Una aspirante ballerina fugge dopo essere stata coinvolta in una sparatoria in un locale notturno di Miami. Diventata famosa con sotto un nuovo pseudonimo, la donna è costretta ad affrontare... Leggi tuttoUna aspirante ballerina fugge dopo essere stata coinvolta in una sparatoria in un locale notturno di Miami. Diventata famosa con sotto un nuovo pseudonimo, la donna è costretta ad affrontare il suo passato quando il caso viene riaperto.Una aspirante ballerina fugge dopo essere stata coinvolta in una sparatoria in un locale notturno di Miami. Diventata famosa con sotto un nuovo pseudonimo, la donna è costretta ad affrontare il suo passato quando il caso viene riaperto.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Celestino Cornielle
- Luis
- (as Celestin Cornielle)
Recensioni in evidenza
Usually when you see a video / DVD cover with a picture of a well-known star but a title that you don't recognize, it's a movie made early in their careers before they got famous which gets re-released to capitalize on their current fame, even if sometimes they only play a small part in it. Well, at least in the case of "Carlita's Secret" the cover doesn't lie: Eva Longoria IS the main star of this movie. The script (co-written by three people who have barely worked on anything else) is a complete mess (lamest part: after being witness to a club shootout at a club that results in a cop's death, Carlita (Longoria) changes her name and after a few years no one recognizes her, despite the facts that she looks EXACTLY the same, and she even works as a dancer at the same club!), most of the male characters can barely complete a sentence without the word "f**k" in one of its variations, and what little action there is is amateurish at best, but the film does tick off many of the right Eva Longoria boxes: she dances seductively, she kisses another woman, she wears a bikini, she fires a gun, etc. Plus, her co-star Alejandra Gutierrez (a Playboy Playmate) is a total knockout as well. So not all is lost. ** out of 4.
There is a saying in the motion picture industry that editing can make or brake a movie, it broke Carlita's Secret. The editing and the choosing of rap music in this Latino film killed the movie for me. I have seen other films that the director has made and I can only say for sure that he was not involved in the editing of this movie. The acting was good and it had some good camera work. The quality of the sound was poor, I couldn't understand some of the dialog do to the rap music been to loud. I think the movie should have been scored.
I gave a vote of 7 out of 10 for the good acting and direction. But I give a vote of 1 for awful editing and producing.
I gave a vote of 7 out of 10 for the good acting and direction. But I give a vote of 1 for awful editing and producing.
It might interest you to know that we're privy to the filmmakers who created this piece:
First of all their composer--if you can call him that--wrote the music under the influence of drugs, so that's why you hear the same loop--which is what the producers wanted to use. What do you expect of penny-pinching white trash from Miami? These jokers get into the business to make a buck on you using canned stories and cheap sweatshop labor. They don't care about the quality at all--it's all about the bottom line.
We happen to know from some LA sources that the reason this movie was botched from the beginning is 1) they had no money to pay professionals properly, 2) the had no idea how to make a movie in post. The director was hampered from the beginning by scenes that had to be cut because execs at the company were flying around the country taking 5-martini lunches.
Secondly, the director shot only 60 pages of a 90 page script, but the producers wanted to the project to exceed 90 minutes. It came up short at 71 minutes--so the editors had to find all kinds of doubled up shots from other noble films like Miami Tail and Race Exploitation Whatnot to extend this wondrous vehicle for Eva Longoria.
First of all their composer--if you can call him that--wrote the music under the influence of drugs, so that's why you hear the same loop--which is what the producers wanted to use. What do you expect of penny-pinching white trash from Miami? These jokers get into the business to make a buck on you using canned stories and cheap sweatshop labor. They don't care about the quality at all--it's all about the bottom line.
We happen to know from some LA sources that the reason this movie was botched from the beginning is 1) they had no money to pay professionals properly, 2) the had no idea how to make a movie in post. The director was hampered from the beginning by scenes that had to be cut because execs at the company were flying around the country taking 5-martini lunches.
Secondly, the director shot only 60 pages of a 90 page script, but the producers wanted to the project to exceed 90 minutes. It came up short at 71 minutes--so the editors had to find all kinds of doubled up shots from other noble films like Miami Tail and Race Exploitation Whatnot to extend this wondrous vehicle for Eva Longoria.
The only positive thing i can say about this movie is that eva longoria is easy on the eyes.
I hate to judge without viewing in entirely, but it was very difficult to watch. Scenes were predictable, and acting was bad. Looked like something my college buddies and i filmed on spring break.
Don't get me wrong. I love independent films. But that is not what this was.
This was a travesty of film-making. The director must have quit halfway through the film.
Here's my biggest beef with this "movie". THE MUSIC. Did the producers owe a debt to some local rappers because the soundtrack is so bad that it's actually funny. Whether the scene is sad or serious or funny, it's the same horrible rap music.
The plot is ridiculous, the set design was non-existent, the dialogue was enough to put a baby to sleep. They literally walked out of jail with not so much as a chase scene. Horrible.
If Eva Longoria wasn't in this monstrosity and my curiosity to see her wasn't prickled, they would give copies of this away at the local shooting range for target practice.
Horrible. I gave it a two only because of Eva.
This was a travesty of film-making. The director must have quit halfway through the film.
Here's my biggest beef with this "movie". THE MUSIC. Did the producers owe a debt to some local rappers because the soundtrack is so bad that it's actually funny. Whether the scene is sad or serious or funny, it's the same horrible rap music.
The plot is ridiculous, the set design was non-existent, the dialogue was enough to put a baby to sleep. They literally walked out of jail with not so much as a chase scene. Horrible.
If Eva Longoria wasn't in this monstrosity and my curiosity to see her wasn't prickled, they would give copies of this away at the local shooting range for target practice.
Horrible. I gave it a two only because of Eva.
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- Citazioni
Det. Kastell: Bad burrito day?
- Colonne sonoreCrush
Written, produced and performed by James De La Raza
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Dettagli
Botteghino
- Budget
- 200.000 USD (previsto)
- Tempo di esecuzione1 ora 31 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.66 : 1
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