Leggende Navajo

My wife and I TiVo'd this and watched it yesterday. I'd been looking forward to seeing it since I first saw it advertised a month ago. I had no idea there was another made-for-TV movie using the same actors, and thought this was the first. I'm glad to hear it won't be the last.

Not having read the book, I thought this was a decent film, though it could have been better. While it's nice they cast real natives in the major roles, I thought it was pretty strange that not a single person looked Navajo. Given the huge number of people in this country with Navajo ancestry, I'm surprised Redford couldn't find one or two he thought could act well enough to carry a made-for-TV movie. And half the scenes didn't look to me like they were shot anywhere near the Navajo Nation, though I admit it's a big place that no one could know all of. Finally, too many of the characters came across as stereotypes. I've only read one Hillerman novel, so I don't know if that's due to the original novel or the screenplay or the directing.

All that said, it was a decent couple hours of entertainment, and I'll watch upcoming episodes, though I'm definitely not rushing out to buy the DVD.

Based on a Tony Hillerman novel, "Coyote Waits" brings back characters familiar to viewers of "Skinwalkers" and 1991's "Dark Wind", which starred Fred Ward and Lou Diamond Phillips. If you have not seen the previous films, you can still enjoy "Coyote Waits" for its own sake.

Adam Beach reprises his "Skinwalkers" role as "Jim Chee", alongside other "Skinwalkers" veterans, Sheila Tousey, and Wes Studi. None of the three are actually Navajo, though they are Native American. Personally I think casting should be based on the best actor for the part, and would have liked to see Phillips reprise his role. Beach is not a Navajo either and is still learning his craft; Phillips is a seasoned veteran. (Before folks get upset let me say this, tribal background should be taken in account when casting Native American roles. It is insulting to insist the tribes are interchangeable. Recall how silly it was for a Swedish accented actor to play a Frenchman in "Good Will Hunting"? It is the same point here.)

Presented in letterbox format, the scenery is at once mystical, isolating and all-encompassing. The production values lift it above "made for tv" status. The language, mild by todays standards, does use the popular term for excrement several times, but not gratuitously. The scenery is beautiful. The picture-postcard-blue of one scene's sky is so beautiful it brings a tear to the eye.

The plot is not as meaty as it could have been and some roles could have been eliminated without too much loss to the whole.

The intentions are good but there comes a time when intentions should be removed from the equation. "Coyote Waits" is not as fulfilling as it could have been, regardless of its intentions.

Was pleasantly surprised with this film as a friend who contributes to public television recommended it to me. Since the movie started at 2 a.m. my hopes initially was that the film would be a dud and I could go to bed. Instead this film has me wanting to purchase it to view again and possibly add the initial film Skinwalkers along with the purchase. The Tony Hillerman novels will also be purchased for a good read as well.

For me, fortunately the pace and structure of the movie was outstanding in this CSI laden era of mystery. The back and forth development of the case was to me intriguing and provided enough information to get you involved but not to much information to stop your personal hunt to figure out who committed the crimes.

There was enough personal concern for Adam Beach's character Jim Chee to strive for the resolution of this mystery. From time to time it is nice to see a Movie/TV cop solve a crime because it is the right thing to do without car chases or autopsy scenes shocking your senses.

As a longtime Tony Hillerman fan I looked forward to a better treatment of his Jim Chee novels than previous efforts. Visually Coyote Waits was very attractive but unfortunately was unable to impart the feel of the long lonely roads and the dry heat of the four corners region. The film was somewhat better at giving us a glimpse of Navajo culture, but unfortunately it was only a glimpse. In particular I missed the periods of silence and waiting we learned about in the books. Sure that's dead time in a visual medium, but that is important to the Navajo culture and the novels. The plot was very close to the novel, and the few concessions that were made were quite understandable. I hope we see more of Capt. Largo, Lt. Leaphorn and more insight into Officer Chee in future Hillerman treatments. All in all, worth a watch and certainly better than the formula mysteries we see regularly on broadcast TV.

OMG!!!! It was so cool to see home on the small screen, I just moved out east and was missing the Frontier, and there it was on PBS. You could see UNM in the background. That's where I used to eat, and I used to waltz around that campus!!!! I love any movie that films in my home state; there aren't any real mountains out here. Just grass. Having read the book and seeing it translated onto film is always hard because most of the flow and context is lost. Hillerman has developed these characters over a series of novels, and his fans are familiar with them and need no guidelines. For those that haven't read the book, they probably got lost in the story line. (I don't buy Adam Beach as a Navajo, he's too pretty. The acting itself is fine, though.)