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Trauma

  • 2004
  • R
  • 1h 34min
VALUTAZIONE IMDb
4,7/10
3621
LA TUA VALUTAZIONE
Colin Firth in Trauma (2004)
Home Video Trailer from DEJ
Riproduci trailer1: 32
2 video
8 foto
MisteroThriller

Aggiungi una trama nella tua linguaShortly after waking up from a coma and discovering that his wife has been killed in a car accident, Ben befriends his beautiful young neighbor. But just as Ben begins to turn his life aroun... Leggi tuttoShortly after waking up from a coma and discovering that his wife has been killed in a car accident, Ben befriends his beautiful young neighbor. But just as Ben begins to turn his life around, he is haunted by visions of his dead wife.Shortly after waking up from a coma and discovering that his wife has been killed in a car accident, Ben befriends his beautiful young neighbor. But just as Ben begins to turn his life around, he is haunted by visions of his dead wife.

  • Regia
    • Marc Evans
  • Sceneggiatura
    • Richard Smith
  • Star
    • Colin Firth
    • Naomie Harris
    • Mena Suvari
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    4,7/10
    3621
    LA TUA VALUTAZIONE
    • Regia
      • Marc Evans
    • Sceneggiatura
      • Richard Smith
    • Star
      • Colin Firth
      • Naomie Harris
      • Mena Suvari
    • 62Recensioni degli utenti
    • 28Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
    • Ha vinto 1 BAFTA Award
      • 1 vittoria in totale

    Video2

    Trauma
    Trailer 1:32
    Trauma
    Trauma
    Trailer 1:58
    Trauma
    Trauma
    Trailer 1:58
    Trauma

    Foto7

    Visualizza poster
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    Interpreti principali30

    Modifica
    Colin Firth
    Colin Firth
    • Ben
    Naomie Harris
    Naomie Harris
    • Elisa
    Mena Suvari
    Mena Suvari
    • Charlotte
    Alison David
    • Lauren Parris
    Dermot Murnaghan
    Dermot Murnaghan
    • Newscaster 1
    Jamie Owen
    • Newscaster 2
    Kirsty Young
    Kirsty Young
    • Newscaster 3
    Tommy Flanagan
    Tommy Flanagan
    • Tommy
    Justin Edwards
    Justin Edwards
    • Doctor
    Nicola Cunningham
    • Reception Nurse
    Paul Rattigan
    • Manor's Voice
    Sean Harris
    Sean Harris
    • Roland
    Kenneth Cranham
    Kenneth Cranham
    • Detective Constable Jackson
    • (as Ken Cranham)
    Nina Hossain
    Nina Hossain
    • Reporter
    Jamie Cameron
    • Reporter
    Martin Hancock
    Martin Hancock
    • Emery Jones
    Dorothy Duffy
    Dorothy Duffy
    • Nurse
    Cornelius Booth
    Cornelius Booth
    • Orderly
    • Regia
      • Marc Evans
    • Sceneggiatura
      • Richard Smith
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti62

    4,73.6K
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    Recensioni in evidenza

    4tyger2

    v. disappointed

    Not a horror movie, which I wasn't really expecting, but not a spooky psychological thriller, which I think it was supposed to be. What was it? confusing. This movie tried so hard to find its place, but just wandered around & around. I found myself using the repeat button to go back and see if there was something I had missed, to make sense of what followed. There were a few good scenes, a couple good jolts -and I do like Colin Firth - but the movie just couldn't find its rhythm and stay there. There *was* some good acting, but not enough to make me care about the characters. There *was* some dark atmosphere, but it wasn't sustained. There *was* some shock value in the end, but not enough. Can I have my 88 minutes back, please?
    2Skint111

    Traumatic to watch

    Another dismal dud from the British film industry. This has all the things that make the average Brit movie so dire: downbeat story and settings, pretentious 'realistic' performances and an incoherent, showy style. Any film that starts with the death of a character that we - naturally - feel absolutely nothing for gets off on the wrong foot. After a short while we're as confused as poor old unshaven Colin Firth, who wears a puzzled frown throughout. Mena Suvari turns up now and then, but really shouldn't have bothered. Indeed, she might as well have phoned her performance in like she did in American Pie 2. Everything stinks about this film: the laughable press headlines (would The Mirror really have 'Caught You! Killer could be on film' as a header in the circumstances the film presents?), the stupid, grim settings (who lives in a barely converted hospital?) and the obscure, confusing story development that tries to be clever but just annoys. I can't imagine anyone enjoying this turkey.
    5secondtake

    Not comatose--it keeps moving--but it's sloppy and forced

    Trauma (2004)

    The creepy, mind-bending aura of this very British contemporary film, starring a lonely and confused man named Ben striving most of all to find reality itself, has so many really interesting aspects you can't help but wonder why it doesn't quite sweep you away. Or worse, why it's downright bad by the end, all the building up and forced drama being affectations built on sand.

    And leading man Colin Firth is one of our masters of brooding, interior acting, which he does extremely well once again, against the odds set up by director Marc Evans. Firth's portrayal of Ben actually makes the most of all the ambiguity of the clichéd plot, and we try to follow his mind as it keeps slipping from one point of view to another.

