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Senza destino

Titolo originale: Sorstalanság
  • 2005
  • R
  • 2h 20min
VALUTAZIONE IMDb
7,0/10
7344
LA TUA VALUTAZIONE
Marcell Nagy in Senza destino (2005)
Theatrical Trailer from Think Film, Inc
Riproduci trailer1:47
4 video
20 foto
DrammaGuerraRomanticismo

La vita del quattordicenne György viene lacerata nell'Ungheria della seconda guerra mondiale, poiché viene deportato prima ad Auschwitz e poi a Buchenwald. È costretto a diventare un uomo in... Leggi tuttoLa vita del quattordicenne György viene lacerata nell'Ungheria della seconda guerra mondiale, poiché viene deportato prima ad Auschwitz e poi a Buchenwald. È costretto a diventare un uomo in mezzo all'odio, e cosa significa essere ebreo.La vita del quattordicenne György viene lacerata nell'Ungheria della seconda guerra mondiale, poiché viene deportato prima ad Auschwitz e poi a Buchenwald. È costretto a diventare un uomo in mezzo all'odio, e cosa significa essere ebreo.

  • Regia
    • Lajos Koltai
  • Sceneggiatura
    • Imre Kertész
  • Star
    • Marcell Nagy
    • Béla Dóra
    • Bálint Péntek
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,0/10
    7344
    LA TUA VALUTAZIONE
    • Regia
      • Lajos Koltai
    • Sceneggiatura
      • Imre Kertész
    • Star
      • Marcell Nagy
      • Béla Dóra
      • Bálint Péntek
    • 48Recensioni degli utenti
    • 74Recensioni della critica
    • 87Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 6 vittorie e 7 candidature totali

    Video4

    Fateless
    Trailer 1:47
    Fateless
    Fateless Scene: Scene 1
    Clip 1:25
    Fateless Scene: Scene 1
    Fateless Scene: Scene 1
    Clip 1:25
    Fateless Scene: Scene 1
    Fateless Scene: Scene 3
    Clip 1:00
    Fateless Scene: Scene 3
    Fateless Scene: Scene 2
    Clip 1:29
    Fateless Scene: Scene 2

    Foto20

    Visualizza poster
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    + 14
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    Interpreti principali99+

    Modifica
    Marcell Nagy
    • Köves Gyuri
    Béla Dóra
    • Dohányos
    Bálint Péntek
    • Selyemfiú
    Áron Dimény
    Áron Dimény
    • Citrom Bandi
    Péter Fancsikai
    Péter Fancsikai
    • kis Kollmann
    Zsolt Dér
    • Rozi
    András M. Kecskés
    • Finn
    Dániel Szabó
    Dániel Szabó
    • Moskovics
    • (as Dani Szabó)
    Tibor Mertz
    • Fodor
    Péter Vida
    • Lénárt
    Endre Harkányi
    • öreg Kollmann
    Márton Brezina
    • nagy Kollmann
    Zoltán Bukovszki
    • Zoli
    Gábor Nyiri
    • Hunyó
    Jenö Nagy
    • Jenõ
    • (as Nagy Jenõ)
    Bence Bihari
    • Bence
    Patrik Holzmüller
    • Patrik
    Jakab Pilaszanovich
    • Jakab
    • Regia
      • Lajos Koltai
    • Sceneggiatura
      • Imre Kertész
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti48

    7,07.3K
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    Recensioni in evidenza

    9gilwen-1

    More than a holocaust movie

    First of all, I have to tell, that I have not read the book yet, so I don't know how the book is like. But in my opinion the movie, in itself is really good. For me the movie had two major meanings. First, that all of us, who were not there in the camps, will never be able even to imagine how that was like. And the second, that people don't really listen to what you want to tell them, they listen to that, what they want to hear, and if your story does not satisfy them, because they want to hear something else, or because they can't accept your point of view, you will be left alone... And you will be lonely even among people of your own kind. And I think that's why this kid is fate-less, he himself tells at the and of the movie, he has to continue his life, which is not possible to continue, and he has to do this alone, because no one ever will understand him. Even fate has forsaken him.
    Kirpianuscus

