Uno scrittore di successo nel bel mezzo di un doloroso divorzio viene perseguitato nella sua remota casa sul lago da un aspirante sceneggiatore che lo accusa di plagio.Uno scrittore di successo nel bel mezzo di un doloroso divorzio viene perseguitato nella sua remota casa sul lago da un aspirante sceneggiatore che lo accusa di plagio.Uno scrittore di successo nel bel mezzo di un doloroso divorzio viene perseguitato nella sua remota casa sul lago da un aspirante sceneggiatore che lo accusa di plagio.
- Premi
- 3 candidature totali
John Dunn-Hill
- Tom Greenleaf
- (as John Dunn Hill)
Recensioni in evidenza
Secret Window's tag line "Some windows should never be opened" is so snarkily appropriate in its unintentional damning of this ridiculously overwrought psychothriller that it's a wonder some smart underling at Columbia hasn't leapfrogged up the studio ladder by pointing it out to the powers that be. Their error is the critics' gain, though, and even the presence of Johnny Depp, as novelist Mort Rainey, can't save this film from its own unintended melodramatics. Secret Window lacks a B-movie sucker punch, and by the final reel it degenerates into a hackneyed mishmash of obvious revelations and cheap, ineffective horror theatrics despite Depp's mangy fun. There's no car crash in this one as in his current television project Kingdom Hospital and much of his recent writing King penned it before that wayward van almost took him out of the running forever but the film itself is an effective enough metaphor for out-of-control bs that frankly was part and parcel of King's novella from page one.
Secret window is a quite entertaining movie with an intrigue story line. From the very beginning, you feel engaged and wonder what will happen next. However, the ending is very very cliché and a big let down. A promising suspense movie that blows it at the finale. I wish they worked out the ending and come up with a better one. If you noticed, the lead actress here was playing in the "pay back". There she was the lover of the hero who was betrayed by his wife. Here she plays the betrayer. A twist of faith. If nothing, Secret Window is worth watching just for Depp. Also I like Charless Dutton as always, although his role here is limited. (I don't know what is with this guy, he is so sympathetic and fills every role he is in)
This movie should be paying huge debts to much better psychological thrillers like PSYCHO or MISERY (coincidentally, the latter is another Stephen King book adaptation), but nevertheless, SECRET WINDOW is creepy, disturbing and haunting. Not to mention it benefits from a strong performance from Johnny Depp.
"Secret Window" is another one of those eerie thrillers where danger lurks within the shadows. We can almost feel it, and so can the hero, as he walks through his house, armed with a weapon, ready to defend himself at all costs. He hears a noise from somewhere behind him, spins around, and suddenly realizes it was just his imagination. He sighs, puts down the weapon, turns around, and BOO! There's the bad guy, who has somehow managed to enter the locked home and avoid being detected. What if, I wonder, one of these times, the bad guy was seen as he entered? What if the Fisherman from "I Know What You Did Last Summer" had been spotted, and confronted, by one of the teenagers? What if Norman Bates' "Mother" had been exposed from the start? Then there presumably would be no movie, of course.
Although we know where "Secret Window" is headed quite early on, David Koepp (writer of "Panic Room" and director of the well-made "Stir of Echoes") manages to sustain the audience's interest through a series of suspenseful camera shots. Some are inventive, while others are merely fun to watch because we can guess where Koepp got his inspiration.
Mort Rainey (Johnny Depp) is a successful author who lives up north with his beloved dog and a laptop. He apparently abandons his social life, never gets a haircut, and wears quite silly-looking glasses. He has a sarcastic personality and presumably does not get along very well with the local residents, who generally keep to themselves anyway.
Mort's life is changed forever when a strange man named John Shooter (John Turturro) shows up at his doorstep claiming that Mort has "stolen" his story. Mort is handed a dirty manuscript. Within the pages are passages literally identical to those from Mort's own book, "Secret Window," published in 1994, three years before John claims he wrote his. "Secret Window," the novel, is about a man whose wife cheats on him. Fueled by rage, the fictional character murders his own wife and buries her in the "secret garden" located outside of the "secret window" of their home.
It is said that art imitates life, and through a series of flashbacks we learn that Mort's novel bears an eerie similarity to his own problems -- "six months ago" his wife (Maria Bello) had an affair with Ted (Timothy Hutton). Mort assumes that John Shooter has some sort of connection to his past, and hires a detective (Charles S. Dutton) to find the mysterious man, who always seems to appear out of nowhere when Mort is alone.
Depp's performance is the highlight of the film -- if Depp is imitating Stephen King (the author of the short story "Secret Window" is based on), he succeeds. Barely recognizable hidden underneath a layer of geeky clothing and a generally disheveled appearance, Depp once again proves that he can tackle any sort of role as an actor -- from a scared teenager who has to stay up ("A Nightmare on Elm Street") to a Hunter S. Thompson lookalike ("Fear and Loathing in Las Vegas").
Koepp, who wrote the screenplay for the film, realizes that the key to the story is Depp's performance wisely allows his primary actor to let loose. Meanwhile the co-stars all deliver fine, convincing performances and although the grand finale is a bit of a let-down, and terribly predictable, the movie's style is interesting. "Secret Window" is better than most in its genre, although by no means is it a masterpiece of any sort. Just an enjoyable Friday/Saturday night matinée, and worthy of recommendation if you're not looking for anything special.
I could criticize the "twist" of the movie and say that it has become one of the most overused solutions to Hollywood film thriller/mysteries of the past decade, but I won't spoil it, and let you decide for yourself whether it does the story justice.
Although we know where "Secret Window" is headed quite early on, David Koepp (writer of "Panic Room" and director of the well-made "Stir of Echoes") manages to sustain the audience's interest through a series of suspenseful camera shots. Some are inventive, while others are merely fun to watch because we can guess where Koepp got his inspiration.
