VALUTAZIONE IMDb
6,2/10
7258
LA TUA VALUTAZIONE
Un ex delinquente di strada torna a casa a Filadelfia dopo un periodo nell'esercito. Tornato in patria, si ritrova ancora una volta invischiato con il boss della mafia che è stato determinan... Leggi tuttoUn ex delinquente di strada torna a casa a Filadelfia dopo un periodo nell'esercito. Tornato in patria, si ritrova ancora una volta invischiato con il boss della mafia che è stato determinante nel suo diventare un soldato.Un ex delinquente di strada torna a casa a Filadelfia dopo un periodo nell'esercito. Tornato in patria, si ritrova ancora una volta invischiato con il boss della mafia che è stato determinante nel suo diventare un soldato.
- Premi
- 1 vittoria in totale
Recensioni in evidenza
What an awful film. I caught a screening of it last night in Irvine, CA. I think the filmmakers would be lucky if it made it straight to USA or FX. It's not even good enough for Showtime. Seriously though. Every cliché in existence is thrown in, combined with REALLY bad acting and REALLY bad cameos from Val Kilmer and Dennis Hopper. What a waste of time. The worst performance in the film probably comes from Lesley Ann Warren, who acts all Jennifer Coolidge-esquire in an over-the-top role. After seeing this movie, everyone will know that Paul Haggis is the real brains behind "Crash," because what Bobby Moresco wrote here comes straight from the lame examples you would find in a book on how to write a screenplay. Trust me, and don't waste your time on this movie if it ever ends up coming to a theater near you, which it probably won't. This was pure trash.
Tommy (James Marsden) is a Marine threatened with prison after a drunken fight during the Gulf War. It's 1991. Unscrupulous FBI Agent Horvath (Brian Dennehy) recruits him as a confidential informer. His family is connected to the Philadelphia mafia. Mob boss Matty Matello (Dennis Hopper) has been assassinated and Tommy's beloved cousin Joey (Giovanni Ribisi) is the new leader. The New York mob is looking to take over.
This is second tier gangster flick. It feels like it. It looks like it. The filmmaking is strictly second tier level. Marsden is not quite mobster material. I guess that Tommy is not a mobster but it would be better to have some buried mobster within him. Marsden can't do that. Brad Renfro could have done it better. The saving grace of this movie is Ribisi. He is the definition of unstable and is a great mini-Hopper. At the end of the day, this is very derivative and a lesser version of better movies. I do still like me some Ribisi.
This is second tier gangster flick. It feels like it. It looks like it. The filmmaking is strictly second tier level. Marsden is not quite mobster material. I guess that Tommy is not a mobster but it would be better to have some buried mobster within him. Marsden can't do that. Brad Renfro could have done it better. The saving grace of this movie is Ribisi. He is the definition of unstable and is a great mini-Hopper. At the end of the day, this is very derivative and a lesser version of better movies. I do still like me some Ribisi.
I gave this film an 8. Maybe it's just because I happen to think Giovanni Ribisi is an exceptional actor, but I really did find this to be a surprisingly good film. The one thing that didn't sit well with me was the idea that James Marsden is the star. That's simply a misnomer. He is a decent actor and does give a professional effort, but I just do not see him as the street-tough Philly kid he's supposed to be. Maybe this is a bit cynical, but there really wouldn't be much reason for a woman to watch this movie if not for somebody with good looks like Marsden playing the lead character and gracing the cover of the DVD. Hey, don't get me wrong, Piper Perabo has made me watch a movie or two that I regret, so it definitely goes both ways. Still, I could have done without the forced romance angle that they really tried to pull off between the two of them. But overall I definitely would recommend seeing this film for Ribisi's performance if nothing else. As he ages he's beginning to play some much darker, grittier characters which suits him very well. His versatility is astounding, especially his ability to maintain a level of sympathy no matter how many misdeeds he commits. Check this one out if you're a fan of the genre, it will hold your attention and may surprise you a bit as it's much more than just the former Marine forced to return home in order save his family from a couple of corrupt cops trying to extort him.
