Arrested Development - Ti presento i miei
Titolo originale: Arrested Development
Il figlio ragionevole Michael Bluth si occupa degli affari familiari dopo che suo padre è stato imprigionato. Ma il resto della sua famiglia viziata e disfunzionale rende il suo lavoro insop... Leggi tuttoIl figlio ragionevole Michael Bluth si occupa degli affari familiari dopo che suo padre è stato imprigionato. Ma il resto della sua famiglia viziata e disfunzionale rende il suo lavoro insopportabile.Il figlio ragionevole Michael Bluth si occupa degli affari familiari dopo che suo padre è stato imprigionato. Ma il resto della sua famiglia viziata e disfunzionale rende il suo lavoro insopportabile.
- Vincitore di 6 Primetime Emmy
- 61 vittorie e 123 candidature totali
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Riepilogo
Reviewers say 'Arrested Development' is praised for its clever writing, memorable characters, and innovative storytelling, especially in its original seasons. Unique elements like non-linear narratives, running gags, and Ron Howard's narration are highlighted. However, later seasons, particularly the Netflix revival, receive mixed reviews. Critics note a decline in quality, with episodes feeling convoluted and less funny. The reboot is often criticized for lacking the earlier charm, though many still appreciate the humor and cast performances across all seasons.
Recensioni in evidenza
Strange, Fox's promos almost made me miss out on this whole thing.
It's a sit-com made with very high standards, it's a career revival for Ron Howard, Henry Winkler and Liza Minelli, and it's a show that puts Fox's profile into HBO territory. "It's Arrested Development"
"In fact...", a Ron Howard quote that has become a cliché around our house, in fact, it's all those things and more. The writing is as good as everyone says it is, the cast is on par with that of Seinfeld or Roseanne. (Say what you will about her, that was a dream cast) Whenever new characters appear, they are inevitably played by people familiar to fans of edgy, intelligent humor. People like Jeffrey Tambor and Jason Bateman are dependably good, Michael Cera is a standout, and David Cross is finally being seen for the talent that he is.
The strongest thing I can say about this is that I find myself repeating various running gags, things that, like "In fact...", have become clichés. "I've made a huge mistake." "I'm having the time of my LIFE in here!" "surprisingly cat-like" "Take a powder, willya fellas?"
This last one, uttered by Liza Minelli as Lucille Austero, sticks with me especially, and I hope that Liza stays with the show longer. As good as the principles are, she manages to outclass even them. The same with Henry Winkler, whose Barry Zuckercorn is the sort of lawyer television's been dying for. Among those main players, Lindsay and Tobias are pretty strange characters to begin with, but when you consider that they are an old married couple, that crosses the line into the bizarre. This show is full of people and situations you just won't see anywhere else, at least until other derivative shows start appearing.
Watch carefully, as there are many bit and pieces lingering in the background that you might miss. Recently, George Michael was dumped by his girlfriend. As he trudged home in a state of misery, you could hear sad Charlie Brown music. In the background, you could see a real - but bright red - dog house, with a real dog lying on top of it. It's things like these that tell me that the creators are just pleased to be doing this show for it's own sake, and that kind of love of the work shows through in the end.
Who knows if this show will last? There's an audience out there for this sort of thing, but they've generally settled into the Sunday night HBO schedule. Hopefully the Emmys, the word of mouth, and the critical raves will draw attention to this show. If not, we'll just have our A.D. dvds to keep us warm, and thank God for 'em!
It's a sit-com made with very high standards, it's a career revival for Ron Howard, Henry Winkler and Liza Minelli, and it's a show that puts Fox's profile into HBO territory. "It's Arrested Development"
"In fact...", a Ron Howard quote that has become a cliché around our house, in fact, it's all those things and more. The writing is as good as everyone says it is, the cast is on par with that of Seinfeld or Roseanne. (Say what you will about her, that was a dream cast) Whenever new characters appear, they are inevitably played by people familiar to fans of edgy, intelligent humor. People like Jeffrey Tambor and Jason Bateman are dependably good, Michael Cera is a standout, and David Cross is finally being seen for the talent that he is.
The strongest thing I can say about this is that I find myself repeating various running gags, things that, like "In fact...", have become clichés. "I've made a huge mistake." "I'm having the time of my LIFE in here!" "surprisingly cat-like" "Take a powder, willya fellas?"