    word about Shoah

    which word could define the Holocaust ? this film is an answer. for me, one of the most convincing and clear and delicate and honest. the wort experiences as the support for the grow up of a teenager. for self definition. for the build of life. for define the people. for survive. sure, nothing surprising if you do not ignore the science of Istvan Kertesz to give the profound, complete testimony about the experiences of recent past. but the film impress for the art of a 12 years old boy to translate states out of words. the look, the gestures, the steps, the eyes, his eyes, as verdict about a world in need to be itself . and the Central Europe as shadow of past times. I suppose than "Fateless" is the film about Shoah who must see. it is not "Schindler list". and this fact did it useful. because each images represents a word from a precise testimony. about humankind. about the Holocaust. about the price and the fight. to survive.
    8myfavoriteartform

    Well made, well acted, well told.

    Sorstalanság (Fateless) is the memoir of Imre Kertesz's survival of the Shoah. He won the Nobel Prize for literature in 2002, despite being relatively unknown in the West. At the time, many thought that this was "the Primo Levi prize", i.e. making up for the failure of the academy to award the Nobel to Levi, prior to his death in 1987 (the Nobel is never awarded posthumously).

    If one has read Levi's Survival at Auschwitz, or Elie Wiesel's Night, many of the details of the story are familiar. But the craft is in the telling, and the director has done an excellent job of bringing a memoir of brutality and survival to life.

    A brief synopsis, without spoilers, is that this is the story of a teenaged boy in Budapest in 1944 who is swept up in the Nazi roundup of Hungarian Jewry, and his experience in the concentration camps. (Elie Wiesel was interred in the same roundup.) The story of how Eichmann tried to ransom Hungarian Jewry to the West is interesting background, for those who are intellectually curious. (The allies were afraid to provide materiel and resources to the Nazis, fearing prolongation of the war. A very sad tale).

    Making a film of the Holocaust is always a challenge. A director must strive to make the scenes powerful, without being melodramatic. There is also the danger of making another movie over again (eg, Schindler's List; The Reawakening; Europa, Europa). The challenge is to remain faithful to truth, while bringing artistry to the telling of it.

    One device which is used to great effect is the use of very brief scenes, perhaps less than one minute, which tell a brief vignette of the daily life in the camps. Some have very little dialog, and they seem random and unconnected, yet together they add to a deeply moving experience.

    Many films of the Holocaust are shattering; a few are hopeful. This is neither, but it is a telling of the story that is watchable for most audiences, yet retains the power to affect a viewer. 8 out of 10.
    10Camoo

    Really surprising from an American perspective

    I saw this on a trip recently to Hungary and I have to say that I was really impressed. It stands up against the bigger movies made regarding this subject, and it stands proudly. It didn't try to tackle the enormity of the Holocaust as one user suggested, rather it tried (and succeeded in my opinion) in tackling the story and fate (or lack thereof) of a young Jewish- Hungarian boy during the second world war. How would one explain this sudden shift in reality to a boy who is still in the process of maturing? How much can he possibly understand? When the ordeal is finished, could anything be "real" again afterwords? I thought the subject matter was challenging enough for it to warrant a second viewing.

    Marcel Nagy is spectacular, the director chose an amazing face and voice for the part, the character's attitude towards what's happening is shockingly mature and disaffected. He doesn't break down crying, or screaming , "why?!", he simply accepts that this has happened and tries to deal with it almost entirely inside his head. He is an introvert, speaking softly, and politely to those around him. He doesn't ask too many questions because he already thinks he knows all the answers. And these terrible answers are projected to the audience with the use of his powerful blue eyes, and his vital facial expressions (there are few scenes where the boy looks directly into the camera, and makes eye contact with you, the audience and I almost burst out crying..)

