2LDK

In essence this is a very simplistic and minimalistic movie. It's entirely set inside one apartment and only 2 actresses can be seen on screen. Also the story in its core is very simple and straight-forward but very well- and effectively executed.

The story plays out wonderfully. It's about two young aspiring actresses, who share an apartment and are both in the race for the same role. They clearly don't like each other very much to begin with but they are friendly to each other, since they realize they have to simply put up with each other and make the best of it. They are often tiny annoyances between the two, which should be very recognizable for those who once shared an apartment with another person. However things soon start to escalate more and more between the two.

Because of the extremeness and over-the-top aspects of the movie and its story, you could also really take this movie a comedy. Not that it will make you laugh out loud but the way it's build up and plays out really reminds you of the structure of a comedy. It makes this a very entertaining and pleasant movie to watch.

It's besides well shot by Yukihiko Tsutsumi. You have to remember that the entire movie is set in just one apartment but yet the director manages to never make any of the scene's look alike and the movie also never starts to repeat itself. Granted, that this is also partly due to its very short running time (70 minutes).

A great, short, enjoyable movie to spend some time on.

8/10

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1st watched 7/11/2006, 7 out of 10(Dir-Yukihiko Tsutsumi): Creepy, yet entertaining chicks taking jealousy to the extreme flick. What this movie is, is a no-holds barred representation of what would happen if two women were filled with jealousy and hatred towards one another and had no conscience whatsoever to keep them from going to extreme measures to put the other away permanently. It starts off slowly as the characters are introduced 1 by 1 after returning home from their respective acting auditions for the same role for an upcoming coveted movie. They share an apartment that consists of 2 Bedrooms, A living room, A dining room and a kitchen; thus the title, 2LDK. We're initially tricked into thinking that the horror aspect of the movie is going to come from outside sources instead of from within. We are then shown thru the character's thoughts that anger is heating up quickly and builds to an overflowing point that never lets go until the end of the movie. At times, the extreme violence tends to pull you away from the screen but the director(Yukihiko Tsutsumi) then promptly grabs you back in as if he knows how you're going to react. This Japanese movie goes places deep within the hearts of characters that Hollywood only barely scratches at the surface. Many times in American movies it's turned into a blood-and-guts fest only without any probing into the characters. This movie is much more than that and for this reason it's a pleasurable(kind of) viewing experience if you can last thru to the very end, despite the graphic violence.

This movie is different, it's hilarious, yet violent.

I can't recall seeing a movie with a similar story. It's creative, the execution was great and the acting was wonderful, no complaints whatsoever.

Since there's already a summary, I won't get into that, if you're looking for a a movie that will entertain you for in between, this is a good choice, it's pretty short and doesn't make you think all day, but will have you entertained from start to end. Even though it's short, you will be able to 'get to know' the characters quite a bit. Some people I know didn't want to watch it because they were afraid it would be dull and the girls would just 'be there', that's not the case at all though. I totally know with which one I'd want to share an appartement with.

As always: Entertainment: 8/10 Violence: 6.5/10 Sex: 0/10

This was a well acted, nicely paced story of two opposite roommates, competing for the same part in a movie. The story develops as we hear their thoughts and discover how much they hate each other, despite their politeness to each other. Tensions rise as the poorer, more homely, neat-freak confronts the wealthier, more sexually-experienced, relaxed princess about breaking house "rules." Attacks start out with mind games, to implied verbal slights, to overt insults, and then to ever-escalating physical assaults. This film is wild. It's funny in how much they hate each other, and how far they go, non-stop. If you can't find humor in violence, don't bother watching this. While this film goes deeply into mental, emotional, social conflict-- it is a fight movie. So don't expect Shakespeare! Also not a complex film: only two adept actresses in the same condo the whole movie. This simplicity made me like the film more. Unique. The only thing I could compare this to would be an American film called "Tape" which, while not violent, only involved 3 actors (Ethan Hawke, Uma Thurman, and ?) in one hotel room, brooding over mental-psychological conflicts.

Don't pay attention to this being billed as horror on here, it's what in the 60s would have been understood as Japanese New Wave, scathing assault on this world rather than dread of some beyond. It's compact, clocking at barely an hour, with bite to spare.

Two roommate actresses aspiring for the same role in a film and living in the same house grow increasingly unhinged over the course of one night, you can imagine this as a continuation of what Koji Wakamatsu used to do in b/w once upon a time, Tsukamoto later.

At first polite enough, propping the social facade it aims to perversely tear down, but gradually the girls turn suspicious and catty, hang up on dreams of success society has promised, a society steeped in consumerism and image; we see one girl's room lined with trophies and photos from beauty pageants, the other fusses about her collagen drink and she's a 20 year old girl.

All the accoutrements that society has said if we surround ourselves with will amount to a comfortable life here are hurled at each other, used as weapons to degrade and inflict pain with, from a ketchup bottle to a hairdryer. Modern life may be glanced in a bleak way, with a certain amusement at its failure to soothe, but I would rather rest with the underlying point that can be glimpsed here; that the flames of dissatisfaction singe from the inside, it's the constant desire, vexation, reaction to things not being what we wanted them to be. In this state of mind, even much coveted romance is denied by a girl more keen to consume her being with the meaningless spat.

So this is about the spirited meaninglessness of itself, about so much energy, dynamism and spontaneous creativity the two girls are able to muster to hurt each other, two actresses trying to outperform each other, funneled into performance that is hollow except with rage, with no more a struggle with ideals to absorb the rage as in the 60s. No Wave in place of New.

In the end even a moment of sweet intimacy, one girl yearning to be kissed for the first time, is reduced to only another performance trick in their play. Earlier a piano that one of the girls could be play beautifully had been petulantly bashed by her.