Affari di sangue

Ribisi is always good and he gives a great performance. I can;t say the rest of the cast does. The mother character is nothing too special and the lead is mediocre. The whole mob feel gets lost when Tommy Lee makes his appearance. It starts out with the cliché, voice over done by the lead character as all mob movies do. There is no real description of the rise of Joey(Ribisi's Character) to mob boss. It was a story based on a Philadelphia mafia, I was thinking Joey Merlino but I guess not because of the ending. All in all the movie was not that bad. I recommend "Gotti" or "Goodfellas" first though. No major players in this one but it will hold your attention. I wish there was more story of the kids growing up into mob guys but they skip that and head right into adulthood.

I was surprised at how much I liked this film, being that I had never heard of it. The story focuses on Tommy (James Marsden), who has just come home from the army, but he's now undercover (working for Brian Dennehey), to bring down the gangsters he grew up. He comes home to see his brother Vincent (Brad Renfro) and his cousin Joey (Giovanni Ribisi), and the story goes from there. I won't go into any more detail at the sake of not ruining the film, but it's very good. If you enjoy a good gangster film, then this is the one for you. I am giving it an 8 out of 10. Also notice certain celeb cameos, such as Val Kilmer, Tommy Lee, an d Dennis Hopper.

I gave this film an 8. Maybe it's just because I happen to think Giovanni Ribisi is an exceptional actor, but I really did find this to be a surprisingly good film. The one thing that didn't sit well with me was the idea that James Marsden is the star. That's simply a misnomer. He is a decent actor and does give a professional effort, but I just do not see him as the street-tough Philly kid he's supposed to be. Maybe this is a bit cynical, but there really wouldn't be much reason for a woman to watch this movie if not for somebody with good looks like Marsden playing the lead character and gracing the cover of the DVD. Hey, don't get me wrong, Piper Perabo has made me watch a movie or two that I regret, so it definitely goes both ways. Still, I could have done without the forced romance angle that they really tried to pull off between the two of them. But overall I definitely would recommend seeing this film for Ribisi's performance if nothing else. As he ages he's beginning to play some much darker, grittier characters which suits him very well. His versatility is astounding, especially his ability to maintain a level of sympathy no matter how many misdeeds he commits. Check this one out if you're a fan of the genre, it will hold your attention and may surprise you a bit as it's much more than just the former Marine forced to return home in order save his family from a couple of corrupt cops trying to extort him.

A decent story, good acting, but for a good number of people who have spent any time in Philly and/or Pittsburgh, ... you can't pull off calling Pittsburgh 'Philadelphia' (anymore then you can call Philadelphia 'Pittsburgh'). Both cities are great locations for movies... but just because they both happen to be in Pennsylvania, you can't interchange them -- geographically, architecturally they are distinctively unique (even if you leave the "Youse Guys" and the "Younse" accents out of it). Had South Philly's "Rocky" been filmed in Pittsburgh but pawned off as Philly it wouldn't be the classic it became, (nor conversely would the "Deer Hunter") it would have been ruined. I don't know how much better "10th & Wolf" would have been if the geography matched the story, but for me it would have been more believable.

Robert Moresco ('Crash') is proving to be a fine storyteller with a definite style of his own. 10TH & WOLF, written by both Moresco and Allan Steele and directed by Moresco appears on the shelves of DVDs as one of those films that makes us wonder why it didn't do well on the theater screens: it is well written, beautifully directed, has a cast that is consistently fine, and unravels a family involved in organized crime theme as well as any movie out there.

Moresco very wisely starts his story in the burning oil fields of Kuwait during Desert Storm where Marine sargeant Tommy (James Marsden, doing his finest work since his brilliant portrayal in THE 24TH HOUR) drives his Hummer through the desert, coming to grips with the absurdity of war, a key turn in his personality causing him to be dishonorably discharged for his refusal to take part in that ridiculous war game. He is given a deal: FBI agents Horvath (Brian Dennehy) and Thornton (Leo Rossi) visit his cell stateside and offer him clemency if he helps them capture a big drug dealer Reggio (Francesco Salvi) in Tommy's hometown of Philadelphia. Tommy had escaped the organized crime scene by joining the Marines, but is suddenly returned to his family occupation as an undercover agent with a wire. Tommy's brother Vincent (Brad Renfro) and his cousin Joey (Giovanni Ribisi) welcome his return and begin plotting ways to off Reggio. Beatings and murders begin to occur: Joey is a bit on the mad side and plunges his boys into messes that become like quicksand. How the family bonds over losses to big crime and vendettas, and how that lifestyle affects parents (Lesley Ann Warren) and victims turned girlfriends (Piper Perabo) leaving the drive to survive as the paramount goal is the run of the plot.

There are plenty of cameos (Dennis Hopper, Val Kilmer, Dash Mihok etc) to round out the dark atmosphere, but the strength of the film lies strongly on the shoulders of Marsden, Ribisi and Renfro and they handle their roles exceptionally well. This is yet another big crime story but one that grips the audience's attention and holds it to the final twisted end. Strong violence and language, but a testy and tightly woven story with many unspoken metaphors. Grady Harp