Così fan tutti

A beautifully crafted and acted film where the director Agnes Jaoui, who incidentally plays a leading role in the film supporting and coaching, Marilou Berry as Lolita a budding singer, for me the star of the film, who has to come to terms with her father's and his immediate circle of friends individualism.

As in all good films the pace is wonderful as the protagonists are slowly bought together, egos waxing and waning as they seek out what is best for themselves and to hell with everyone else. That is except for Sebastian who early in the film senses Lolita's, unbeknown to her, egalitarianism. The film ends with Lolita's awakening to the richness of a sharing society, while the director announces where her sympathies lie courtesy of the father's hi fi player.

Yet another French cultural swipe at Hollywood. Highly recommended.

The breath of fresh air - refined, funny, ironic, in the best traditions of Chekhov's plays, this movie is a triple triumph for its writer/director/star Agnes Jaoui. "Look at me" is the story of 20 years old Lolita (rarely a name mismatches a girl so much. Lolita is a pudgy young woman with a very low self-esteem even though she's got a beautiful voice and passion for singing) who desperately craves her father's attention. Ironically, her father, one of the most famous writers in France, known for his deep, observant and subtle novels is an arrogant, self-centered, and self-involved man who hardly acknowledges Lolita - just to criticize her. He never finds time to listen to the tape Lolita made especially for him in hope to get his interest and approval. The beauty of the script and the movie is that Agnes Jaoui does not use only black or white colors to paint her characters. They turn with their different facets to the viewers and the film itself is a precious gem. The acting is superb by everyone. As a bonus treat, we will hear some of the most beautiful music every written, including the pieces by Monteverdi and Handel.

9/10

Comme une image (2004) was co-scripted and directed by Agnès Jaoui. (The film is known as Look at Me in the U.S. It's a reasonable title--just not the title the Director gave it.)

The plot concerns a group of educated and successful Parisians whose lives intersect in both Paris and Burgundy. The protagonist is Lolita Cassard, played by Marilou Berry. Lolita is a dedicated vocal student, whose most serious problem is that her father--played by Jean-Pierre Bacri--is too self-absorbed to pay much attention to her. Étienne Cassard is a noted author and publisher, who cares about his work, his position of power, and, to some extent, his beautiful trophy wife and their young daughter (Lolita's half-sister). Lolita's life is more trouble to him than he cares to accept, so he chooses to ignore her or belittle her.

Lolita is overweight, and acutely conscious of this because she is surrounded by elegant women of all ages who are slender. Lolita blames her problems on her weight and--reasonably enough--she can't bring herself to accept her father's lack of interest, let alone his lack of compassion.

Into this equation comes Sylvia Millet, Lolita's vocal coach. Incredibly, director/screenwriter Jaoui also stars in this pivotal role. (It's hard to believe that Jaoui can be both an outstanding director and an experienced star. It's even harder to believe that she can direct herself in such a nuanced and intelligent performance. She must be Wonder Woman!)

Sylvia has true compassion and affection for Lolita, but she's not a saint, and is not above using her influence with Lolita to advance her husband's writing career.

To my mind, Agnès Jaoui represents the perfect French film star. She looks talented, intelligent, and strong, and she's also very attractive in a non-conventional way.

One reviewer wrote, "Look at Me is about nothing and everything simultaneously." I disagree. It's not about everything, but it is about love, friendship, ambition, hurtfulness, and betrayal.

Classical music is played and sung throughout the film, and it's outstanding. Be prepared to hear songs and arias by Verdi, Offenbach, Monteverdi, and Mozart.

Jaoui (with her costar Bacri) won the Best Screenplay award at Cannes. With great acting, direction, music and script, this movie is not to be missed!

The film begins with a character speaking on her cellphone but unable to be heard because the taxi driver is playing his radio at such a loud volume -- which is a fitting preface to the rest of the film, in which characters try desperately not only to be seen (as in the title, translated only approximately from the French "Comme Une Image"), but to be heard. At the heart of the story is a daughter's inability to be heard, quite literally, by her father -- who will rarely acknowledge his daughter and refuses to listen to his daughter's cassette of her singing classical music. Aside from the main father/daughter relationship, the film is full of types that are at once fresh and recognizable (the unctuous friend of the celebrity, the slightly defeated wife of an author, who has subsumed her own passions for music to his passion to be a famous author). This will come as no surprise to those familiar with Jaoui's other work. Though not groundbreaking cinema, Look At Me is two hours very well spent in a theater.

A superb comedy/drama. Agnés Jaoui, who co-wrote and directed, also has a major acting role in this story of several people who buzz around a self-centered, rich and famous writer and publisher. His teenage daughter, Lolita, who is desperate for his attention, is pretty and a talented singer, but overweight, with low self-esteem. She is resigned to guys asking her out in order to get the opportunity to pitch projects to her father. Jaoui is the Lolita's voice teacher. She also uses the young women to advance her husband's unsuccessful writing career, but later comes to regret her actions. Marilou Berry is fine as Lolita. Jean-Pierre Bacri gives a human face to the egotistical father. Bacri makes him a man who simply cannot understand how his actions – no matter how cruel – could possibly be taken badly. All of the other performers, including Jaoui, do outstanding jobs. This is the kind of character-driven comedy that we hope to get every time we see a new Woody Allen movie. But Woody has disappointed us for so long and so many times that maybe we can now recognize a new talented triple-threat. I am already looking forward to the next Agnés Jaoui film.