Captivity

Elisha Cuthbert was perfectly fine in the recent House of Wax (which was the same kind of role), but occasionally seems totally adrift here. This is the fault of the director (Roland Joffe - who was once a decent film-maker), but it's hard to single him out for criticism as every single aspect of this film seems to be just as lousy and half-arsed as the next. The look of the film, the story, the characters and the dialogue have no personality or life of their own and instead are clearly uninspired wholesale rip-offs of those found in the likes of the Hostel and Saw films and then reassembled into this dull, turgid, mess. If you want an example of an inept, unloved, souless, studio-funded zeitgeist cash-in flick then here it is. Avoid.

I'm a fan of the Saw series, and Hostel (not of Hostel 2). I enjoy these types of movies and I'm only a tad ashamed. Call me a dumb, violence seeking goon but these movies are entertaining.

What's this got to do with Captivity? Well, nothing really. I was drawn to this movie because I thought it was going to be another retelling of this sick sub-genre of horror that I do so love. I was sadly disappointed because this absolutely is not a "torture porn" movie. It would have been much more honest of the production company, After Dark Films, to say it was a thriller with slight torture porn inklings (very slight).

Maybe, the folks at After Dark didn't actually see the movie. What I saw was psychological in nature and dealt much more with assaults on the mind of those captive than it did with actual assaults on the bodies of those captive. Yes, there is some blood and some nasty gore but nothing like Saw or Hostel or even Touristas.

Understand that if you don't like Saw, Hostel etc., then this is a good choice for a horror/thriller to go see this weekend.

Now that that's out of the way I'll just say: It's not a great movie but adequate. A solid B-movie endeavor. Fun, kind of stupid at times, pretty good acting by the luscious Elisha Cuthbert (for the guys-your girlfriends might get jealous) and the director, Roland Joffe (best known for The Mission, The Killing Fields), imbued the entire film with a look that worked very well to be creepy and ominous. It moves fairly quickly, lags a bit in the middle and ends with a slightly predictable twist but really you don't care at that point because, surprise, you've been entertained. Well, at least I was even though my hunger for gore was only slightly abated.

B-

I liked the movie for what it is, a movie to pass the time on a rainy afternoon.

Unfortunately, the story is not that great. And with an avalanche of similar themed movies recently, this one really needed to shine to stick its head out above the rest. Don't expect too much of it. One known actress doesn't make a good movie, so don't blame one person for the script etc. Still worth seeing if you're invited by someone else to see it.

The end of the movie could have been with a bit more suspense I thought.

Keywords of movie: Horror/Torture; Facing of ones own fears and strengths.

Story Genre: a Torture Horror; a Suspense Thriller; a Psychological Thriller

The Story centers around two young people as they Endure endless tests of their inner strength, It is disclosed that the tests hold a much deeper meaning, as fears must be faced, those unthinkable situations are presented.

The movie held my interest, as I learned more about their backgrounds, and the very small hints only to the identity of the bad guy(s) The characters were nicely portrayed and the plot was smoothly played out. Elisha Cuthbert;The main female character was beautiful, she had a helpless kitten way about her, yet knew underneath she had a tiger that could emerge and attack. Daniel Gillies;The lead male, wow now this guy is going to go far, he can surly act with the best of them. He is built he has a confidant take charge manner, with a gentle touch. He has an air about him, almost aloof.

I only felt a mild sense of boredom towards the middle, it seemed more focused on trying to get a sex scene in the movie than the actual story line. And I found the many actual torture scenes to be enough to keep me squirming in my seat.

The ending blew my mind, I thought I had it figured out middle way through, but was totally wrong, Lol, very well done.

Even though the actual plot is not totally unique, I felt this time the character was much better able to keep the facade going longer thus keeping the audience in suspense longer.

I felt very entertained after viewing the movie, the rest of the night was spent in discussion of the movie pointing out each characters strong points and how each scene played out. I know I will be telling all my friends about the movie, and seeing if they won't watch the movie and join the discussion and appreciation of the work of art.

'Torture porn' is one of the most tedious trends to happen in horror for years, but I do love me a bit of Elisha Cuthbert, so into the player went Captivity, another supposedly 'brutal' and 'gruelling' entry in this redundant sub-genre distributed by the usual culprits, Lionsgate Films.

The beautiful, pillow-chested star of TV's 24 plays Jennifer Tree, a successful young model who winds up imprisoned in a grimy, booby-trapped dungeon after her drink is spiked at a nightclub. There she is put through a series of terrifying and disgusting ordeals, before meeting and falling for fellow prisoner Gary, whose suffering helps her find the strength to fight back against their tormentor.

Captivity, from once respected director Roland Joffé, is clearly intended to outdo the Hostels and Saws in terms of shock horror and depravity, and to its credit, it is extremely revolting at times, even managing to make me gag during one scene involving body parts and a food blender; however, once the film leaves familiar torture territory and attempts to introduce a few plot twists, it completely falls apart due to its sheer predictability.

Most viewers should be able to guess what is coming way before it happens, and the film's major revelation is so bloody obvious its hard to believe that even a vacuous, image-obsessed model like Jennifer would be surprised by it (and it's even harder to believe that such a hackneyed script came from seasoned horror veteran Larry Cohen).

As the end credits rolled, I noticed that this film was produced with the help of director Courtney Solomon, the 'genius' responsible for such garbage as Dungeons and Dragons and An American Haunting; seems like he's no longer content to just direct crap films—now he assists others with the making of them too!