I delitti della luna piena

1851 Galicia , an uproar is caused when some mutilated cadavers are discovered. Wolves plague the forests. People are disappearing. The mutilated cadavers present precise surgical cuts along with savage gashes ,giving way to the legend of the "Werewolf of Allariz". A traveling vendor (Julian Sands) along with his wife (Maru Valdivieso) and daughter rolls through the forest in his old wagon. A woman from every village on his route faithfully awaits him. He's attractive, intelligent, charming.... But he's also the monster feared by all. His most recent prey, Barbara (Elsa Pataky) will soon become the one who hunts him down .

This exciting terror picture displays drama , action, suspense, with mysterious touches and is quite entertaining . The frightening story begins well and grows more and more until a downbeat finale. It's some different containing Galicia legends and actual events but with clear reference to previous werewolves films . Good performances from Julian Sands as traveling seller who hides a terrible secret and Elsa Pataky as unfortunate victim who seeks vengeance . The transformation of man into werewolf is complex and is made by expert make-up artist with no computer generator FX .The writers provide a well-knit plot with mystery and horror, giving full rein to Paco Plaza natural talent for the terror genre . Colorful cinematography by Javier Salmones and atmospheric musical score by Mikel Salas fitted perfectly to suspense action .The flick is finely produced by the chairman of Filmax and Castelao Productions , Julio Fernandez who along with his brother Carlos Fernandez are two successful producers and experts on Horror genre , producers of hits as ¨The machinist¨ ,¨ Fragiles¨, ¨Darkness¨, and many others. The picture is professionally directed by Paco Plaza (Second name, OT) who along with by Jaume Balaguero are the main Spanish filmmakers expert on terror cinema , both of whom have realized the box-office big successes as ¨Rec 1¨ and ¨Rec 2¨ , among others . It's a standard terror and sometimes graphically gory and turns out to be an acceptable attempt to cash in the werewolf sub-genre. Rating : 6,5 Good .

The film is based on the true-life story of Manuel Blanco Romasanta, the traveling vendor, who confessed to the murders of thirteen people, using their body fat to make soap. Romasanta was tried in Allaríz in 1852 and avoided capital punishment by proclaiming he was a werewolf. Barbara was the lone survivor of four sisters . He obtained pardon to death penalty by queen Isabel II but was condemned life penalty . He died in prison .

In the desperate hunt to find a werewolf film of any standing discovered Romasanta. Unfortunately it seems i've wasted over two hours on a movie which had the feel of a bad TV history re-enactment drama. My housemate and fellow viewer pointed out a variety of continuity errors. We agreed that It's poorly acted, scripted, dull and drags like a dog with worms drags his arse across the carpet. I can't submit this review without writing ten lines but I really don't know what to say anymore, apart from we yawned a bit and stared at the wall a few times. We discussed how clapping originated, looked at his new shoes that he'd purchased online and how there aren't many good werewolf films, which is a shame.

But really I wouldn't bother watching this if I were you.

Romasanta: The Werewolf Hunt is based on the true story of Manuel Blanco Romasanta, Spain's first documented serial killer, who claimed at his trial that he was not responsible for the numerous murders he committed since he was suffering from a curse that turned him into a wolf (always worth a go, I suppose).

The film takes place in 1851, in a rural Spanish community where there has been a spate of deadly attacks, presumably by wolves. Travelling salesman Manuel Romasanta (played by the very English Julian Sands, who makes zero attempt at an accent) arrives in the area to visit his girlfriend Maru Valdivielso, who shares her home with her rather lovely sister Bárbara (Elsa Pataky) and their young deaf niece Teresa (Luna McGill).

Seemingly concerned for their safety, Manuel offers to escort Maria and Teresa to Santander, but the girls never make it to their destination, their charming travelling companion attacking them in the forest, believing himself to be a lycanthrope—a man who can transform into a wolf. When Manuel returns to Bárbara, he seduces the unsuspecting woman, but is unable to hide the truth for very long…

With its mid-19th century European setting, ambiguous werewolf plot, and stunning visuals, Romasanta reminded me a lot of Christophe Gans' The Brotherhood of the Wolf; but like that film, Romasanta suffers from a plodding and slightly confusing narrative, one that makes matters hard going, even despite a few genuinely twisted moments involving sticks in eyes and the removal of body fat, a fairly decent transformation scene, and the sight of Pataky in a tin bath having her breasts soaped up by Sands.

If you're one of those people who quite enjoyed "La Pacte des Loups" (Brotherhood of the Wolf) a few years back but were left disappointed by some of the more ridiculous historical inaccuracies, then you might want to take a look at Romasanta.

The story of Manuel Blanco Romasanta is quite a well known one in Spain. It happened in the mid-nineteenth century, when a string of violent deaths took place which seemed in some ways like animal attacks, and in others like cold and calculated murder. Eventually a man was arrested -- Manuel Romasanta, and it was found that he used the body fat from his victims to make soap. At his trial he claimed that he became a werewolf, and that it is the nature of a wolf to kill. He was diagnosed with the psychological condition of lycanthropy, and given a life sentence rather than death.

The film itself is based largely on truth, partly on speculation and partly on pure invention for artistic purposes. It's certainly a lot closer to the truth than "Brotherhood of the Wolf" was, anyway. One character is knowingly invented, and some rather unlikely theories are put forward in the place of that which is unknown, but the question of whether or not Romasanta was actually a werewolf is left completely open. Paco Plaza appears to be a competent and innovative director, and the style of the film is really superb. It is quite slow moving, and arguably it's rather light on actual story and plot, but that's about as far as the criticism goes.

There are several great performances, but the standout comes from Julian Sands as the title character, who submerges himself in the role in the way that only outstanding actors can. John Sharian is also very good as the misguided, haunted 'partner' of Romasanta, and both Gary Piquer and David Gant are memorable in supporting roles as those who finally bring the murderer to justice. It also features Elsa Pataky as the leading heroine, who has become a huge sex symbol in Spain and it isn't hard to see why -- think along the lines of a Spanish Keira Knightley.

This is the finest historical werewolf film I've ever seen, and any self-respecting werewolf buff should take a look, but unfortunately there's not much chance of this one being a blockbuster.

I must say that this was better than expected. It helps if you do some research on the Tallow Man himself, Manuel Blanco Romasanta, before watching. That way you know not to expect a traditional werewolf film. ROMASANTA is more of a drama/biography/thriller. It tells the tale of a traveling salesman/serial killer/self-professed wolf from Spain in the mid 1800s. There are a bit of facts either left out or just completely wrong in the film, but it is still worth the watch. Like I said, I do recommend reading about the actual case first though. And if you don't like reading, all I can say is don't expect a straight-up werewolf horror story and you should enjoy it.