Possession

Sorry, Sarah, but, since your 'Buffy days,' your film career has hardly been glittering. What we have here is a short - and pretty empty - horror/thriller. If you believe the marketing on the poster, the people who made it have something to do with both The Grudge and The Ring. I can assure you... it's not even nearly as good as either of them.

In my opinion, it has two major problems: the first is that it's rushed. It's only eighty minutes long and everything has to happen really quickly to fit it all in. Buffy is now married to 'nice brother,' but 'nasty brother' is generally hanging around with them. Then, one fateful day, nice brother and nasty brother accidentally crash their cars into each other (yeah, seriously), leaving them both fighting for life side by side in their hospital beds.

Then, nasty brother wakes up, only he claims to be nice brother. And now we have our film. Only we don't. Seeing as it's nice brother in nasty brother, he behaves very well and doesn't do anything nasty. So... who's really in there? Nice brother, or nasty brother? Um, do we care? He's nice, so there's absolutely no real sense of danger or dramatic tension (my second fault with the film).

If you're a Buffy/Sarah fan like me, you'll probably agree that she's the best bit. She does her best, but the script is lame and she could do with either having to fight someone, or be chased by something (ala The Grudge).

Sadly, Possession offers nothing you haven't seen before, only better. Stick to the Grudge or the Ring. Like I say... sorry, Sarah.

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I may review this report after watching the film a second time. this time around, I was most disappointed, expecting from the DVD sleeve promotion and the very title of the film, a demonic horror thriller. No such thing.

Another love triangle involving a young woman and two brothers, this is a soppy sentimental love story but I can see where people are coming from in thinking the husband Ryan has possessed the soul of his brother as a result of the accident. they could have fed off the recent film 'Brothers' which had a war topic to the story and although not great, delivered the goods. this film doesn't.

There is no real drama or horror in this movie and the ending is macabre to say the least. The acting is below standard even from the leading lady and the script is poor, the story told with so slow a pace it was excruciating.

Checking IMDb, there are quite a few films by the same title and it was difficult at first to identify the correct film on which to post the review.

There have been some very sensible and to the point comments by previous commentators about this movie. it remains to be seen whether I revise this review after a second viewing.

I have watched both versions of the film, and after eagerly anticipating it for more than a year, I can say that the alternate version is what I had expected/hoped for and completely changes the entire film. This film is by no means perfect, and certainly isn't the best written piece of cinema out there, but the story had me wrapped up and interested. The alternate ending made me love it.

If you go into this film under the misapprehension of the marketing - which is, that this film is another "Grudge" or whatever the company tried to push - then you may be disappointed; it is less supernatural and altogether more human.

This is middle-tier SMG film, but I must say, it has really grown on me over the years. It's gorgeously shot, the story is pretty twisted which keeps you guessing, and Sarah has total command over the emotion of the film. She's pretty fantastic; she's always been one of the best criers in Hollywood, and here she manages a certain emotional state consistently as Jess collects these experiences and weighs the possibilities. Lee Pace is rather good, too.

The directors have a strong sense and a compelling approach to the material that is not stylish and clicks with the audience. The script is the most flawed aspect but serves the basis for a solid thriller. It's quite impressive that they filmed an entire alternative third act. I do prefer the alternative ending to the more Hollywood-ized final version. However, the producers made the right call. American audiences wouldn't have gone along with Jess's final motivations and conclusion in the alternative ending. I find the psychology so interesting.

I wish it would have had a proper wide theatrical release. It would've made $bank$ had it been released early February or mid-April.

I haven't seen the Original Asian movie this is based on, but I am pretty sure, that I would like that more than the Remake I have seen. I'm pretty sure it is more subtle and has better character arcs. Not that the actors are bad in this, but as someone else wrote in a magazine: Seems like Sarah M. Gellars career has gone AWOL, since Buffy ended. And this movie won't bring her career back.

It's a nice little psycho thriller, that tries to stay ambiguous, but you might know where this is going, without me or anyone else telling you about it. There's still a chance you might like it more than some other people, but also a very good chance you might not like it at all. There's better thrillers out there, but you could pick a worse movie. If you are a fan of Sarah M. Gellar, you might wanna give it a try ... also if you like thriller movies in general (with a touch of supernatural thrown in for good measure). Everyone else should stay clear of this