Nata per vincere

I do not understand why anyone would rate this movie anything less than a perfect 10. I thoroughly enjoyed the story, the characters were great (all movies make high-end music students look like snobby prima-donnas). I have seen every Hilary Duff movie to date and this is definitely her best work. Compared to "A Cinderalla Story", this movie has 10 times the quality and entertainment value. I thought Terri's relationship with her brother was very moving - and the scene where she first saw his DVD that was sent to the school was very well done - I could almost feel her grief. The teachers were well done. Thanks to everyone who made this film. I will be purchasing the DVD. Remember that Hilary is 16 years old when this was filmed - I look forward to the next decade as Hilary finishes her teens and goes into her 20's. My only complaint about Hilary - lose the fake hair - just let yours grow - it looks better.

I liked the movie. It was very predictable and a bit sappy. That I could excuse. It's just incredibly unbelievable because this movie showed Hilary Duffs lack of vocal ability. I enjoy her songs but I just think that she was not of the same caliber that anyone real teen in a performing art's school would be. Duff's precious as can be in a world where you really don't need to be able to sing well to sell a record. It would have been better if they had her dubbed over entirely as opposed to just the "high" notes she couldn't hit. Once you get past that, it's a cute movie. It has an excellent cast to sell it and does just about enough to holds one attention. I can't completely trash it because I did sit through the whole movie wondering about it's outcome.

Don't get me wrong, I really love Hilary duff's movies, music and everything. But her acting in this movie specifically is really bad. Anyway, is the kind of movie that I would've loved in that moment. I have to admit I'm obsessed with the last song "Someone's watching over me".

RAISE YOUR VOICE *** The theme of a young woman singer who travels to Los Angeles to try for a post-secondary music scholarship from a prestigious summer music school gets ho-hum treatment from director Sean McNamara and scripter Sam Schreiber. And it's a shame that the cute, miscast Hilary Duff doesn't have the singing talents to play the young outstanding vocalist in the making, who goes to the school against her over-protective father's wishes. As she is the "star" at the school, she gets the four-minute musical finalé while the other competitors only get 15 seconds of silver screen moments when everyone ultimately competes for the reward, go figure! Plot holes and inconsistencies abound, but its heart is in the right place.

In my review of "Cheaper by the Dozen"(2003), I mentioned the difficulty Hilary Duff is going to have breaking away from typecasting as Lizzie McGuire. The fact that this movie was a Brookwell/McNamara Production, a staple of the cable network that made her famous may be another obstacle from that typecasting. Make no mistake though -- Hilary Duff *IS* a talented actress and singer(in spite of corporate punk pretensions), and even with this formulaic material she proves it. But the way things are looking now, she couldn't break out of the Disney universe if she did hardcore pornography.

Terri Fletcher(Duff) sings in a local church chorus, and for her own personal enjoyment. She also thinks her singing can make her a star, and so does her brother Paul(Jason Ritter) who secretly recommends her for a scholarship to a school for the performing arts in Los Angeles. But her father(David Keith) wants her to stay at home and wait tables at the family diner. After she and her brother sneak out to go to a concert one night, some drunk driver plows into them on the way home. Her brother dies, she survives and is left with crippling flashbacks and survivor's guilt. But just when she thinks she's going to have to spend the rest of her life at the bottom of the barrel, along comes that scholarship to the performing arts school she didn't even know she entered. Of course, the only reason she doesn't want to go is because she's afraid to face the wrath of Dad, so Mom(Rita Wilson) and Aunt Nina(Rebecca De Mornay) tell Daddy she's going to spend time with her aunt, while smuggling her off to that school. And the rest of the movie involves Terri trying to make friends in the big city, cover-up her lie to her father, and deal with her own fear of bright lights, courtesy of that random drunk driver.

Too much about this movie is predictable; The overbearing father, sympathetic avant-garde artistic aunt, the tragic car wreck, the boyfriend with an ex-girlfriend who won't let go(who Terri catches putting the moves on and thinks is unfaithful to her), and yes even the triumphant concert at the end. Having said all that, I must reiterate that I don't want my criticism of this movie to be interpreted as another Duff-bashing tirade. Because regardless of the cookie-cutter plot line, Duff is still outstanding. Yes, she's a better actress than a singer, but both of these aspects of her are far superior to the movie. And if you DON'T believe she can play anyone else but Lizzie McGuire, you should've seen her in a highly publicized episode of Joan of Arcadia from the Spring of 2005. So while it's nowhere near the fluff-piece that her first big series was, it makes you wish there were more parts out there that are better for her.