In un susseguirsi di reportage inediti e testimonianze dirette, Michael Moore mette il suo talento e il suo sarcasmo al servizio di una nuova e coraggiosa inchiesta sulle piaghe nascoste del... Leggi tuttoIn un susseguirsi di reportage inediti e testimonianze dirette, Michael Moore mette il suo talento e il suo sarcasmo al servizio di una nuova e coraggiosa inchiesta sulle piaghe nascoste della politica estera di George W. Bush.In un susseguirsi di reportage inediti e testimonianze dirette, Michael Moore mette il suo talento e il suo sarcasmo al servizio di una nuova e coraggiosa inchiesta sulle piaghe nascoste della politica estera di George W. Bush.
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Recensioni in evidenza
1. Fahrenheit 9/11 attracted the most racially integrated audience I've ever seen at an Atlanta movie theater, as well as the most age-diverse audience.
2. The audience was completely in tune with what Michael Moore was trying to do. When he wanted you to be mad, people were mad. When he wanted you to be upset, people were upset, and when he wanted you laugh, people laughed. And boy, did they laugh.
3. The audience cheered (loudly) upon the film's conclusion.
Truly a satisfying moment, to feel part of a community of people, if only for two hours, who recognized that the emperor indeed has no clothes.
Is Michael Moore manipulative? Of course- he's an editorial documentarian. Does he sometimes assume too much from too little information? Of course- he's a human being. That's what human beings do. Now, you may say, yes, it may be human nature to infer too much from too little information, but as a responsible artist, Michael Moore should get his ducks firmly in a row before trying to manipulate his audience. That being said, we have libel in slander laws in this country. If Michael Moore is so far off base, where are the lawsuits and defamation of character charges? Why won't Bush or his camp respond to any of the specific allegations of Fahrenheit 9/11? Why is that, in fact, they state an unwillingness even to see the film, and yet feel qualified to have a valid opinion of it? Now who's inferring too much from too little?
What is absolutely undeniable is that a) war is horrible, b) the United States of America went to war with Iraq for spurious reasons, c) we have been conspicuously unsuccessful in capturing Osama bin Laden, in part because bin Laden has no relationship whatsoever with Iraq, d) there have been many people who have benefited financially from the war, and those people have a long and in many cases sordid relationship with the Bush family, and e) Bush has used the 9/11 attacks as a way to advance an agenda that is completely unrelated to the attacks themselves, and to infringe on our civil rights. Any attempt to dissect Michael Moore's arguments fall flat when these basic facts are irrefutable.
Fahrenheit 9/11 is ultimately a highly entertaining and justifiably scathing review of the Presidency of George W. Bush, embarrassment to himself, our great nation, and, for that matter, to the entire human race. Please help vote this buffoon out of office before he can discredit our country further.
Also, and somewhat off-topic, I have to wonder how it is that Michael Moore was able to see the damage that such quotable quotes from conservative politicians could do, and yet then-presidential candidate John Kerry could not in 2004? If I had been running Mr. Kerry's campaign I would have been constantly rewinding and replaying the moment when President Bush is speaking at a fundraiser talking about "his base - also known as the haves and the have mores". What could have done more damage to the President's faux image as some average Joe who enjoys clearing brush on his ranch in Texas? At any rate, I think that although it is very dated at this point, it is still an important film and is worth viewing as a moment frozen in time. Just realize that this IS Michael Moore we are talking about and that he does like to go over the top quite a bit.
Fahrenheit 9/11 offers a biting take on the presidency of George W. Bush & War on Terror and digs into the fear, paranoia, uncertainty & patriotism that was on display in the wake of September 11 attacks and which the Bush administration took advantage of to push forward their own agenda for unjust war in Iraq, and created a mess that's still ongoing in the Middle-East.
Written, directed & narrated by Michael Moore, the film takes a highly one-sided approach and is more speculative than fact-based but it also highlights rampant corruption within the United States government by showing how George Bush's administration abused the 9/11 tragedy to advance their own self-interests and wasted the public fund on a war that was totally uncalled for.