This last one, uttered by Liza Minelli as Lucille Austero, sticks with me especially, and I hope that Liza stays with the show longer. As good as the principles are, she manages to outclass even them. The same with Henry Winkler, whose Barry Zuckercorn is the sort of lawyer television's been dying for. Among those main players, Lindsay and Tobias are pretty strange characters to begin with, but when you consider that they are an old married couple, that crosses the line into the bizarre. This show is full of people and situations you just won't see anywhere else, at least until other derivative shows start appearing.
Watch carefully, as there are many bit and pieces lingering in the background that you might miss. Recently, George Michael was dumped by his girlfriend. As he trudged home in a state of misery, you could hear sad Charlie Brown music. In the background, you could see a real - but bright red - dog house, with a real dog lying on top of it. It's things like these that tell me that the creators are just pleased to be doing this show for it's own sake, and that kind of love of the work shows through in the end.
Who knows if this show will last? There's an audience out there for this sort of thing, but they've generally settled into the Sunday night HBO schedule. Hopefully the Emmys, the word of mouth, and the critical raves will draw attention to this show. If not, we'll just have our A.D. dvds to keep us warm, and thank God for 'em!
The main score is excluding the last 2 seasons. Judging by the first 3 seasons, this is one of the best sitcoms ever made but various factors led to it not doing so well while it ran and getting cut. It became a lot more popular after it had ended and word of mouth got around about how great it was. Due to popular demand and the show being cut so soon, there were rumors about it being revived for years but unfortunately that didn't happen until Netflix decided to pick it up about 7 years after the last season.
I don't know what happened with season 4, but the end result was a season with some big issues and lacking the clever comedy of the first 3 seasons. Season 5 was released nearly 5 years later that unfortunately was also very disappointing. I suspect a key person or people were not involved in season 4 and 5 (like Larry David was not involved in the last few seasons of Seinfeld, though the drop in quality wasn't as severe) or Netflix people butted in too much thinking they knew better.
Again, the first 3 seasons are excellent and up there with other top sitcoms. Several of those sitcoms also had disappointing seasons towards the end, just most had made it at least 5 seasons before the quality started to decline. Arrested Development most likely would have been similar had Fox not canceled it after season 3.
I don't know what happened with season 4, but the end result was a season with some big issues and lacking the clever comedy of the first 3 seasons. Season 5 was released nearly 5 years later that unfortunately was also very disappointing. I suspect a key person or people were not involved in season 4 and 5 (like Larry David was not involved in the last few seasons of Seinfeld, though the drop in quality wasn't as severe) or Netflix people butted in too much thinking they knew better.
Again, the first 3 seasons are excellent and up there with other top sitcoms. Several of those sitcoms also had disappointing seasons towards the end, just most had made it at least 5 seasons before the quality started to decline. Arrested Development most likely would have been similar had Fox not canceled it after season 3.
Season 4-5 were not necessary and kinda ruined it. The show was ahead of it's time it its is perfect for streaming. Seasons 1 to 3 is the funniest show of all time.
As you can tell by reading through most of these reviews, Arrested Development is loved by just about everyone who's seen it. It ended only after three seasons which was way too soon for such a great show. Netflix renewed it 8yrs after it went off the air. Season 3 was in 2005 and it wasn't until 2013 until season 4 finally made its debut. But those first few seasons were so good that it didn't still have to put this among my favorite sitcoms of all-time! It's about the Bluth family and how one of the sons, Micheal Bluth (Jason Bateman), takes over the family business and affairs when his father George Bluth (Jeffrey Tambor) goes to prison. This family is so dysfunctional that they make Michaels life impossible. If you haven't seen this yet then do yourself a favor and watch it asap!
First three seasons were like best thing you could see in a sitcom ever. But from 4th season it's all going downhill. I couldn't even get through season 5.
If it wasn't for last two seasons, this show would have been my favourite sitcom.
Which Actors Were Left Out of the Bluth Family
Which Actors Were Left Out of the Bluth Family
Jason Bateman, Tony Hale, Jeffrey Tambor, and more helped establish "Arrested Development" as a critical darling. See which other actors were almost cast in the cult classic.
Lo sapevi?
- QuizRon Howard's role as the narrator was accidental. He was merely filling in on the pilot, but his voice just "worked."
- BlooperIn several episodes, you can see flowers and trees outside the doors and windows of the model home; but in the shots of the exterior of the home, it is on a dirt plot, surrounded by nothing.
- ConnessioniFeatured in The 61st Annual Golden Globe Awards (2004)
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