    The look of the film was what made the rest so sublime, the grays and blues were so dis-enchantingly beautiful, as horrid in a way it is to call a Holocaust film beautiful, the effect is more of seeing what is inside the mind of an innocent; the dramatization of color desaturating could be considered the gradual removal of that innocence. The best way I could describe this is a 'dreamy nightmare', also so fitting an aesthetic, since a delirium sets in to those suffering, and those watching them suffer - it all becomes so heightened and insane; the men and women here are being stripped of the appreciation of beauty, but kindness among these prisoners remain, and that seems a unique aspect to this story. The fact is that Kertesz's memories include these acts of kindness, and camaraderie, rather than remembering back to it as something so completely horrendous, as as to be denying these victims the right to be human. But they are. In this film, there are no extreme acts of violence or mayhem (some minor, but no guns mowing down innocents like Schindler's List), just a quiet, reflective look at the human condition, and the innocent youth caught in the web of evil's banality.

    I think the main problem people had with this film was they were expecting something... a little more dramatic, while this is a very quiet, very slow film that will appeal to those who work on those frequencies.
    8retibar

    A riveting epic hymn for life

    'Fateless' was a never-seen blockbuster in Hungary if we can use the term for Hungarian movies. It attracted so many viewers that no Hungarian film has done before and as it's not surprising that a Holocaust-film like this divides the audience. Thousands of readers had fallen in love with Imre Kertész's Nobel-prized novel, and expectations in this case are very high. However this film does NOT have to make any disappointment and opposite to some critics' opinion it holds the same meaning the novel holds. Don't forget that Kertész is the screenwriter too, it is his true story, a man's who went through all these and kept the respect of life so could find happiness after and during this. He agreed this film's value. The movie has some great actors, wonderful pictures and lots of very good, atmospheric scenes with very real memorable characters. The score is extremely beautiful how it's natural if the composer is Ennio Morricone.

    There are weaknesses too, of course, some dialogues, mainly in the beginning of the film are not natural (maybe it comes from Kertész's newness in film-writing), it' very disturbing as some weak acting in a few episodes. Marcell Nagy is not a bad choice for the leading role, he has the look and the power in his eyes but in speech he's not convincing, it drops you out of the atmosphere sometimes but it won't bother the not-Hungarian audience.

    'Fateless' is an impressive European masterpiece, Hungary should be proud of it.

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    Trama

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    • Quiz
      The production unexpectedly ran out of money halfway through and halted for several months in order to find new investors. This ended up working in its favor, since Marcell Nagy was going through puberty, and by the time they restarted, he looked physically more mature, taller, and his voice deeper. By the time his character enters and survives the death camp, he looks several years older than when the film began, adding an element of reality that otherwise would have been created with make-up.
    • Citazioni

      [last lines]

      György Köves: [narrating] People only ask about the horrors, whereas I should talk about the happiness of the camps next time, if they ask. If they ask at all. And if I don't forget myself.

    • Curiosità sui crediti
      Flash v. Schwabenland, Production Dog
    • Colonne sonore
      Holdvilágos éjszakán (On a Moonlit Night)
      Music by Mihály Eisemann

      Lyrics by István Zágon

      Sung by the four boys when the group is in transit

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    Dettagli

    Modifica
    • Data di uscita
      • 27 gennaio 2006 (Italia)
    • Paesi di origine
      • Ungheria
      • Germania
      • Regno Unito
      • Israele
      • Francia
      • Stati Uniti
    • Siti ufficiali
      • Offcial site
      • Official site (Hungary)
    • Lingue
      • Ungherese
      • Tedesco
      • Inglese
      • Yiddish
      • Ebraico
      • Polacco
    • Celebre anche come
      • Senza destino - Fateless
    • Luoghi delle riprese
      • Paks, Ungheria
    • Aziende produttrici
      • Hungarian Motion Picture Ltd.
      • Magic Media Inc.
      • EuroArts Entertainment
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 2.500.000.000 HUF (previsto)
    • Lordo Stati Uniti e Canada
      • 196.857 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 12.680 USD
      • 8 gen 2006
    • Lordo in tutto il mondo
      • 2.512.009 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      • 2h 20min(140 min)
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
    • Proporzioni
      • 2.35 : 1

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