Aggiungi una trama nella tua linguaVittorio Innocente, a young man, estranged from the tragedies of his Italian immigrant family, has spent his adult life denying his past. When his estranged father starts to stalk Vittorio's... Leggi tuttoVittorio Innocente, a young man, estranged from the tragedies of his Italian immigrant family, has spent his adult life denying his past. When his estranged father starts to stalk Vittorio's sister, Rita, with murderous intent, Vittorio is moved to return to his family and uncove... Leggi tuttoVittorio Innocente, a young man, estranged from the tragedies of his Italian immigrant family, has spent his adult life denying his past. When his estranged father starts to stalk Vittorio's sister, Rita, with murderous intent, Vittorio is moved to return to his family and uncover the decades-old secrets that have torn his family apart.
- Premi
- 3 vittorie e 8 candidature totali
- Elena Amherst
- (as Stephanie Mills)
Recensioni in evidenza
Wow. This turns dark. It starts regular dark and then it goes super dark. Vittorio is such a problematic protagonist. One starts out rooting for him but he just rips out your heart. It's in his blood and it's a tragedy built into his genes. That's why the happy ending seems out of place. It's shot almost like a dream which is exactly what it feels like. This needs a full dark ending or else cut out that one incident. This two part Canadian-Italian mini-series is an adaptation of a book series. I don't know anything about the book and changing major aspects of it can be dangerous. The time jumping could be improved a little. It may be better to do the flashbacks chronologically backwards. The acting is solidly anchored by great veterans. Loren brings gravitas all by herself. Fab Filippo as Vittorio has a difficult task and pulls it off well. Paré is all wild sexuality and a fitting successor to Loren. Kristofferson has the eyes but the movie needs the younger version to paint a picture of his relationship with the mother. This is a TV mini-series that could be turned into an epic theatrical movie if a skilled hand can do some major adapting.
The story opens in Italy where Vittorio Innocente as a child (Flavio Pacilli and as a teen by Joseph Marrese) observes his mother Cristina (Sabrina Ferilli) in the stables, bitten by a snake but obviously having just had a consignation with a soldier with blue eyes. Vittorio seeks solace from his maiden teacher aunt Therese (a luminous Sophia Loren) who consoles him, protects Christina when she becomes visibly pregnant (her husband Mario - Nick Mancuso - has been absent...), and helps him understand life through the lives of the saints by means of stories in a book she gives him. Vittorio and his mother depart for Canada 'to join Mario', but on the ship Christina dies giving birth to her daughter Rita, an infant protected by the ship's nurse (Valeria Benedetti Michelangeli). Vittorio is eventually separated from Rita and as an immigrant in America he separates himself from his Italian background, becoming a teacher in the Artic (Vittorio is now played with gusto by the talented and hunky Fabrizio Filippo, well known to American audiences from his work on Queer as Folk). Rita (Jessica Paré) is adopted and lives in Canada where she studies art and is stalked by Mario. Vittorio responds to Theresa's calls to protect Rita, the two fall in love, and the complications of the lives of this disseminated immigrant family intertwine in a manner of old-fashioned movies.
The saving grace of this rather saccharine and too long epic is the pleasure of watching Sophia Loren who still commands the screen. It also gives notice of new faces to watch - the gorgeous Sabrina Ferilli and the handsome Fabrizio Filippo. These three are reason enough to watch the movie. It is a long song of familial love/hate relationships, adoration of the simpler past as exemplified by Aunt Therese, and the plight of Italian (and all) immigrants. The photography of the varying locales is lovely and the music matches the changing times and the story. LIVES OF THE SAINTS is another example of how audiences from different countries gain access to 'foreign' TV miniseries. Grady Harp
Lo sapevi?
- Versioni alternativeThere is a three-part, 86-minute version showing on a streaming service.