Monkeyshines, No. 1

In 1888, American inventor Thomas Alva Edison had an idea that would serve as the basis to what we now call "movies", that idea was the Kinetoscope and soon a new source of entertainment would be created by the wild imagination of Edison's team. According to history, Edison heard rumors about the invention of motion pictures (they were indeed invented in 1888 by Louis Le Prince in Leeds, England) and quickly his mind began to craft his very own devise to achieve the same effect. Edison figured out that the images had the illusion of movement because they were sequential images over a light source with a high-speed shutter, and soon put the conceptual idea on paper; however, it wouldn't be Edison who would transform Kinetoscope from an idea to a reality, the man in charge of the project would be one of Edison's most rusted workers, a Scottish man named William K.L. Dickson. The series of short films codenamed "Monkeyshines" were Dickson's first attempts to produce motion pictures.

The "Monkeyshines" films were three experimental movies shot in the Edison laboratories in order to test Kinetograph, a camera invented to shot the movies that would appear in the Kinetoscope. With the collaboration of William Heise (who would become a prolific director of Kinetoscope films), Dickson shot one of Edison's workers in front of the camera doing gestures and movements. As actual experiments of their work, this movies do not have a plot or a theme, and only consist of Edison's workers moving in front of the camera to see if their images were captured. Due to age and the poor quality of this early experiments, it is impossible to know who appears in each movie, although it is often considered that G. Sacco Albanese is the one appearing in "Monkeyshines, No. 1". (some say that it is actually John Ott, but the debate continues)

While it was never released to the public (Dickson's second movie, "Dickson Greeting" has the honor of being the first American movie to be shown), "Monkeyshines, No. 1" is indeed the very first movie shot in the United States, marking the birth of the Kinetoscope and the beginning of the age of cinema as entertainment. After this monumental invention, Dickson would dedicate his most of his work in improving his machine (including an attempt to add sound!) although he also started making the kind of short films the people wanted to see in what was now known as "The Peep Show machine". While not exactly real cinema, William K.L. Dickson's amazing invention would be another big step ahead in what would culminate in 1895, with the Lumière brothers' invention of the Cinématographe. 7/10

Monkeyshines, No. 1, 2, and 3.

Shot in late, 1890, these are the first known films shot in the U. S. A. William Kennedy Laurie Dickson and William Heise, both working in the Edison Laboratory, shot these experimental films.

In 1888, Thomas Edison became interested in the motion picture, spurred the activity of a number of inventors in the U. S. and in Europe. Edison wanted to combine the motion picture with his previous invention, the phonograph. In this way, he would be able to capture both the sound and visuals of a live event like an opera and show it to a captive audience.

Initially, Edison thought he could capture pictures on a wax cylinder, in the same way he captured sounds on his phonograph. In early 1889, he assigned one of his employees, William Kennedy Laurie Dickson, to begin working on the design. The cylinders did not work. It was impossible to reduce a picture to a pinpoints, the way sound was reduced.

Influenced by the work of European inventors including Etiennes-Jules Mary in France and William Friese-Greene, Edison was ultimately convinced to switch to a system that involved perforated film.

By the end of 1890, Dickson and his associate, William Heise, were able to shoot this experimental films. In these, a co-worker makes some broad movements. All that you can make out are just some kind of a weird shape moving. From these humble beginnings, a monolitihic industry would grow in a relatively short period of time.

It's interesting from the point of view that it's 1889, it's an historical footage, but.... lets be honest, the europeans did even better in 1887 and 1888, with even better resolution and you can actually see what are the objects and what was going on.... but unfortunately this is not the case with this one. I'm sorry Edison but I stand with Le Prince. Yes, it was more than a century ago, but still compared to other works prior to this one, and the theory that Edison knew about what the europeans were doing, its.... I dont know, disappointing and disconcerting?

Still, it's an historical footage, so it's interesting.

Not much of anything, this "film" is a ghostly image of (probably) G. Sacco Albanese, a worker at the Edison Laboratories. It was shot by William Heise and W.K.L. Dickson, the co-inventor of the Kinetoscope, along with Thomas Edison.

The film is only a few seconds long, and it is hard to distinguish what, of anything, is going on. Of course, with being the first American motion picture, and one of the first ever, it has significant historical merit.

I rated it a 2 of out 10. Only its historical value gives it more than a 1.

I have endearing respect for all these early attempts at filmaking and yet they do not all possess the same amount of interest. With Monkeyshines (whether Nos. 1 or 2) I hardly know what it is I am looking at.