Sandra Oh
    Sandra Oh
    • Stephanie
    Marylouise Burke
    Marylouise Burke
    • Miles's Mother
    Jessica Hecht
    Jessica Hecht
    • Victoria
    Missy Doty
    Missy Doty
    • Cammi
    M.C. Gainey
    M.C. Gainey
    • Cammi's Husband
    Alysia Reiner
    Alysia Reiner
    • Christine Erganian
    Shake Tukhmanyan
    • Mrs. Erganian
    • (as Shaké Toukhmanian)
    Shaun Duke
    Shaun Duke
    • Mike Erganian
    • (as Duke Moosekian)
    Robert Covarrubias
    Robert Covarrubias
    • Miles's Building Manager
    Patrick Gallagher
    Patrick Gallagher
    • Gary the Bartender
    Stephanie Faracy
    Stephanie Faracy
    • Stephanie's Mother
    Joe Marinelli
    Joe Marinelli
    • Frass Canyon Pourer
    Chris Burroughs
    • Chris at Stanford
    Toni Howard
    • Evelyn Berman-Silverman
    • (voce)
    Khoren Babouchian
    • Armenian Priest
    • (as Rev. Fr. Khoren Babouchian)
    • Regia
      • Alexander Payne
    • Sceneggiatura
      • Rex Pickett
      • Alexander Payne
      • Jim Taylor
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti972

    7,5212.4K
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    10

    Recensioni in evidenza

    8ociopia

    Excellent expose of narcissism on two sides of the same coin

    A woman's take on this is probably not the same as a man's. Initially I was put off by Charles Hayden's Church's character crudeness and Giamatti's character's repulsiveness but that changed was I was able to look below the surface. By the end of the movie, I felt very sorry for Church as he was not only dumb and shallow, he was actually so empty that whatever female was before him became a mirror of his need to connect with anything that felt like caring. Church did a fabulous job and was incredibly believable as a has-been wannabe, desperate to hold on to his dream of the kind of good life that is bought by charm and good looks. He is just on the edge or realizing his time is running out and that is a whole lot for this character to absorb as he has never given much to the concept of "thought."

    Giammeti is a pitiful, self-absorbed, destructive, depressed alcoholic whose in possession of two "things." He knows a great deal about wine and he has written a book. Nothing else informs him. Yet his performance is so nuanced that we are able to fill in his depth of character and decency primarily through his huge, limpid eyes. What a performance. He should have been nominated for an academy award. This is a role that comes along once-in-a-lifetime for this type of character actor, like Liza in Cabaret.

    The women are really nothing more than backdrops or props for the men to expose themselves. Madsen is lovely but you do wonder what on earth she really sees in this man. While he may be redeemable, he is really pretty much a self-absorbed jerk. It is most interesting that this film has been released at the same time as Closer, as they are similar in their exploration of self-absorption. Though Closer explores how destructive its characters are to each other, in the end, Closer is not as intimate and seems more artificial than the sweetly revealing Sideways.
    9emp32

    Strong Acting, Character Development and Dialogue

    I love movies like Sideways for many reasons. One may be that I will never see a commemorative Sideways bottle of wine or the Sideways happy meal at McDonald's. My point is that Sideways is a great movie and nothing more. It doesn't rely on blockbuster star power. It doesn't need flashy special effects or gimmicks. Paul Giammatti performs flawlessly as a flawed and deeply troubled character. I found myself forgetting he was acting. I only saw the character he was playing and became engrossed by his presence. Thomas Haden Church offers a very nice contrast by playing what appears to be a two-dimensional, sophomoric, womanizer. The story is simple and focuses more on character development. It is easy to connect with each of the main characters. They may not be likable but what they are is human. If you can't relate to them personally, they remind you of a family member or close friend. Overall, this film is for those who like movies based in reality, which as you will see can produce some of the most bizarre and comical situations of all. If you like movies with jokes you don't have to think about (Who doesn't from time to time) don't worry, this film has a surprisingly high amount of low brow, immature, vulgar humor, mixed with the dry and subtle. Give it a try. 9/10
    7Xstal

    'Pasture animals waiting for the abattoir'...

    ... but aren't we all, regardless of our wine variety and tastes. Middle aged men make merry and melancholy in a film that makes you smile and yearn to go wine tasting in California.
    gcrokus

    Acid Test

    'Sideways' might be this year's acid test of whether you like good movies or not. It will be exciting over the next few weeks to see if the justifiably positive buzz surrounding this film and a good audience turnout (in San Francisco it was well attended, at least) will entice viewers. Without a teen audience it cannot be real blockbuster, but 'My Big Fat Greek Wedding' drew out the 50-somethings and it wasn't even a very good movie!

