Nel 1933, un produttore cinematografico si imbarca con la sua troupe per girare un film su un'isola misteriosa chiamata Skull Island, dove incontreranno una scimmia gigantesca di nome Kong.Nel 1933, un produttore cinematografico si imbarca con la sua troupe per girare un film su un'isola misteriosa chiamata Skull Island, dove incontreranno una scimmia gigantesca di nome Kong.Nel 1933, un produttore cinematografico si imbarca con la sua troupe per girare un film su un'isola misteriosa chiamata Skull Island, dove incontreranno una scimmia gigantesca di nome Kong.
- Regia
- Sceneggiatura
- Star
- Vincitore di 3 Oscar
- 47 vittorie e 104 candidature totali
David Dennis
- Taps
- (as David Denis)
Recensioni in evidenza
I agree, some scenes maybe are a bit too long. But what do you expect from a 3 hour movie? That it is short?
You know how the duration before you start watching.
I was thinking give it an eight or a nine. I chose nine. Because overall this still is a great adventure movie for sure.
The more recent Kong: Skull Island is a fun watch as well, but more like a fast paced action movie of it's time.
This Peter Jackson version has it's fair amount of action and still pretty good effects and tells a better and more complete story.
You know how the duration before you start watching.
I was thinking give it an eight or a nine. I chose nine. Because overall this still is a great adventure movie for sure.
The more recent Kong: Skull Island is a fun watch as well, but more like a fast paced action movie of it's time.
This Peter Jackson version has it's fair amount of action and still pretty good effects and tells a better and more complete story.
I was rather sad to see they had cut so many scenes on the DVD that were actually in the movie. The scream on the shore that first caught Kong's attention. The writer stopping the actress in the passage way, and saying "I have something to show you", this was one of many scenes left out. Suddenly they were in his room? My wife had not seen the original movie, she thought the movie was sort of jumpy. You can't deny the special effects, wonderful. I know that they are planning on releasing a 2nd copy within the next 6 months and calling it extra scenes for the director. It's a shame to cut such a fine film for the sake of making more money.
Don't get me wrong, I still love Jurassic Park, but the technology there is now twelve years old. Peter Jackson's KING KONG is the experience for which movies were invented. The CGI was incredible, the casting appropriate (this wasn't supposed to be an actor-driven, big-star film, after all), and the flow was satisfying. Even the somewhat slow build-up had a huge payoff once you see Kong running through the jungle with Ann in his giant hand. Is it a flawless movie? Probably not. But it Is a perfect example of why we go to movies in the first place-- to see things that we will never see in our real lives. When I walked out of the theater and was making my way through the deserted lobby, I had an odd feeling. Every poster I saw for an upcoming film kind of made me feel like all those movies were probably just going to be a waste of film next to KING KONG.
Maybe I'm blinded by nostalgia but I adore this movie.
It's one of the few movies for me that is truly and action movie and not just a movie with some gun fire and general badassdom. The action sequences are captivating, electrifying and operatic in their scale and execution.
On top of this, the sense of adventure as we travel from a vivid (and probably fake) evocation of 1930s New York to the eerie island forgotten by time is realized with an artisanal attention to detail and an artist's spark and passion (though of course all movies are art).
A lot of people felt it took a while to get going. But I like local color and characters that make this feel all the more vivid. They do it with verve when so many other monster movies spend too much time on humans when they only know how to write the monsters.
The love story angle part might have been a tad much but I like Ann, I like Jack, I love to look down my nose at Carl and Hayes and the boy are a sweet addition too.
You will fear and in time come to love this endling ape who reigns as king of the forgotten world but but rules it alone. When Naomi Watts described it as a love story I dare say it might have been the most inciteful thing an actor has ever said about one of their movies that they didn't write in an interview. It's no an erotic love but in the bleak world of giant sabre toothed leach eat giant sabre toothed leach, sometimes moments of tenderness between the most unlikely pairs becomes possible.
And then we get back to New York and words do not do it justice. They kind of slapped a Christmas/Winter aesthetic in the final act because this movie released in December and I am so happy to go along with it, maybe because of that score.
Overall, one of the few remakes of a good movie that is justified since it managed to recreate for modern audiences what the original would have been at its time.
It's one of the few movies for me that is truly and action movie and not just a movie with some gun fire and general badassdom. The action sequences are captivating, electrifying and operatic in their scale and execution.
On top of this, the sense of adventure as we travel from a vivid (and probably fake) evocation of 1930s New York to the eerie island forgotten by time is realized with an artisanal attention to detail and an artist's spark and passion (though of course all movies are art).
A lot of people felt it took a while to get going. But I like local color and characters that make this feel all the more vivid. They do it with verve when so many other monster movies spend too much time on humans when they only know how to write the monsters.
