Idiot

I did not expect to actually enjoy this. I had heard it was well done, so I thought I ought to force myself to watch at least some of it. Well, I've seen the first three episodes and can't wait to watch the rest. The acting is incredible, the cinematography imaginative, the pacing very good, and the dialog, since it is pure Dostoyevsky, is, of course, stellar. I've read the book (in English) a couple of times, but this movie brings the characters to life for me in a way the book never did. Perhaps the translation I read was not too great, but I think the biggest difference is the wonderful acting and directing in this mini-series. Eye contact, pauses, changes--or lack thereof--in tone of voice, all make such a big difference.

The DVD I am watching, from the Russian company CP Digital, has reasonably good-quality images, but terrible subtitles. For instance, one character told another, "You shouldn't miss this opportunity (to marry a very rich man)," but the subtitle said something like, "Isn't that interesting!" I know enough Russian to be able to tell when the subtitles are inaccurate, but unfortunately, not enough to watch it without subtitles. Perhaps the second or third time through I'll watch with subtitles turned off.

If only we could all have even a drop of Prince Myshkin's humility, compassion, love, honesty, candor.

The director's daring quest to film a script as close as possible to the book is also the movie's greatest weakness. The second half of the book, and hence of the movie, is emotionally much less active than the first half, so the contrast is naturally emphasized due the movie time format. The result is that the second half of the movie is plain boring.

Everything else is a success - photography, music, cast ( a brilliant cast, except an overly hysteric and non-charming Nastasya ), costumes, the very atmosphere of the dark and psychotic Petersburg of Dostoyevsky are meticulously combined into a theatrical, even intimate, show. The Prince's protagonist Parfion gives energetic, raw-power perfomance ( too bad he wears same black suit through the whole movie, a bit pathetic ). The Prince's best parts are his thralling monologues, when one can almost physically sense how the others' cynicism is extinguished by his naive sincerity.

The movie should appeal to the fans of 'psychological' genre, as special effects and action are obviously absent here.

A fantastic achievement! Brilliant acting, especially Mironov and Inna Churikov. Olga Budina (Aglaya), Vladimir Ilyin (Lebedev), Aleksei Petrenko (General Ivolgin), and Vladimir Mashkov (Rogozhin) also give very strong performances. The masterful treatment of even the most minor characters (e.g. Yepanchin's butler) provides an incredibly rich texture for this amazing story. The main difficulty for the non-Russian speaker is the incredibly uneven quality of the English subtitles. As others have stated, the subtitles go from very good to suddenly unintelligible. In parts they annoying lag behind the dialog. The music is weak also, much of it computer-synthesized, and very repetitive. But those quibbles aside, this is a real masterpiece.

I don't know if it is a good film. But, for certain ,it is a masterpiece.

For Dostoievsky's universe the words are unavailing. The comments are only games of vain ambition, trips in narcissistic nooks. The biography, the verdicts are slices of personal vision and not search of truth.

Dostoievsky is expression of his work. And his books are the territory of a well-organized world.

This film is the exceptions of my remarks. "Idiot" is a jeweler's achievement. Every nuance, every detail is careful polished. It is a example of to restore a masterpiece. A subtle acting, a gorgeous Lev Myshkin, a spectacular script. In fact, the result of a terrible fight between novel and film, between word and image, expression of Bortko's deep respect for a magnificent creation.

It is so remarkable for his art that the beginning of East European pride is made. But this film is not TV product. It is foretaste of a impressive spirituality, of a special refuge, about the price of illusion in Russian space, about the relation with a far Occident.

The first value of film is the language. Soft, worm, subtle, old, it is the atmosphere of a fascinating time and space, a literature and belief. Is it too little?

This is so extraordinary that each episode is absorbing and exhausting. It is also cathartic and draining. It has an intensity unknown in almost all TV. This is emotionally intense and almost deranged in the craziness of the characters as they purge each other, destroy the facades of each other, and continue to live as desolate souls.

This is not easy to watch and it follows the book closely. The acting is superb, the direction and overall production style is rather like those films of the 1970s that Bertolucci made in that era, but the intensity is turned up to absolute maximum.

This is really the most powerful piece of TV or film in a long time and shows how the writer shapes the final experiences because this story is utterly wild. It digs deep into the soul and does not relent.