Strange Bedfellows

I like a good farce. It's a very simple formula, you wonder why so many films get it wrong. It starts with a small lie... and then a slightly bigger lie to cover the first one, and so on and so on. The secret is to make the underlying situation very serious. In this instance, the threat isn't being "outed" to the township, it's taxation fraud and the potential of being sent to jail that underpins the frantic farceurs.

I watched the DVD of 'Strange Bedfellows' tonight with my partner and we both laughed like hyenas throughout. Even though most of the plot twists are obvious, half the pleasure comes from predicting what's going to happen next, and then seeing it actually happen as poor Vince and Ralph are plunged deeper into their charade. Michael Caton is brilliant, and Paul Hogan shines too, a few slightly wooden scenes notwithstanding. The rest of the cast allows anyone who's grown up with Aussie TV to play a quick game of "Ooh, isn't that...?"

The tax law reform which sets the plot in motion is very improbable - now moreso than when the film was made just last year - but it's clearly just a mcguffin to get the plot rolling, and it's not worth slamming the film for it.

Some people have been saying that the film is full of negative gay stereotypes; since the only part of the film with "real" gays (as opposed to Vince and Ralph's hilariously inept mincing) is set in Oxford St Sydney on a Friday(?) night, it's hardly surprising everyone's all frocked up for a night out. The important lesson here is that once Vince and Ralph sit and talk with them and get to know them, the gay guys are just, well, guys. Which is pretty much the moral of the story. Strip away the glitter and the glam, forget about who does what to whom in the bedroom - if you just stop and look, people are all just people.

I loved this - it's the Australian 'In And Out'. More like this, please.

Set in the heart of country Australia, with a short journey to Sydney in the middle of the film, Strange Bedfellows tells the story of two close friends, Vince (Hogan) and Ralph (Caton) who cook up a plan to take advantage of a new law that gives tax breaks to Same Sex Couples. Trouble is, Vince and Ralph are as totally straight and must 'camp it up' it order to convince the government's tax inspector (Postlethwaite).

The laughs come thick and fast as Vince and Ralph, do what it takes to learn how to appear gay. The reaction of the locals and the great scenes set in a Sydney gay disco are only some of what makes this movie a winner. However the jokes, even the outrageous ones, are never at the expense of the gay community.

This is the funniest movie Paul Hogan has starred in since the original 'Crocodile' Dundee. He and Caton are a wonderful double act, supported beautifully by the rest of the cast, including a manic band leader in the final scenes, set against the back drop of some of Australia's most picturesque countryside. The ending works very well with all the loose ends, twists and all, being tied up.

Paul Hogan was a TV star in Australia long before the world met 'Crocodile' Dundee. Michael Caton is also well known to Australian TV viewers with memorable parts on many shows, from soap operas to comedy.

This is the funniest movie I've seen come out of Australia. It has a laid back sense of humour that you don't see too often. It's got a great location. Funny jokes without being in bad taste. The two leads Paul Hogan and Michael Caton are a great pairing. The support cast does the job well.

The movies has great scenery and the movie flows well, not one scene is wasted. The humour flows throughout and it's not a one joke movie. Accessable to all ages. This is the best work Paul Hogan has done since Crocodile Dundee and is ironic that this famous Australian seems to do his best work when he makes Australian films in Australia.

I avoided seeing Strange Bedfellows at the cinema after reading a couple of less than favourable reviews, so it was with some trepidation that I hired the DVD, however it is wonderful! As a gay man I was terrified the film would fall into gay bashing and ridicule and whilst there are some strong stereotypes represented the overall charm and message of the film is delightful. Michael Caton is terrific as Ralph, a simple mechanic from small town Australian. Ralph is the type of bloke we all want as our uncle. Honest, dependable and while a bit conservative, a man with a heart of gold. Paul Hogan (forgive me all you Hogan haters) is wonderful! I can't believe I'm saying this but the man many of us have grown to hate gives a lovely performance as Vince, the local cinema owner. 'Hoges' surprisingly gives the film real heart and shows a vulnerability I haven't seen him show before in his other work. I won't go through the story points again, other than saying Strange Bedfellows is a hilarious, grossly underrated Aussie movie and one that I'm sure will find a very loyal audience from straight, gay, lesbian, transgender movie lovers who will see this film in the spirit the filmmakers obviously made it to be. Good luck to it!

If you are looking for a gentle comedy with a warm, feel good underbelly, this is it.

Although I am a fan of the three lead actors in the film (Paul Hogan, Michael Caton and Pete Postlethwaite), I confess that before the film began I was slightly anxious that this would be a bit of a toe-curling cringe-making event that relied on wheeling out cardboard character stereotypes and putting them in lots of unbelievable 'not going to happen' silly scenarios. I was very pleasantly surprised. There are certainly some moments when I almost cringed a little too more than you are supposed to as part of the comedy but in my view the blanket of warmth running through this film carried them off.

The lead characters are backed up very well by some fine supporting performances. In particular, I liked the parts played by the hairdresser and the straight 'pub' and gay 'club' mates.

In terms of criticism, I think the script could have been a bit stronger in places and, in some parts, you have to disable your cynicism sensors when looking at the leads' very old-fashioned notions of how they think they should act to blend in as 'gay people' (but then I suppose this could fly on account of their country upbringing/lack of exposure - no offence to country folk meant here).

I would not quite rate this film as a classic in the sense that "The Full Monty" may have been, but as with that movie, I did feel quite a bit happier from the experience of watching it. If you are in the right mood for this film, you will find it very enjoyable.