VALUTAZIONE IMDb
7,2/10
12.899
LA TUA VALUTAZIONE
L'aspra rivalità di Amedeo Modigliani con Pablo Picasso e la sua tragica storia d'amore con Jeanne Hébutern.L'aspra rivalità di Amedeo Modigliani con Pablo Picasso e la sua tragica storia d'amore con Jeanne Hébutern.L'aspra rivalità di Amedeo Modigliani con Pablo Picasso e la sua tragica storia d'amore con Jeanne Hébutern.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 candidature totali
Peter Capaldi
- Cocteau
- (as Peter Capadli)
Dan Astileanu
- Diego Rivera
- (as Dan Astilean)
Eva Herzigova
- Olga
- (as Eva Herzigová)
Recensioni in evidenza
This film must be considered an "Art" film - not a commercial film and you must watch it with different eyes.
Taking that tone - It was throughly enjoying and the sets, costumes and art direction were done extremely well. The casting and acting was excellent and believable but some scenes
were too drawn out. If the editing was a little better we would have a real winner. However I can recommend this film to anyone who loves art and painting. It really portrays the feelings of the artists and how they lived.
Go See It - You'll enjoy it!
Taking that tone - It was throughly enjoying and the sets, costumes and art direction were done extremely well. The casting and acting was excellent and believable but some scenes
were too drawn out. If the editing was a little better we would have a real winner. However I can recommend this film to anyone who loves art and painting. It really portrays the feelings of the artists and how they lived.
Go See It - You'll enjoy it!
This movie is very much a mixed bag.. it's a good film. It's nice to watch, the acting is good, the direction is good and the story is engaging. But I feel it doesn't capture the real spirit of the era and the Paris artist community. It focuses too much on the immoral behavior and madness of the artists and leaves out the way these people viewed the world and their concepts of beauty. It's good the film tries to show the grittiness of it all, but there was so much more... i'd really would've liked to see more about what drove modigliani to paint as he did and what exactly drove him to destruction. This film only just touches on that...
it tries too much to please the American audience in their quest for standardized Hollywood stories, but on the other hand it tries to have a certain "artsy" flair that remains just polish because it lacks depth. Add to that some production-decisions that are a bit unfortunate, like the for any European obviously fake accents. They should've taken the original languages (french, Italian, Spanish, German) or English. Not this lame compromise..
Still you gotta see this. Not for an actual representation of modiglianis life or that era, just for it being a good film, dealing with passion, loyalty, madness, love and hate. See it for the atmosphere ,which although not accurate, is beautiful. See it for the good acting and the wonderful chemistry between modi and picasso. It could've been so much more but it is what it is.. good, intelligent entertainment.
it tries too much to please the American audience in their quest for standardized Hollywood stories, but on the other hand it tries to have a certain "artsy" flair that remains just polish because it lacks depth. Add to that some production-decisions that are a bit unfortunate, like the for any European obviously fake accents. They should've taken the original languages (french, Italian, Spanish, German) or English. Not this lame compromise..
Still you gotta see this. Not for an actual representation of modiglianis life or that era, just for it being a good film, dealing with passion, loyalty, madness, love and hate. See it for the atmosphere ,which although not accurate, is beautiful. See it for the good acting and the wonderful chemistry between modi and picasso. It could've been so much more but it is what it is.. good, intelligent entertainment.