    The premise: two friends (Paul Giamatti as Miles, Thomas Haden Church as Jack) set off on a road-trip before Jack's wedding a week hence. Miles, a teacher with aspirations of publishing a novel and Jack, a veteran actor (but not exactly prospering) are resolved – well, Jack is anyway – to have some fun as they sample wine and play golf while heading up the California coast.

    What ensues is that Jack, committed at a bachelor-party level ( Miles is still reeling from his divorce two years previous) has to prod his less-than-enthusiastic accomplice to lighten up. Meeting a likely pair of attractive female matches, things get more complex. What comes of Jack's misadventures and Miles' reluctant accompaniment is not only borderline hysterical but painfully closer to our own experience than might be comfortable.

    Director Alexander Payne (he of the fabulous'Election') has really assembled all the necessities here. A great cast working with solid material rarely misses; here is proof. Paul Giamatti – showing us his everyman acting chops in last year's 'American Splendor', is our James Gandolfino for 2004. Thomas Haden Church (his resume sports a long string of small screen and TV parts) is such a scene stealer that it will be a film-crime if we don't see him in some lead role in the near future.

    The girls. Virginia Madsen (Miles' love interest Maya) and Sandra Oh (as Jack's fling thing Stephanie) turn in striking performances, with Ms. Oh showing us charming and vicious in equal measure; but in particular she epitomizes the date every man always wanted to have, showing an intangible sexuality not easily conveyed in film.

    In an interview (http://www.darkhorizons.com/news04/sideways3.php) with Director Alexander Payne we hear an interesting comment about how typical 'art-house' fare might shake the industry:

    'I want Sideways which has no movie stars in it, and a movie for which I had final cut, to make money, not just for my own career but for other film makers so that film makers and studios can point, if I didn't have stars to make money, Sideways didn't have a gun or a chase even though that made money, we have to be changing our cinema, little by little and have more human films. But the only way it's going to happen is there are examples they can point to, where they made money. It was just like that in the late 60's and 70's. Look, Easy Rider made money, The Graduate made money, Midnight Cowboy made money, and we should make more movies like those. That's what we need.'

    It is indeed.

    Rating: Four Stars.
    9terrygiu2000

    Alexander The Great

    What a refreshing adventure great writing really is. Through the mind, heart and soul of a filmmaker like Alexander Payne you can enter forbidden territory and dive into experiences that, at first glance, seem so far removed from our own. Little tales with enormous, universal implications. Paul Giamatti, Thomas Haden Church and Virginia Madsen jump out of the screen and as soon as the movie ends we find them sitting next to us. We get home and find them waiting for us there, we even find them on the mirror looking back at us. This is the sort of movie going experience that will never get old. Its strength is in its truth. You may not like it, you may even resent it. Good, that's what art is all about. It provokes you. It motivates and inspires you. And as if all that wasn't enough, it entertains you it amuses you, it gives you one hell of a great time. I want another Payne soon in a theater near me.

    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      During his audition, Thomas Haden Church stripped naked because that was what the scene called for. He later learned that he was the only actor to do that.
    • Blooper
      When Miles is doing his crossword puzzle while driving, his speedometer reads zero.
    • Citazioni

      Jack: If they want to drink Merlot, we're drinking Merlot.

      Miles Raymond: No, if anyone orders Merlot, I'm leaving. I am NOT drinking any fucking Merlot!

    • Curiosità sui crediti
      No California oak trees were harmed during the making of this production.
    • Connessioni
      Edited into The Clock (2010)
    • Colonne sonore
      Thursday Night at Pasquale's
      Written and Performed by Astrid Cowan

      Courtesy of Astron Records

    I più visti

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    • What wines are they drinking throughout the film?

    Dettagli

    Modifica
    • Data di uscita
      • 16 febbraio 2005 (Italia)
    • Paese di origine
      • Stati Uniti
    • Sito ufficiale
      • Fox Searchlight
    • Lingue
      • Inglese
      • Armeno
      • Francese
    • Celebre anche come
      • Entre copas
    • Luoghi delle riprese
      • Solvang, California, Stati Uniti(location)
    • Aziende produttrici
      • Fox Searchlight Pictures
      • Michael London Productions
      • Sideways Productions Inc.
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 16.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 71.503.593 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 207.042 USD
      • 24 ott 2004
    • Lordo in tutto il mondo
      • 109.706.931 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      2 ore 7 minuti
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
      • DTS
    • Proporzioni
      • 1.85 : 1

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