However, there are times when Moore goes overboard in presenting his critique, such as blaming Bush for continuing to read to children despite being informed about the terror attack. His voiceover narration doesn't do any good either. But there are moments when his arguments not only seem valid but also worthy of debate. It's not all gloomy though for Moore utilises humour well to simmer the emotions before flaring them up again.
The ones who benefit most from wars are the ruling party, the media & weapons manufacturers, and Moore contends that it's them who are solely responsible for the loss of so many American troops who died believing that they are doing their nation a service when in actuality their death was totally unnecessary and was all for nothing. Already amongst the most controversial documentaries in existence, Fahrenheit 9/11 is enlightening, infuriating & all things in between.
The point of a documentary is for those who see it to start making their own judgments. If you don't agree with Michael Moore's interpretation of the why's of the Iraq war, what is the right interpretation? Can you use the facts or find more facts to come up with a different interpretation? I would call that highly unlikely, but I would like to see the interpretation.
This documentary set out to answer the question "Why is the US in Iraq?" I can tell you I have asked that question a lot and I found no good reason. Michael Moore has done the same thing, just to a larger audience. While you might disagree with his assessment that it was strictly for money, it is hard to support a different view after seeing this movie. You would be hard pressed to find any evidence linking Iraq and Al-Qaeda. Why? Because it doesn't exist. No matter how much Bush railed for a link, even he had to admit it wasn't there.
I guess I would like to see a Republican version of events. I just can't imagine what it would use as evidence. How can you refute the 7 minutes of inactivity of Mr. Bush in the Florida classroom on 9/11? How can you refute the fact that planes were loaded up with Bin Laden relatives on 9/13? How can you call the "coalition of the willing" a coalition if it includes countries that send no troops? These are the facts folks. Michael Moore interpreted them to slam the Bush administration. I was saying the same thing before this movie. However, I reach a small audience since I don't make movies. Thanks to Michael Moore for making this film. Maybe some of the clueless, like Britney Spears, will wake up and start questioning what is going on out there. Because, Ms. Spears, in America, we are allowed to question the president. He isn't God, he is a human being.
So, pro-Iraq war people, give me your interpretation. Why? Why are we there? Why don't we have Osama Bin Laden? Why?
Unfortunately, I don't know the whole story. Go figure. And two- in order to migrate further from possibly getting tunnel vision, we need to look at and seriously consider the other side. Don't get me wrong, I was enraged by the facts in Fahrenheit 9/11. If all of them are valid, I see no justification for the lies and corruption. But again, this perspective is not the only one and therefor other views should be considered and digested. Am I wrong?
Lo sapevi?
- QuizAfter its official showing at the 2004 Cannes Film Festival the movie was given what has been called "the longest standing ovation in the history of the festival". Although the exact length of the applause is a matter of debate, journalists at the screening have reported it being in the area of 15 to 25 minutes.
- BlooperTowards the films end, Moore claims one member of Congress had a child in the armed forces. At the time, two members had children in the military.
- Citazioni
Narrator: George Orwell once wrote that, "It's not a matter of whether the war is not real, or if it is, Victory is not possible. The war is not meant to be won, it is meant to be continuous. Hierarchical society is only possible on the basis of poverty and ignorance. This new version is the past and no different past can ever have existed. In principle the war effort is always planned to keep society on the brink of starvation. The war is waged by the ruling group against its own subjects and its object is not the victory over either Eurasia or East Asia but to keep the very structure of society intact."
- Curiosità sui creditiThis film is dedicated to ... all the soldiers from the Flint area who have died in the Iraq war ... the 2,973 who died on 9/11/01 and the countless thousands who have died in Afghanistan and Iraq as a result of our actions.
- ConnessioniEdited into Fahrenheit 11/9 (2018)
- Colonne sonoreVacation
(1982)
Written by Charlotte Caffey, Kathy Valentine (as Kathryn Valentine), and Jane Wiedlin
Performed by The Go-Go's
Courtesy of IRS Records
Under license from EMI Film and Television Music
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Dettagli
Botteghino
- Budget
- 6.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 119.194.771 USD
- Fine settimana di apertura Stati Uniti e Canada
- 23.920.637 USD
- 27 giu 2004
- Lordo in tutto il mondo
- 222.446.882 USD
- Tempo di esecuzione
- 2h 2min(122 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1