Quanto è difficile essere teenager!

CONFESSIONS OF A TEENAGE DRAMA QUEEN ** A lot of fluff and nonsense. It's about a spirited teen who moves from New York City to a dull suburb in New Jersey and faces difficulty when she enters into a new school. One of her pupils has the Most Popular Girl title that she strives to have (after all, she IS a Drama Queen!), so she takes the lead role in a school play to attain the title. The shallow screenplay is so full of holes one wonders how it managed to hold its own at the box office. Production designer Leslie MacDonald and costume designer David C. Robinson have a field day making this rather trivial production visually rich.

Mary Elizabeth Steppe (Lindsay Lohan) is moving out of NYC kicking and whining into Dellwood, New Jersey. She lives with her mother Karen (Glenne Headly) and her younger twin sisters. She idolizes rock band Sidarthur insisting everyone should call her Lola. She makes quick friend with outsider and fellow Sidarthur fan Ella Gerard (Alison Pill). She also makes quick enemy with mean girl Carla Santini (Megan Fox). They compete for the lead in school adaptation of Pygmalion and Lola gets the lead. Leader of Sidarthur Stu Wolf (Adam Garcia) is leaving the band and there is a farewell concert/party in the city. Carla's father is their lawyer and has connections. Lola lies about her connections. Lola and Ella sneak out to NYC and have themselves a crazy adventure.

This is all very superficial. Even as it calls out the superficiality of it all, it does so superficially. It's not smart enough to dig any deeper. It's all flashy, cutesy, and has the silly imagined sequences. It's a glitter-filled view of teen girl drama done badly. Everything is over-dramatized by Lola as indicated by the title which gets a little bit tiresome. It's just not that funny and slightly annoying.

Lindsay Lohan does give a very entertaining performance as Lola, a girl who moves to New Jersey, and the film really starts from there. I liked the locations and the costumes, really I did, and I am 17. Lindsay's co-stars don't do too bad a job either, and I liked the soundtrack. I liked the fact that Lindsay sang, and I liked the update of Pygmalion. However, the film does have a number of failings. Like a number of people, I wasn't too keen on Sara Sugarman's directing, it seemed more like just do what you normally do and we'll capture it on screen. The script was also very clichéd and predictable, likewise with the plot. I don't think the film's rather long length gave it justice either. Overall, not as bad as some people have said, but far from the chick-flick masterpiece it yearned to be. 6/10 Bethany Cox

'Confessions of a Teenage Drama Queen' comes as a disappointment from Lindsay Lohan after the very funny 'Freaky Friday' and 'Mean Girls'. Here she plays Mary, naming herself Lola, a girl who leaves New York, the city she loves, and moves to New Jersey with her mother and two little sisters. At her new school she becomes friends with Ella (Alison Pill), mainly because they both like the same rock band, Sid Arthur. Lola is a nice person but lies too much because she wants to be liked. She seems very sure of herself, but we understand that is only on the surface. Since the school is where most of the story takes place we need a villain, another good looking girl named Carla (Mega Fox). Parts of the story involve the bad Sid Arthur breaking up, a last concert they will give in New York and Lola and Ella trying to get in. Carla will be there since her father is the lawyer that represents Sid Arthur. Other parts involve a school play where Lola is cast for the leading role and Carla only for a small supporting role.

I am not sure why this film was made, but I guess to show Lohan dancing, singing, being arrogant, learning her lesson, have a happy ending, do some more dancing and some more singing. It felt more like a Hilary Duff film and I was not surprised to learn the part of Lola was in fact offered to her first. No offense to Duff, but Lohan is a much better actress and has proved that in films with scripts so much more intelligent than this one. This one fits in a line with Duff films like 'A Cinderella Story' or 'Raise Your Voice', films where you can enjoy the good looking lady but nothing else. I hope Lohan's next film will have the wit of a 'Mean Girls' again. I even have hard time believing young teenage girls will enjoy this one. There are some moments for them to be funny I guess, but most of the time it is not. Not for male adults, not for teenage girls.

I like Lindsay Lohan, a lot actually, therefore I was able to finish this film. She does the best she can, basically proving she is too good for material like this. Without her I would have hated this film completely. Since most people will not like Lohan as much as I do I can honestly say you will probably hate this film too.

Confessions of a Teenage Drama Queen is about nothing, and yes, it is about everything. The familiar dilemma of juggling one's dreams with the realities of school, family and self-esteem is there - but it is first & foremost about friendship, portrayed in a wonderful, natural way by Alison Pill (Ella) and Lindsay Lohan (Lola/Marie). The friendship portrayed by these two lead actors are as real as any I've seen on screen. I especially look forward to seeing Alison Pill (Pieces of April) in more first-run movies.

The movie has a fine cast, and first-rate performances in the supporting roles - Glenne Headley as the single mother, is understated but a steady, anchoring presence in the entire movie. Megan Fox is the stylish school queen-bee whose role is much more complex than on first impression. Carol Kane is hilarious as the overwrought drama teacher.

Because the script is based on a popular novel, the movie rewards the viewer who listens carefully as it has densely humorous script. There are subtle lines and touches which can be missed. One example of the original nature of this movie is the way the budding 'romantic interest' of Lola is treated as a true subplot. This movie is about friendship, not romance.

The director, Sara Sugarman, deserves a lot of the credit for adapting the book to the screen with imagination and playful flourishes which reflect the mindset of the lead character and don't get in the way of the movie. The characters come across as real people, with real lives. There is an overall loving attention to detail in editing, production design and the several subplots all have meaning and contribute to each other without contrivance.

This is an accomplished movie with a nice message which succeeds at many different levels. While under-appreciated during its original theatrical run, I predict it will stand the test of time.