Elephant

Elephant (2003)

**** (out of 4)

Gun Van Zant's haunting and powerful look at a handful of teenagers at school leading up to a deadly shooting clearly inspired by the Columbine massacre. I'm not sure if I'd call this a flat out masterpiece but it's pretty damn close. The non-actors used was a terrific decision by Van Zant because it adds to us getting to know them and we're not distracted by any named actor who would clearly become the star of the film. The poetic camera movements just pulled me into this hypnotic imagery, which is somber at every turn and just grows sadder as the film moves along since we know where it's going to end. Van Zant also wisely doesn't glamorize any of the characters, which is important since I personally didn't see any type of message here. I think this film could have been used to display all sorts of messages but instead it's just a filmmaker with a camera and telling a story. The film isn't about weak kids taking revenge or about innocent kids being killed. The film isn't really about anything except for the sudden outbreak of violence, which can pop up at anytime and anywhere. The way Van Zant takes all the stories and blends them together is something we've seen countless times before but the director makes it all seem very original and unique here. A lot of films would try to answer questions but this one doesn't, which I think is another great move because we can never really understand the reasons behind these violent outbursts. It could have been the bullying, it might have been depression or it might have just been something to do for fun. To say this film is brave would be an understatement but balls isn't something common among films today and this one here certainly has them.

Depending on your point of view, this movie could have been boring or brilliant. For me, it was brilliant and disturbing. I get upset every time I see the interviews with the teens from columbine that day and want to cry every time i see the video's in the library. I didn't watch the entire film, i mostly listened to it. But that parts that I did watch were boring at first, then when I looked at it dramatically, they were amazing. even the simplist movements. I loved the style that the director filmed it visually and the time sequences.

I agree with the user that said that it showed how hopeless the children were. It shows the power of anyone with a motive and a gun. It's frightening to me. I'm in school right now and a bit scared. Anyone could be walking around with guns on them ready to shoot the school. If you've seen one of the Michael moore documentaries with the kid that has many guns hidden in his clothing, then you know how many weapons one can carry.

This movie opened my eyes though I wish it hadn't. It's frightening what can go on at any moment.

A refreshing film that was so simple that all of the complicatedness of the motives was so simply explained, and it worked. Not to mention the cinematography and lengthy shots were amazing. Also, from a 52 year old man, I expected worse of high school student dialogue, but boy was I surprised. Being in high school myself, I completely was convinced of this being actual high school dialogue, perhaps because much of it was improvised. I just cannot describe my feelings after watching the movie, like when most finish great films. It was realistic and simple, yet went to levels of insanity.

p.s.--the sound design was absolutely fantastic

Gus Van Sant's "Elephant" is what critics claimed it to be - an observation. The film strains very hard from any bias and undue sentimentality. It seeks to create a distanced atmosphere of void allowing the viewer to fill it with his / her emotional or intellectual reaction.

Does it work? In maintaining his distance Van Sant succeeds admirably, faltering only once or twice, satisfying some distasteful or satirically exaggerated high-school cliche. For instance, the camera follows three clearly popular girls, all concerned with their diet, through the lunch line in the cafeteria to the table where they have an empty and inconclusive discussion about the meaning of friendship (this is not the problem) and wander into the bathroom and synchronize vomiting behind closed stalls (this is). While there are, doubtless, instances of such behavior in all high-schools, the scene seems like a forced joke, irony shoved down the throat of the audience. Still, these shortcomings are few and far between. Most of the film consists of unfinished, meandering conversations and meandering people, wandering in and out of focus of the observing camera, which traces its way through a Portland school on one fall day. It does so, portraying the school life with solid realism, focusing on a few characters who experience this life differently.

However, these variegated experiences fade into meaninglessness when Columbine-style violence breaks out and the characters, known and anonymous, are shot by two boys. Van Sant's implication, objective camera observation or not, is clear in the way he tells his story. Whatever these kids that we meet experience is rendered meaningless by the violence, equally meaningless, that comes to end them. We are left with tragedy, questions, and shock. "Elephant" achieves this emotional resonance quite well precisely through its merciless observation, its refusal to preach and to sentimentalize the events it portrays.

Nonetheless, I think that "Elephant" should not necessarily be judged by its lack of sentimentality and bias. In an somewhat exaggerated comparison, "Elephant" feels a little like Van Sant's remake of "Psycho," shot for shot. Here is a film which is an attempt at a recreation of something like that which happened at Columbine in the course of one day, without the media and social baggage that came afterward. (Michael Moore dug into that). Its goal is exacting realism, its method strict self-discipline and austere self-restraint. And Van Sant leaves us with a haunting picture of school violence. So what? Yes, he manages to shed a lot of the embellishments with which society and the media have adorned school violence, but it leaves us with very little. The meaninglessness of the violence is self-explanatory as is the ordinariness of the day on which the violence occurred, until it occurred.

Van Sant does not blame the media, videogames, or rock-music (though videogames feature in the film more prominently than media, while there is a total absence of rock-music). He just shows us what happened. I think the problem is not that people didn't know what happened, but utilized events like Columbine to attack things they hated about society, to push censorship, or to oppose gun laws, to push for education, or oppose lax security at schools. Columbine created a forum for many bubbling issues and offered a chance at scapegoating. It warned of the growing alienation of high-school kids (which the film depicts reasonably well), while signaling of a much-deeper crisis emerging within our society. While I think that Michael Moore's "Bowling For Columbine" is a film hardly without biases and agenda (something that is to be treasured in "Elephant), it attacks that second, more prominent problem much more successfully. Columbine exposed many contradictions within schools, homes and in the the much larger social and political arenas.

"Elephant" is a film that expertly portrays alienation of its subjects and the meaninglessness to which they are reduced by the violence that breaks out. And, while I do not oppose but praise its restraint, "Elephant" says far too little to be watched again and again, or remembered for a long time.

I just finished watching this movie and I am struck by how quickly I forgot how the world looks when you are a teenager. The movie was excruciatingly slow to start. Instead of formulaic pacing, this film forced us to move at its pace, where we were committed to each long slow camera pan or walk through with the characters. As I have grown up the scope of my life has been ever widening. It stands to reason then that during my younger years I barely conceived of life outside of what I knew, or where I was able to walk. This is what stands out to me about Elephant. When events like this take place, we immediately contextualize them and are unable to look at it from the level of those involved. What Gus VanSant does is bring us very close to the story. I don't see that he attempted to answer many questions, or to portray any specific characters in any light, but he attempts to bring the audience inside such a situation. To the villains in this film there is no deep reasoning, and no evil justification. Aside from revenge over minor school harassment they want to play a more realistic video game. They have created their own reality and carry out their deeds inside of it. This film was made without exploiting the memory of those who have actually been involved in such an event. Since it has been 5 years since these events took place, I am surprised to see a fresh look at this subject matter. What is especially heartbreaking about these tragedies is that when there is no meaning and just random violence there is nothing we can learn by investigating it. The irony of course is that I got this message from viewing a movie that explores this subject matter. I think the movie tells us we can only move on after senseless tragedy, and not solve the problems that caused them. When there is nothing behind the eyes of the people carrying this out, there is no great value in making sense of their actions. It is human nature to do so, and you would think that logically there would be theories, conclusions, etc about the causes. However we would gain much more by focusing on the people who were the victims, and learning about them. In this way they may make a positive mark on us.