Mort Rainey (Johnny Depp) is a successful author who lives up north with his beloved dog and a laptop. He apparently abandons his social life, never gets a haircut, and wears quite silly-looking glasses. He has a sarcastic personality and presumably does not get along very well with the local residents, who generally keep to themselves anyway.
Mort's life is changed forever when a strange man named John Shooter (John Turturro) shows up at his doorstep claiming that Mort has "stolen" his story. Mort is handed a dirty manuscript. Within the pages are passages literally identical to those from Mort's own book, "Secret Window," published in 1994, three years before John claims he wrote his. "Secret Window," the novel, is about a man whose wife cheats on him. Fueled by rage, the fictional character murders his own wife and buries her in the "secret garden" located outside of the "secret window" of their home.
It is said that art imitates life, and through a series of flashbacks we learn that Mort's novel bears an eerie similarity to his own problems -- "six months ago" his wife (Maria Bello) had an affair with Ted (Timothy Hutton). Mort assumes that John Shooter has some sort of connection to his past, and hires a detective (Charles S. Dutton) to find the mysterious man, who always seems to appear out of nowhere when Mort is alone.
Depp's performance is the highlight of the film -- if Depp is imitating Stephen King (the author of the short story "Secret Window" is based on), he succeeds. Barely recognizable hidden underneath a layer of geeky clothing and a generally disheveled appearance, Depp once again proves that he can tackle any sort of role as an actor -- from a scared teenager who has to stay up ("A Nightmare on Elm Street") to a Hunter S. Thompson lookalike ("Fear and Loathing in Las Vegas").
Koepp, who wrote the screenplay for the film, realizes that the key to the story is Depp's performance wisely allows his primary actor to let loose. Meanwhile the co-stars all deliver fine, convincing performances and although the grand finale is a bit of a let-down, and terribly predictable, the movie's style is interesting. "Secret Window" is better than most in its genre, although by no means is it a masterpiece of any sort. Just an enjoyable Friday/Saturday night matinée, and worthy of recommendation if you're not looking for anything special.
I could criticize the "twist" of the movie and say that it has become one of the most overused solutions to Hollywood film thriller/mysteries of the past decade, but I won't spoil it, and let you decide for yourself whether it does the story justice.
This is one of the few movies that you will either love or hate. There is no middle ground. The people that have slammed this movie must not have understood a lot of the symbolism. Seriously, some of it is obvious but a lot of it would require you listen to the Director's commentary to catch.
While aspects of the story are predictable, you will never see the last couple minutes coming. Koepp made a film that HE believed in, with a finale that may not sit well with the general public. For this, I applaud him.
As I've noted on the message board, Koepp borrowed a page from Hitchcock's book and relied on our imagination to fill in the gaps during the violent sequences. Some of it is shown but certainly not all. Without question this film tested the limits of the PG-13 rating but Koepp did not take the easy way out and turn this film into an R-rated gore fest. This film proves that PG-13 films can be gritty and poignant.
Depp's performance is amazing, as can be expected. The cinematography is awesome. Watch this film with an open mind, taking to heart each character's motivations.
If you've already seen the film I would strongly suggest you watch the Featurettes and listen to the Director's commentary on the DVD. You may find this to be quite an eye opener.
My Score: 8/10 stars
While aspects of the story are predictable, you will never see the last couple minutes coming. Koepp made a film that HE believed in, with a finale that may not sit well with the general public. For this, I applaud him.
As I've noted on the message board, Koepp borrowed a page from Hitchcock's book and relied on our imagination to fill in the gaps during the violent sequences. Some of it is shown but certainly not all. Without question this film tested the limits of the PG-13 rating but Koepp did not take the easy way out and turn this film into an R-rated gore fest. This film proves that PG-13 films can be gritty and poignant.
Depp's performance is amazing, as can be expected. The cinematography is awesome. Watch this film with an open mind, taking to heart each character's motivations.
If you've already seen the film I would strongly suggest you watch the Featurettes and listen to the Director's commentary on the DVD. You may find this to be quite an eye opener.
My Score: 8/10 stars
Stephen King Movies Ranked by IMDb Rating
Stephen King Movies Ranked by IMDb Rating
See how IMDb users rank the feature films based on the work of Stephen King.
Lo sapevi?
- QuizIn the scene where Johnny Depp bursts in on Maria Bello and Timothy Hutton in the motel, David Koepp wanted Bello and Hutton to look shocked and scared. He made them both lie in the bed for fifteen minutes before Depp rushed in. The production crew set up large speakers that blared static noise when the script called for them to be scared. The lights in the room were also rigged to go on when Johnny Depp opened the door, startling the actors further. No one knew exactly how to act.
- BlooperAfter Mort gets out of his car to confront his wife and her lover at the motel, he closes the car door. It is both heard and can be seen in the rear view mirror. When he returns to leave a moment later, the car door is open.
- Curiosità sui creditiAt the end of the credits Johnny Depp can be briefly heard singing "Shortnin' Bread".
- Versioni alternativeThe camera pans down to the garden, fading to black when it reaches the dirt. The alternate ending continues underground to the roots of the cornstalks, where Ted and Amy's bodies lay.
- ConnessioniEdited from Il mondo perduto - Jurassic Park (1997)
- Colonne sonoreChico and the Man
Written by José Feliciano
I più visti
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Dettagli
Botteghino
- Budget
- 40.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 48.022.900 USD
- Fine settimana di apertura Stati Uniti e Canada
- 18.237.568 USD
- 14 mar 2004
- Lordo in tutto il mondo
- 92.913.171 USD
- Tempo di esecuzione1 ora 36 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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