The myth - Il risveglio di un eroe

Saw the movie today. Nice authenticity with the arms, armor and tactics of the Qin Dynasty (comtemprary of Republican Rome)and attention to detail. And a very beautiful Korean princess who looked every inch the role. Overall entertaining movie with signature JC fight scenes in the modern parts of the story. This new Indiana Jones type role for JC is certainly refreshing. The cop role is getting stale. The ending is also new for a JC movie, and perhaps indicates a certain coming of age - no more everyone happy, bad guys in jail, good guys get rewarded template anymore. The use of multiple languages by native speakers corresponding to authentic locations is refreshing (Mandarin, Korean, Cantonese, English, Hindi)- no more stilted "other" languages.

This film was pretty hyped up for many reasons. Jackie Chan, after the relatively successful return to HK movie industry with the release of New Police Story, teams up once again with Stanley Tong (Rumble in the Bronx) for starters. Tong wrote the story of The Myth, casting Jackie Chan in a never seen before role (yes, audiences are tired with his cop roles already) as a Qin dynasty general. What's refreshing too is that the role requires the use of a real weapon (a sword in this case), rather than having JC's character improvising with tools from his environment.

As most would already know from the trailer and poster, JC plays Jack Chan (about time they come up with better names too), an archaeologist who dreams about a Korean princess whom he's escorting to the Qin emperor as his new concubine. It's a recurring dream, and before you can say "Indiana Jones", he's off to locales he sees in his dream world to try and unravel its mystery, while research companion Tony Leung (The Lover) irks him along the way with tomb raiding in the name of scientific studies.

The story, while it might be original for a Jackie Chan movie, seemed a little cliché. It plays like a young boy's fantasy of snagging that exotic oriental princess, enjoying the support of the troop masses, having utmost loyalty to the king, and blessed with good fighting skills topped with a signature sword. And with the Qin dynasty, you're usually reduced to plots which may include the Great Wall, beautiful consorts, or the pill of Immortality.

The Myth looks and feels like a classic JC movie in terms of production values, like the familiar fight-with-the-baddies-acrobatic-stunts scenes, and physical humour injected at certain points. However, I guess with JC's age, the number of fight scenes have been reduced, and somewhat slowed down deliberately. The fight at the Rat Glue Factory stood out for being a combination of both brawn and injected situational humour. On the other hand, The Myth signifies new developments in a typical JC storyline, with the introduction of drama-mama romance (nothing much romantic though, with being comatose in all the good bits and lots of lingering stares), and a surprise(?) epilogue for his Qin character. And the "No blood no sex" unofficial clause goes out the window too.

Despite its huge budget, the special effects were not refined, which was a pity. The "blue screen" effect is obvious, even to the untrained eye, and there were a tad too many "lazy extras" who, in wide angled, supposedly big epic fight scenes, just stood, danced, moved around, anything but fight realistically. The original Highlander perfected the art of transitioning between flashbacks and present time, while The Myth falters, looking seemingly forced and contrived at times, or opted for the cheap way out - the blackouts.

As with most JC films, the women here play "flower vases". But I'm not complaining. Kim Hee-seon was beautiful in her role as the princess, and in the blooper reel, she was actually speaking Mandarin, and having a hard time remembering her lines. Mallika Sherawat was sizzling as she dandied around in flimsical dresses, while executing those high kicks, and I guess the entire run up to the Rat Glue Factory might turn out to be a fan favourite.

Many in the audience were surprised when the characters started speaking in Cantonese (for settings in modern day Hong Kong), and the local censors had no issue with that, instead of dubbing over the lines with Mandarin. Now that's a thumbs up.

So enjoy The Myth for what it is, just don't expect too much from a simple predictable storyline, and for some illogical and improbable scenes (I can't stand the horse back-kicking bits) that plays out like Michelle Yeoh's The Touch or even JC's own The Medallion.

It's worth seeing the movie just even for the rat glue factory scene. It's a wonderful Jackie Chan physical comedy. Sure to become a classic scene.

The rest of the movie constitutes of a historical "Hero" like war martial art action with some modern Jackie Chan slapstick. The plot is very tenuous and was probably written after someone wanted a story with Chinese history combined with a modern drive towards the nascent Chinese scientific and technological resurgence.

Jackie Chan plays an Indiana Jones like archaeologist which spirals into a Lara Croft style adventure of finding very strange but mindbogglingly powerful things. Meanwhile a very hazy parallel story runs of a concubine who falls for a general played by Jackie Chan a few hundreds years in the past. There is anti-gravity devices and immortality pills thrown in as well.

Though it does get really cheesy and maudlin at times, it's a really fun movie to watch.

Well, it almost feels like two separate movies. I liked the half of the movie that takes place in modern times, that has some vintage Jackie Chan moment, like the fight in the glue factory or the tomb raiding fight in India, these scenes alone bring us back to a younger Jackie Chan era like Projetc A and Mr. Canton and Lady Rose. But the other half of the film, the epic historical stuff, is very, very cheesy, even the fights, which a loaded with CG for this half of the film, don't spark any positive reaction, and Jackie trying to play a serious, melodramatic role doesn't quite cut the mustard either. However, Tong uses brilliant cinematography for the old era China part of the film and I must compliment the film for some of its use of music. Overall, the story doesn't hold up as being remotely plosible. But thanks to some great comedy and other funny moments (that I don't think were meant to be funny) the film is still enjoyable. It's not Jackie's best, but it is better than most things he's put out in recent years, with the exception of New Police Story--which I think is his best in a long time.

Ever since Jackie Chan's rendezvous with Hollywood in Cannonball Run (1981) (which incidentally was advertised in Hong Kong as Jackie "co-starring with Bert Reynolds"), he has been true to his unique brand of action – part comedy, part choreography, part acrobat – but never true martial arts such as what Jet Li delivers. (A remote analogy of the Sphinx – part woman, part beast, part god - but nothing of a man in it). And this went on for what seem like an eternity, both in local and Hollywood productions. Then, approaching mid-life, Chan started to try new things – e.g. pure romance in "Bo lei jun" (or "Glass bottle") (1999) and pathos in "New Police story" (2004).

In "The Myth", he takes things even further, by giving us both an old clowning around Jackie Chan and a new all serious Jackie Chan, in two parallel stories, present and ancient. Good intentions and efforts notwithstanding, Chan's portrayal of a general of woeful countenance in the ancient Qin dynasty is just not convincing, maybe because of things as a simple as his stature or that his face is too familiar. As a result, the love story on which obvious emphasis has been placed never quite gets off the ground. What we are left with then is pretty much the old Jackie Chan flick. Still, with the multi billion dollar (HK$) budget, an international cast and some pretty clever ideas (as the "rat glue factory scene" everybody mentioned), this movie IS entertaining. As well, although the "historical" portion is not exactly a resounding success, it does add another dimension to the movie.

One final note – at half-century point, Jackie Chan finally yields a bit on his resistance to wire work and CGI. While we are all proud of his steadfast determination to do all the dangerous stunts himself, the laws of nature dictate that there are things that you just can't go on doing forever.