Interview

Political columnist and former war correspondent Pierre Peters (Pierre Bokma) is frustrated to be interviewing movie star Katja (real-life Dutch star Katja Schuurman) in an puff piece for the entertainment section. Her most notable assets are the two up front. She notices his attitude right away. They get personal as both bring out dark secrets from each other.

This is essentially a two person play. Sometimes their interactions feel fascinating but other times, it feels repetitive. Somehow they need breaks and gear changes. Maybe she should start as a sweet helpful character and he could fake caring about the article. Their fake cordial interactions can break down leading some explosive revelations. This has some moments and an interesting overall idea.

On The third of November 2004, Muslim extremists assassinated director Theo Van Gogh because of his inglorious portrayals of their culture and beliefs. Did he deserve this merciless fate? No, of course not. Because everyone in this world is entitled to an opinion and if Van Gogh wished to express his using the medium of cinema, he had every right to it. This "Interview" dates from the year before the controversial filmmaker's death. It's a typical Van Gogh film, entirely set in one interior location and introducing two main characters constantly talking. It actually looks a lot like that other film of his, "06", only the protagonists are now face-to-face, while "06" exclusively featured two people talking over the phone. I admit I started (and continued) watching "Interview" for the most shallow reason possible: the starring of Katja Schuurman. This ravishing Dutch actress has the face of an angel, the voice of a siren and a booty that would even make the most popular Hollywood actress jealous. In this, she plays the part of a successful actress who gets interviewed by some sort of Bosnian paparazzi guy. They constantly argue, play with each other's feelings etc etc etc… The script is tedious and nowhere near original or compelling. Although it probably was Van Gogh's intention, it totally doesn't feel like an artistic piece of cinema, as there's no style to detect anywhere. Not even a bit of exceptional camera-work or memorable music. This is a complete failure and I don't really feel obliged to give it more praise simply because the maker is death. Avoid! Watching a train rush by is more exciting than this.

This movie is to me one of the best none English/German movies ever seen. I can't really comment on Director or any other visual elements in the movie because it has been quite a while since I have seen it, what I can remember very clearly though is the characters. Although the predecessor of my comment states that the characters were not very real (and this is a rather valid point) I do not think that that is a negative thing. I think it is almost beautiful, almost comic how frank, cruelly honest they are. See, this is what makes this movie so very good, it's different, original, and because of it's obvious or even fake superficial and still rather insightful characters. It's almost comic. This movie really is worth watching, but only if you can see the beautiful in what seems to be the flawed.

I recommend this movie to anyone who'd like to see something a little different.

Theo van Gogh did it again, and Theodor Holman earns every bit of respect on writing one of the best dialogue-movies I've seen in years. Pierre Bokma proves once again to be a great actor, and Katja Schuurman proves she's more than just a pretty face. Her role as a spoiled actress is greatly ironic, 'cause most narrow-minded viewers have only looked at her in this respect for over a decade. By playing this role with such finesse, she maybe proves to be exactly the opposite.

If you don't like Theo van Gogh as a person, please don't take that as an excuse to bomb his movies. "Interview" shows his (and Holman's) talent. The way Pierre and Katja don't want to be in the same room with each other, but can't leave each other at the same time; the way this is combined in "Interview" made me proud of Dutch cinema. Just like "Karakter" did, and just like "Van God Los" did (among others...).

Dutch film director Theo Van Gogh has always made it a point to shock his audiences.All of his films have been successful in that respect. Interview is a film which has its own elements of shock value.At the core of this film are a famous actress and a not so unknown journalist who knows the art of manipulating things.The good thing about them is that they are elementary symbols of arts and its relevance in our contemporary society.This is something which must be construed as this film's redeeming aspect.There is enough shock for audience as in Interview what starts as a slick television exercise slowly gets degenerated into an artistic huis clos where human emotions are challenged in order to play a game of winner or loser.This game is nicely fought as it signifies the victory of a common man over an influential person.Interview is a film which will surely influence many people either a young student film maker who might like to copy its low budget style.This is because the entire film takes place in a single room.Whenever a European film becomes a hit,Hollywood makes its usual attempts to copy.This film has also been made by Steve Buscemi. It is for the audience to decide which is the better version.