Syriana

"Syriana" is a blistering, powerful film about the degree to which governments and corporate conglomerates place the ambition to control the world's oil supply above the well being of their citizens and employees. In this game, there are only bad guys, and what separates the villains from the protagonists is not a question of who's good and who's bad, but rather how bad each is willing to be.

So maybe "Syriana" doesn't tell us anything new. But that doesn't mean its points aren't worth making again and again. And though it is complicated, and I'm not going to pretend I followed every detail of its intricate plot, it's not *that* hard to follow. Stephen Gaghan is a good writer, and he provides a nice summary of the film's action in its final moments.

What emerges from this tangled puzzle is a web of corruption and self-interest, all fueled by the need for oil. In one plot thread, the men behind two soon-to-merge oil companies will stop at nothing to make the merger go through, since the new company will be one of the most powerful in the world. In another thread, the law firm representing the company proves that it's eager to cash in on the company's new economic success. Meanwhile, a power struggle between the two sons of an aging king in an unspecified Middle Eastern country (though Saudi Arabia is obviously suggested) has attracted the attention of the American government, operating through the CIA. America (read American business) has a vested interest in which of the king's sons succeeds him to the throne: It doesn't want the reform-minded eldest son, whose priorities will be building a country to benefit his own people; it wants instead the younger son, who will continue to relegate his country to a cosy spot in America's hip pocket and take its orders directly from the president of the USA. And in the film's most chilling plot strand, we see how the struggle for oil feeds the radical Islam movement in the Middle East, providing young men with a feeling of brotherhood and righteousness in the face of a region they feel has turned its back on them in favor of big business and Western corruption.

"Syriana" is tense, fast and furious. Following it can admittedly be somewhat exhausting, but if you pay very close attention to the first hour or so, as each story is introduced and the relationships between characters become clear, the second half of the movie is easier to digest.

I disagree with other comments here that the characters aren't developed or that the acting is unimpressive. On the contrary, I think all of the actors create extremely nuanced, compelling characters, a challenging task given the fact that none of them are allowed more than a minute or so at a time to feed us information about themselves. A movie like this could easily fall prey to filling itself with a bunch of stock villains, all cocked eyebrows and facial mannerisms rather than full-bodied characterizations, and the fact that it avoids this is a tribute to both Gaghan and the cast. And hats off to the editor on this movie, who had perhaps the most daunting task of the year.

2005 has been full of terse, important films, fresh in their immediacy. There have been a small number of sensational, tough, thought-provoking films instead of a larger batch of more mediocre ones, as has been the case recently. "Syriana" is one of the best movies of the year: it's angry, yet it's not hopeless. I hope Americans see this movie. At this time of year, when people are trampling each other in malls in order to be first in line for Christmas sales, I hope they remember that the vast wealth of America frequently comes at the sake of people all over the world who will never have a fraction of the comfort those in our country take for granted.

Grade: A

The interesting novel by Robert Baer seems to tell it all about "Syriana". It is a tale that is driven by the ambition of a few unscrupulous people who will stop at nothing to achieve their goal. In a way, Mr. Baer's novel as well as the film seems to be reaffirming Niccolo Machiavelli's "The ends justify the means"

Stephen Gaghan's first major directorial job presents the story in multiple settings running at the same time, which, for a great majority of the public will prove disorienting. Mr. Gaghan has adapted for the screen material like the one in "Syriana" before, so he wasn't a stranger working in that format.

What "Syriana" presents is a sort of rat race for the control of the oil in the Persian Golf, by whatever means necessary. Ultimately, the ones in control of that commodity will dominate the world. We are given about five different narratives in the film that interplay one another in the most unexpected ways. In fact, all these different subplots have a lot more in common than really meets the eye. One could almost recommend the viewing of the film a couple of times in order for all the different parts to come together in our minds and by doing so, the viewer will see the inner mechanisms of this intricate tale of corruption, greed and power.