The love story angle part might have been a tad much but I like Ann, I like Jack, I love to look down my nose at Carl and Hayes and the boy are a sweet addition too.
You will fear and in time come to love this endling ape who reigns as king of the forgotten world but but rules it alone. When Naomi Watts described it as a love story I dare say it might have been the most inciteful thing an actor has ever said about one of their movies that they didn't write in an interview. It's no an erotic love but in the bleak world of giant sabre toothed leach eat giant sabre toothed leach, sometimes moments of tenderness between the most unlikely pairs becomes possible.
And then we get back to New York and words do not do it justice. They kind of slapped a Christmas/Winter aesthetic in the final act because this movie released in December and I am so happy to go along with it, maybe because of that score.
Overall, one of the few remakes of a good movie that is justified since it managed to recreate for modern audiences what the original would have been at its time.
Typical Peter Jackson, however gonna watch the even longer extended 3 hours 20 minutes edition in 4k, not watched in years but the picture is epic apart from it being too warm for my liking. The sound is the unusual DTS-X high def sound and already is gorgeous!
However enough of the technical borefest hahaha... this film for me is stunningly shot... some of the shots of the city are incredible. It really is a grand film and for me better than his LOTR trilogy which I may well resist soon.
However its the cinematography and sets that set this film apart from most films... integrated so well with XGI which even in 4k is holding up well... stunning is all I can say, actually old school filming with modern techniques!
Classic tale and story that recreates the original for the modern era. Even Jack Black is watchable but the stunning Naomi Watts is very very watchable hahaha.
This film doesn't get the recognition it deserves!!! As an achievement in cinema alone its a 10/10. You want blockbusters that have a story and a smidge of empathy with the characters with possibly the greatest ending of all monster films ever... this is how you do it.
Marvel and DC and all the other nonsense need to take a step back!!! This is how you combine live action, real sets and CGI into an epic tale...
However enough of the technical borefest hahaha... this film for me is stunningly shot... some of the shots of the city are incredible. It really is a grand film and for me better than his LOTR trilogy which I may well resist soon.
However its the cinematography and sets that set this film apart from most films... integrated so well with XGI which even in 4k is holding up well... stunning is all I can say, actually old school filming with modern techniques!
Classic tale and story that recreates the original for the modern era. Even Jack Black is watchable but the stunning Naomi Watts is very very watchable hahaha.
This film doesn't get the recognition it deserves!!! As an achievement in cinema alone its a 10/10. You want blockbusters that have a story and a smidge of empathy with the characters with possibly the greatest ending of all monster films ever... this is how you do it.
Marvel and DC and all the other nonsense need to take a step back!!! This is how you combine live action, real sets and CGI into an epic tale...
Lo sapevi?
- QuizIt took 18 months to craft the CGI version of the Empire State Building. The real thing was built in 14 months.
- Blooper(at around 1h 15 minutes) At the end of the sequence where Kong carries Ann through the forest, there is a very brief scene where Ann is wearing pantyhose (not invented until 1959, twenty-six years after the story took place). However, Ann's legs and feet are bare in all other scenes on the island.
- Citazioni
[last lines]
Carl Denham: It wasn't the airplanes. It was beauty killed the beast.
- Curiosità sui creditiThe end credits are set against an art deco backdrop rather than the traditional black screen. The backdrop is an exact replica, in Technicolor, of the same backdrop that was used for the opening credits in the 1933 version of "King Kong".
- Versioni alternativeOn November 14, 2006, an extended edition DVD was released with 13 minutes of additional scenes edited back into the film. Denham's party is attacked both by a Ceratops immediately upon entering the jungle to rescue Ann and by a giant fish while on rafts on a river, after which they kill a giant bird while firing blindly into the jungle (the longest addition by far). Baxter's rescue of the party is extended and finishes with Jimmy's farewell to Hayes. Kong's pursuit of the party on Skull Island and his pursuit of Driscoll in NYC are slightly extended, and there are two brief additional encounters between Kong and the military in NYC. A complete breakdown is at http://www.movie-censorship.com/report.php?ID=3550.
- ConnessioniEdited into It's All Gone King Kong (2005)
- Colonne sonoreI'm Sitting on Top of the World
Written by Ray Henderson, Joe Young, Sam Lewis (as Sam M. Lewis)
Performed by Al Jolson
Courtesy of Geffen Records
Under license from Universal Music Enterprises
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Peter Jackson's King Kong
- Luoghi delle riprese
- Shelly Bay, Wellington, Nuova Zelanda(Skull Island)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 207.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 218.080.025 USD
- Fine settimana di apertura Stati Uniti e Canada
- 50.130.145 USD
- 18 dic 2005
- Lordo in tutto il mondo
- 556.906.378 USD
- Tempo di esecuzione
- 3h 7min(187 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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