King of the Corner

I saw "King of the Corner" at a pre-release screening at Bridgewater College in Virginia two days ago. I really thought it was wonderful. The story line both moving and extremely funny. There are several scenes from the film that I keep replaying in my mind and have talked to others about since viewing the film. (A sign of a great film.)

I thought the cast, writing and direction were excellent. While most of the audience where I saw the film was composed of college aged students, I am quite a bit older (in my early 40's). The film had wonderful cross-generational humor that suggested to me that viewers of all ages (18+) would find it enjoyable. It also was quite moving at times, especially for anyone who has had to deal with issues of ill family members.

I give the film my highest rating!!!

Don't miss it!

King of the Corner is a gift to us from a group of wonderfully talented actors (Eli Wallach, Isabella Rossellini, Rita Moreno, Peter Reigert and more) who are brought together by Peter Reigert to tell this story of a man coming apart at the seams. Leo is under pressure by his ailing dad, by a younger man competing for his job, by a wife unhappy with the marriage, by a difficult teenage daughter and by a sense of life losing all meaning. With a very healthy mix of humor and warmth, Leo lives the minutes and hours of his life fully and suffers his way forward in a way that we want to go with him and learn and live our way forward. This is a highly recommended film for everybody who wants to follow the human condition through the story of one man and his struggles.

First-time feature director Peter Riegert gathered a great ensemble cast for this combination of two short stories from Gerald Shapiros's wonderful book "Bad Jews" (recently featured in NPR interviews) about a middle-aged salesman and his family coping with aging parents, rebellious teens and former high school crushes from years past. Some of the products Leo (Riegert) does focus groups for are outrageous (a voice changer for phones that makes you sound like Gregory Peck, an alarm that scares off burglars with a pre-recorded family quarrel). His protege, Ed (Dustin Hoffman's son, Jake, described in the original screenplay as "looks like a young Dustin Hoffman" - what were the chances?) starts pushing for Leo's job while Leo's dad (Eli Wallach) steals scenes as a querulous curmudgeonly senior. Eric Bogosian is a welcome addition as a free-lance rabbi who makes Leo confront his father's legacy (best clerical scene-stealer since Rowan Atkinson in Four Weddings and a Funeral), and Mamma Mia! Rita Moreno, Isabella Rossellini and Beverly D'Angelo competing as "mature" sex symbols of the year! At today's Mill Valley Film Fest screening Peter said he'll open in NY & LA at least (March 2005)and build from there. A charming low-budget labor of love that may have to earn a reputation by word of mouth (unless someone from Miramax is paying attention- are you there, Harv?)...

Peter Riegert's feature directorial (and screenplay writing) debut and I'd say it was auspicious. He's assembled a great cast: Isabella Rossellini, a wonderfully curmudgeonly Eli Wallach, Eric Bogosian, with the usual quality work from Riegert himself, and a nice comic performance from Dustin Hoffman's son Jake. It has the feel of a European film: humor, pathos, manic comedy, more than one touch of wisdom and insight. This is a little fable that never loses its touch with reality, though in the way of many comedies it goes off the rails once or twice. Great ensemble work from Riegert and the entire cast--the film has a philosophical viewpoint, and yet is not afraid of showing real emotion. Highly recommended.

I screened this film at its Kansas City opening and found it an enjoyable and revealing tale of family life and a slice of modern Americana with more that one surprise and twist along the way. It is a film of depth and subtle textures that engages the audience by layers as it explores the personalities and relationships that propel the central characters through their lives. Peter Reigert and Isabella Rossellini turn in sensitive performances with a wonderful counterpoint provided by Eli Wallach in the role of the family patriarch.

Reigert's direction is cogent and trim, based on a literate, thoughtful script by Gerald Shapiro.