The cast is enormous. There are a lot of different acting styles in the film. An almost unrecognizable George Clooney plays Bob Barnes, the CIA operative fallen from grace who is instrumental in set the story in motion and who reappears at the end at the climax of the action. Jeffrey Wright does a tremendous job as the lawyer who discovers the hidden mystery in a performance that is completely different from whatever he has done before in the screen. Matt Damon plays the ambitious young man who is at the top of his profession and can help Prince Nasir with his revolutionary views about changes in his country and the Arab world. Ultimately, Wasim, the poor Pakistani guest worker makes the case for the displaced youth of that world that is willing to go ahead and commit the ultimate sacrifice.

There are also good appearances by some seasoned actors that only appear shortly. Tim Blake Nelson, Chris Cooper, Jayne Atkinson, Akbar Kurtha, William Hurt, Christopher Plummer, Robert Foxworth and the rest are seen briefly.

Robert Elswit photographed the film in the different locations and makes it look better. The music score by Alexandre Desplat is heard in the background without interrupting the action. The editing by Tim Squires works well with the action. Stephen Gaghan shows he can do well working with Mr. Baer's material and made an interesting film that while it will irritate some viewers, on the whole he had the right idea in the way to tell this story.

Connex loses its access in Kazahkstan by its Emir which is then given to the Chinese. Connex is merging with the smaller Killen to get back into the region. Bryan Woodman (Matt Damon) is an energy analyst in Geneva. He attends the Emir's party where his son is accidentally killed. Reformer Prince Nasir (Alexander Siddig) offers him reparation and eventually takes him on as his adviser. Meanwhile, there is a secret missile sale in Iran that ends explosively. Bob Barnes (George Clooney) is a hard-nosed CIA operative trying to stop the arms smuggling. He clashes with his superiors and then assigned to assassinate Nasir.

It's an ambitious movie that would confuse the most fanatical of conspiracy theorists. It's a complicated interconnected series of stories. It's tough to keep it all straight. In this case, the confusion adds to the appeal of the movie. It highlights the murky nature of dealings within that region.

Maddening and infuriating but also fascinating like most things we don't understand when we're told we should. I kept hearing people around me whispering - Who's that? - What are they talking about? - William Hurt!? I haven't shoosh people in a movie theater in years but I did throughout "Syriana". The most compelling aspect is that I felt let into something and hear things I shouldn't. They're all baddies one way or another but then, what else is new. Stephen Gaghan, the writer director, devices a devilish web for us to get lost into. I was mesmerized by his self assuredness and although I didn't have any kind of emotional connection with "Syriana" whoever she or it is, I couldn't dismiss the experience so, well done, cinema comes in all shapes and flavors.

Syriana is a confused, ambitious and complex thriller of corruption and power related to the oil industry that tells four parallel stories: the CIA agent Bob Barnes (George Clooney) with great experience in Middle East that falls in disgrace after an unsuccessful mission dealing missiles in Lebanese Republic; the investigation of the attorney Bennett Holiday (Jeffrey Wright) related to the merge of two American oil companies, Connex and Killen; the traumatic association of the energy analyst Bryan Woodman (Matt Damon) with the son of a powerful emir of Iran; and the social drama of the Pakistani immigrant worker Wasim Khan (Mazhar Munir) that is fired by the oil company.

The greatest problem with this movie is that it is too complex for only 126 minutes running time, due to the number of plots, subplots and characters; therefore its edition is tremendously confused with the use of many ellipsis. It would be more appropriated a mini-series, or a longer film. Even the title of this movie is very ambiguous, with many non-official explanations. The movie's website states that "'Syriana' is a very real term used by Washington think-tanks to describe a hypothetical reshaping of the Middle East." (http://syrianamovie.warnerbros.com/about.html). In the end, I truly found this movie a pretentious and sophisticated collection of clichés sold in a beautiful "package". My vote is six.

Title (Brazil): "Syriana – A Indústria do Petróleo" ("Syriana – The Oil Industry")