Colorful and engaging, albeit, self-important lengthy Bio-Pic. Acting values range from screaming to sublime. Artist portrayals are always difficult to convey on the screen, and in this case, a painter, comes across as self-serving, ultimately unsympathetic but full of great art. His oeuvre speaks volumes but his lifestyle, littered with latch key kid lacking, results in some sad and destructive behavioral patterns that he never could outgrow. Backstory handled effectively and the anti-semitic storyline brutally honest but ham-fisted by the script. The debauched artists are overwhelmed by pistols, pity and the tortured artist syndrome. The scenes between the Big M and Pablo Picasso are the most interesting because of the tension created by the actors in each of the scenes; but Diego Rivera is reduced to bows and grunts. Excessive use of blood overstates some of the violence and one of the characters spends all his time yelling, about anything and everything. The "age" of the baby bothered my gal-pal ("M's" lover is seven months pregnant and carrying a three month old in her arms...say what?!) and the bad guys are straw-men with blackjacks to wield. Although there are scenes of "M" studying the bone structure of his subjects and checking out the rain on his window pane his artistic inspiration may be too subtle for the cinema to effectively embrace, without including his bouts with booze and hash. Keep this guy away from mommy's purse, he's a man on binge mission. Of course how do you portray inspiration? That's a puzzle. Too bad, too, because ultimately "M" left me mostly unmoved and wanting to take a trip to The Prado; rather than watch a vain and valiant Andy Garcia doing his Leaving Las Vegas cocktail chug-a-lug tumble down the auteur hole of dipsomania and consumption. Not a pretty slide. Not since Steven Boyd sucked his last gasp in Ben Hur has a character expelled air with such profound pathos. The women are pretty pawns in the directors hand's and the Salon Artist Paint-off "Contender" sequence rivals March Madness in frustration, respect and triumph. The euro trash tune-age is redolent of Cirque Du...and the salon scenes are gaudy but filled to the brim with odd balls and period patches.
Has the film a USA distributor? And for who is the pic targeted? The Hitch and Robots crowds will have a hard time pronouncing the title let along paying ten bucks to walk through the doors of the local multiplex to catch this one. Wait till DVD, rent it; and then go to an art gallery.
Has the film a USA distributor? And for who is the pic targeted? The Hitch and Robots crowds will have a hard time pronouncing the title let along paying ten bucks to walk through the doors of the local multiplex to catch this one. Wait till DVD, rent it; and then go to an art gallery.
The story of Modigliani is well-known. However, this film gives it life with a wonderful script, amazing cinematography, and mind-blowing performances by Andy Garcia and Elsa Zylberstein, a little-known French actress. I was glued to the screen from start to finish and have recommended it to everyone. If this film, Garcia, and Zylberstein don't receive Academy Award nominations, there's something wrong with Hollywood... at least more than is already wrong with it.
Run don't walk to the nearest theatre showing "Modigiliani". Forget the mega-publicized studio films being released now (Winter 2004-2005). See it while you can. It's a true find, and one that will stay with you long after you left the theatre.
Run don't walk to the nearest theatre showing "Modigiliani". Forget the mega-publicized studio films being released now (Winter 2004-2005). See it while you can. It's a true find, and one that will stay with you long after you left the theatre.
10sabioana
I find Modigliani a movie worth to be seen! Some of you might consider it doesn't capture the real "spirit" of that era or that it's being put too much accent on the painter's madness and on his interior drama; but this is Modigliani in Mick Davis's conception, it's a movie not a documentary! The soundtrack is perfectly chosen to amplify the feelings transmitted by the excellent performance of the actors. It is more than a cinematographic production. It is a symbiosis between passion and love, human nature and vices. The memories of Amedeo about his childhood, the reproofs of "Modigliani-the little boy ", the incapacity of resisting to temptations and the permanent psychological pressure given by having such a rivalry have driven him to auto-destruction. It is the destiny of a man who passed away just a moment before tasting success... I consider Modigliani-the movie- art about art.
Lo sapevi?
- QuizModigliani's first name was Amedeo. It translates to "Lover of God." Mozart had the same first name, although Modigliani's name is the Italian version, while Mozart's is the Latin.
- BlooperIn the movie, Frida Kahlo, the wife of Diego Riviera appears. But Frida was born in 1907, so in 1920 she would have been 13, while in the movie she is portrayed as an adult. She married Diego only in 1929.
- Citazioni
Amedeo Modigliani: Tell me, Pablo, how do you make love to a cube?
- Curiosità sui creditiThe opening title card includes a disclaimer that any paintings shown are not actual works by the artists depicted, but the Picasso portrait of Modigliani, central to the plot line, is a near perfect copy, if not the actual original.
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
- How long is Modigliani?Powered by Alexa
Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Modigliani
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 12.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 205.165 USD
- Fine settimana di apertura Stati Uniti e Canada
- 32.360 USD
- 15 mag 2005
- Lordo in tutto il mondo
- 1.547.008 USD
- Tempo di esecuzione
- 2h 8min(128 min)
- Colore
- Mix di suoni
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti