Lisbela e o Prisioneiro

Before anything, I must say that in despite of the fact that I'm Brazilian, I usually don't like Brazilian movies. They are poor and weak. But this one surprise me.

Technically the movie it's a crap. In both, the script and the scenes in self.

But the plot is involving and fun. The performance of actors was very very good and the timing was perfect. One thing that this movie is not is boring. It was fun and really was able of catch my attention all over it.

Still, one thing bother me huge time on the plot: For God's sake, the state of Espirito Santo it's NOT on Northeast! Wake up dudes! The movie was pretty nice, but watch out for the littles holes on the plot. In this case, a HUGE mistake.

I give 5 from 10 to this movie.

Lisbela e o Prisioneiro is a good comedy, it will certainly make you have a very good time when you see it. However, this movie is downsized by two factors: it looks like a made-for-TV feature and Débora Falabella, who plays Lisbela, is not convincing, even with the awful accent she tries to speak. The rest of the cast is excellent, a very good team of actors with an outstanding comedic timing. The screenplay (from a play by Osman Lins) has astonishing metalinguistic ideas and inserts several little black-and-white movies inside the movie, as the soundtrack is very vibrating. Quite good. 7/10

Having seen other movies by Guel Arraes, I thought this felt a little too long. He has not used the great Selton Mello to his full potential, and therefore the movie suffers a little. It was a very funny movie, don't get me wrong, but it could be shorter, more to the point. The scenes from the old movies, IMO, instead of helping the storytelling ended up boring the audience. It is definitely worth watching, if for nothing else then for Selton Mello's acting.

Affective catharsis in every scene

The emotion, feeling, and affection that this film conveys is simply a masterpiece. Marco Nanini is simply phenomenal, in particular, but all the actors are fantastic. The script is incredible, gripping from beginning to end, and the metalanguage is delightful, in a comedy that leaves us enchanted with Brazilian cinema. Seeking our Brazilianness in Alagoas in contrast to Rio de Janeiro is also a powerful aesthetic of the film that turns the story into a myth that transcends our history and involves us once again in a temporal plot. Lisbela and the Prisoner is a recommended film in all its aspects, but mainly, it takes us to a catharsis of our bland and forgotten existence, remembered in each frame that affects us.

Leléu Antônio da Anunciação (Selton Mello) is a con man who travels through small Brazilian towns, scamming the people and sleeping with the townswomen.

When he makes the mistake of sleeping with the wife of a hit man's and is caught, Leléu barely gets away with his life. Quickly, he moves on to another town, Vitória de Santo Antão, where he meets and falls in love, for the first time, with Lisbela (Débora Falabella). The daughter of the Police Chief, Lisbela is a sweet girl who enjoys watching movies and usually relates life to the world of films.

Leléu has many problems to juggle: The hit-man, Frederic Evandro (Marco Nanini), also known as the Candlelighter, is hot on his trail to kill him; Frederic's wife, Inaura (Virginia Cavendish), claims to be in love with him and has followed him; and Lisbela is engaged to be married to someone else.

Some scenes are a little too much, too over the top, but overall Lisbela e o Prisioneiro (Lisbela and the Prisoner) is enjoyable.