    It sounds great, on paper. But this is no Coen Brothers film, nor a David Lynch or David Fincher film, even if there are shades of each of these styles and intentions throughout. The sets are gloomy if sometimes too obvious--Ben decides to live in a nearly abandoned former mental hospital, for example. And the background crime which pins together the various facts, the death of a beloved and lovely celebrity, leads to the usual hardboiled detective (Brit style) and to newspaper clippings and flashbacks and glimpses on crude surveillance monitors.

    If you are curious about the approach, check it out. I think the first twenty minutes gives a great idea of the whole movie. It just isn't smartly made or cleverly written, and this kind of card game with possible realities, which the viewer is made to play as much as Ben, requires smartness and cleverness, for sure.

    Ben may actually be insane, may actually have murdered the person we are led to believe he did, and may actually belong in the institution he is shown, or not shown, inhabiting. Yes, it's willfully confusing. He wrestles with where he lives, where he walks. He wonders about the darks stairs leading to the gloomy underground rooms. The camera whirls or blurs, many times, almost as if they run out of motivation and need to switch to a camera effect right when maybe, through some actual writing and thinking, we could piece together some of the implied complexity (the way they do in, say, "Memento"). In the end, we are given the police investigator giving it all a knowing eye.

    Besides the faltering writing, there are secondary actors who are not at their best (and whose best isn't always inspired, at that). For one, Mena Suvari, who I know from "American Beauty" in a kind of odd role where her blankness works well, is just far to lifeless and wooden to make her mysterious presence across the hall either scary or provocative. And so, heads up on this one. It's not what it seems, or could have been.
    4geomac39

    what the hell?

    I watched this all the way through, though I cant pretend I liked it. The overwhelming impression of this movie was confusion. I had zero idea of what the hell was going on. All the effects of a shocker movie were there, the insects,the momentary glimpses of things undetermined, to raise the tension, the creepy caretaker, the muted colouring, the mutilated corpse, flashbacks, the almost abandoned building which was an ex hospital with, handily, a morgue in the basement ! etc etc. For me a movie must have entertainment value, there was none here, the story was nasty all the way through. Acting ? Colin Firth, Mena Suvari... first class as you would expect when you manage to acquire actors of their standing you want to put them in a better vehicle than this movie.
    8gradyharp

    Post Traumatic Stress Syndrome: The Movie

    TRAUMA is one of those films that invokes mixed responses from audiences depending on their expectations: it seems to polarize people into love/hate categories. While not a great movie, TRAUMA has the courage to pose a storyline that is more involved with the interior aspects of a mind altered by physical events. We are asked to observe the world through the eyes of a battered brain which happens to belong to a man with a tattered past. If linear stories are preferred then this is not a film to recommend. For those viewers willing to crawl inside the malfunctioning mind, this film is mesmerizing and full of rewarding moments.

    Ben (Colin Firth) is seen in the opening flashbacks driving a car at night with his wife Elisa (Naomie Harris). There is a car crash and Ben awakens from a coma in a hospital, convinced that Elisa is dead. He wanders the hospital, drawn to the morgue where the caretaker (Cornelius Booth) enhances the mystery of the place. Ben learns from the TV room that a famous singer Lauren Parris (Alison David), for whom Elisa has been a dancer, has been murdered. His mind disintegrates and everything that follows is a mélange of delusion mixed with bits of reality that exquisitely define how the post traumatic stress syndrome can be driven to psychosis if not recognized and treated.

    Ben leaves the hospital (or does he?) and continues his art career in a vast building undergoing reconstruction (a building that has been a hospital....), befriended by his mate Roland (Sean Harris) and by his landlady 'Charlotte' (Mena Suvari). More flashbacks (mostly childhood memories) occur as Ben talks things out with a 'psychiatrist' (whose face we never see...) and during episodes with channeler Petra (Brenda Fricker) he is informed that Elisa is not dead. Ben becomes a suspect in the murder of Lauren Parris and his chasing after evidence ultimately leads to a series of disasters, a series of metaphors and delusions, all of which find Ben sitting back in the hospital where he started.

    Did any of this story really happen, or was it the fabrication of a mind traumatized to the brink of breaking? That is left for the viewer to decide. Though plagued with some static moments and a lot of conversation buried in background music and sounds, Director Marc Evans with writer Richard Smith take us on a suspenseful journey, made all the more bizarre by some extraordinary camera work and tremendously inventive settings. Not a movie for everyone, but for those willing to enter the Post Traumatic Stress Syndrome mind, this case study is rewarding. Grady Harp

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    Trama

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    Lo sapevi?

    Modifica
    • Blooper
      In one of the late scenes in the morgue/basement when Ben is talking to Charlotte the boom mic is clearly visible in the top right of the picture
    • Curiosità sui crediti
      The end of the credits have two unusual cast listings: The first is "Featured Ants" (in order of Appear"ants") which is a list of sixty of so names all beginning with A. This is swiftly followed by another small list of 5 "Stunt Ants".
    • Connessioni
      Referenced in Death Row (2007)

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    Dettagli

    Modifica
    • Data di uscita
      • 17 settembre 2004 (Regno Unito)
    • Paese di origine
      • Regno Unito
    • Sito ufficiale
      • Warner Bros. (United Kingdom)
    • Lingua
      • Inglese
    • Celebre anche come
      • Travma
    • Luoghi delle riprese
      • The Tin Tabernacle, Cambridge Avenue, London, Regno Unito
    • Aziende produttrici
      • Little Bird Productions
      • BBC Film
      • Grosvenor Park Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Lordo in tutto il mondo
      • 258.191 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 34 minuti
    • Colore
      • Color

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