A decent story, good acting, but for a good number of people who have spent any time in Philly and/or Pittsburgh, ... you can't pull off calling Pittsburgh 'Philadelphia' (anymore then you can call Philadelphia 'Pittsburgh'). Both cities are great locations for movies... but just because they both happen to be in Pennsylvania, you can't interchange them -- geographically, architecturally they are distinctively unique (even if you leave the "Youse Guys" and the "Younse" accents out of it). Had South Philly's "Rocky" been filmed in Pittsburgh but pawned off as Philly it wouldn't be the classic it became, (nor conversely would the "Deer Hunter") it would have been ruined. I don't know how much better "10th & Wolf" would have been if the geography matched the story, but for me it would have been more believable.
This is one of those films that gives the impression it is written by someone who is more a fan of the genre than a practitioner. It contains all the usual elements found in these 'tough' and 'gritty' crime dramas the questionable loyalty between hoods who have grown up together on the mean streets of the city's slums, the psychotic gangster, the tough but vulnerable single mum, the doting mother, the sleazy clubs, the random acts of violence, the pop music soundtrack but never once comes close to showing any signs of originality.
James Marsden as anonymous a leading man as you are ever likely to find plays the son of a mobster drummed out of the marines for stealing a jeep and going after Saddam on his own when the US call off the Gulf War on the dictator's doorstep back in '91. He is offered a deal by shady cop Brian Dennehy (looking surprisingly trim but worryingly frail) to help put away a mobster from his old neighbourhood in return for his freedom from military prison. Returning to his old haunts, he falls in with his slightly feeble-minded brother and his cousin ably played by Giovanni Ribisi who is about to embark on a gang war with the mobster in question, which leads to the usual conflict of loyalties.
After watching this I wondered not only why I bothered watching it through to its inevitable conclusion, but also why anybody bothered putting up the money for it. The script is pedestrian at best, and the storyline never wavers from a path that is as predictable as it is dull. Only the quality of the acting, and especially a blistering performance from Ribisi, make this worth watching at all. Well that and the unintentionally hilarious death scene of one-legged gangster, Julian.
James Marsden as anonymous a leading man as you are ever likely to find plays the son of a mobster drummed out of the marines for stealing a jeep and going after Saddam on his own when the US call off the Gulf War on the dictator's doorstep back in '91. He is offered a deal by shady cop Brian Dennehy (looking surprisingly trim but worryingly frail) to help put away a mobster from his old neighbourhood in return for his freedom from military prison. Returning to his old haunts, he falls in with his slightly feeble-minded brother and his cousin ably played by Giovanni Ribisi who is about to embark on a gang war with the mobster in question, which leads to the usual conflict of loyalties.
After watching this I wondered not only why I bothered watching it through to its inevitable conclusion, but also why anybody bothered putting up the money for it. The script is pedestrian at best, and the storyline never wavers from a path that is as predictable as it is dull. Only the quality of the acting, and especially a blistering performance from Ribisi, make this worth watching at all. Well that and the unintentionally hilarious death scene of one-legged gangster, Julian.
Lo sapevi?
- QuizPennsylvania lured the production with the following incentives to keep the budget fiscally responsible: a 20% transferable tax credit, no state sales tax, and free use of state-owned property.
- BlooperLocation errors abound as the story is based in Philadelphia. Most telling are: a Steelers logo on a beer billboard in one scene (would be an Eagles logo if in Philly); the Allegheny County '412' area code on a sign on a building for lease, late in the film; The PPG famous spiked tower in the background; famous Pittsburgh yellow bridges throughout; and key scenes at 'Wholey's' which is a real meat and fish landmark store in Pittsburgh's Strip District.
- Curiosità sui creditiJesse Gullion - Milk Shake Guy
- ConnessioniReferences Donnie Brasco (1997)
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- 10th & Wolf
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Botteghino
- Budget
- 8.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 54.702 USD
- Fine settimana di apertura Stati Uniti e Canada
- 20.774 USD
- 20 ago 2006
- Lordo in tutto il mondo
- 143.451 USD
- Tempo di esecuzione1 ora 47 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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