Grimm

This film has a rather impressive billing, with the version I rented stated "siblings Jacob and Marie embark on a surreal, often night-marrish odyssey." The movie starts out Hansel and Gretel-esquire in that regard, but doesn't move much further. There is a journey to be had, if one is interested in following two characters whom they know little about through different cities where they meet different people. The meetings have very little value to them, however, and the characters often meet conflict that is unexplained. Furthermore, movement between locales is poorly motivated and a unified agenda never sets imposes itself. If these meetings were accompanied by the surrealism that the movie billing suggests, I could have still walked away happily, but unfortunately the surrealism in the meetings is itself limited because much of what could have made a scene eerie is left unaddressed. As far as the comedy, the movie fails to win stars in that department as well. There are two or three hilarious encounters, but most of the comedy is a sort of "why would anybody do that" type of humor. Suits some, obviously. On the whole, the film is built for people with short memory spans, as segments really don't have any connection to each other. This fact is acceptable for the first 40 minutes, but by the 41st, you will certainly ask yourself why you are still watching, hoping that something relevant will occur.

I cannot totally smash the movie, however, as the colors were quite vibrant and the journey itself is something that certain watchers might find interesting in its own right. Also, it must be said that Halina Reijn, the lead female, is exciting to watch. Her facial expressions, her candor in front of camera. Of course, she's beautiful. I should also mention that a greater understanding of the Brothers Grimm and their folk tales might lend itself to a greater appreciation of the film. It was clear that this was the case with the 2005 Matt Damon film, but with this one, it is less obvious whether a greater understanding of the tales would make Grimm better.

If you're going to watch it, make sure you school yourself on the back story (the Brother's Grimm tales).

At last we can see a movie that makes us Dutch folks laugh. It's based on a fairy tale of Grimm. It worth watching because I didn't see any better Dutch movie this year. Also I recommend De Noorderlingen en Kleine Teun.

I think this movie is unconventional and offbeat. I really liked it. I have seen it twice so far. It is also displays how one can go through hardships, bad luck. And yet keep going without disappointment and frustration. Both the characters though inspired from Hansel and Gretel are quite original. Movie is scripted very well. It starts with a small village in Netherlands bringing them to various places changing their lives drastically. Moral of the story is : Face it and handle it without complains!

Grimm Rocks!

I think this movie is unconventional and offbeat. I really liked it. I have seen it twice so far. It is also displays how one can go through hardships, bad luck. And yet keep going without disappointment and frustration. Both the characters though inspired from Hansel and Gretel are quite original. Movie is scripted very well. It starts with a small village in Netherlands bringing them to various places changing their lives drastically. Moral of the story is : Face it and handle it without complains!

Grimm Rocks!

As I continue to read more and more dedicated, intelligent graphic novels, I cannot help but think that perhaps director Alex van Warmerdam didn't read a couple prior to creating this film. From the opening sequences until the end of this film, you cannot help but feel a sense of whimsy, the fantastical, and enchantment. From our hopeless characters to the sporadic plot, Warmerdam has created a film in which the symbolic references and fairy tale connections isn't laid out in front of you, but instead deeply rooted within the chaos of Grimm for only those who are truly dedicated can find them. He buries them very deep within his work, but with some patience, a great eye, and a passion for the human genre element, you too will see the strength of Warmerdam's work. Grimm is not a masterpiece by far. In fact, it isn't one of the greatest films that I have seen, but it did burst from the seams with potential.

Warmerdam has quite the ability to build a very surreal world, place unknowing (and sometimes unwilling) characters into the mix, and give us bleak references to pop-children's culture. He shows us this with Grimm. For those of you die hard fairy tale fanatics, you may not like this story. It is not one that the average film viewer will enjoy. Grimm takes some time getting used to. It takes some time developing the characters, and it takes quite a bit of time giving us its story. It is never rushed (though sometimes we wish it were quicker), and eventually completes with a message of family, strength, and sibling love. Warmerdam does a great job of giving us two great navigators through his story with Jacob and Maria. Two completely different characters by nature, but both still have one passion in their eyes, to keep their friendship and family dynamic together. These two are the quintessential "Hansel & Gretel" as they voyage through the world of Spain to discover, not only themselves, but also how cruel the real world can be. While their interweaving stories could/should have been developed deeper with stronger bonds between them and the other characters in this film, Warmerdam has done a superb job of giving us their sole stories and emotions. If you solely watch just Jacob and Maria throughout this film, you will see such a strong human element and the sporadic events that occur to them as they continue their perilous journey. I applaud Warmerdam for his work on these two characters because they lead us through the story. We feel for them, we grow with them, we rally behind them near the end, so in essence, we enjoy these characters. Alas, his lacking story structure is the only hurdle that is tough to cross.

Warmerdam interweaves so many different fairy tale-esquire moments throughout the story that you begin to loose focus of the central themes. It reminded me of a third-grade story in which the young child forgot to do his homework and begins his report on "Hansel & Gretel" and inadvertently brings in moments from "Peter Pan", "Little Red Riding Hood", and "Jack & the Beanstalk" unknowingly. As the class laughs, you cannot help but think of how interesting a story like that would be. I think Warmerdam did his homework, brought several different childish stories together, but somehow never quite completed them. He would throw in segments of several different childhood genres that we, the audience, never had the opportunity to enjoy the one we were on. This is where Warmerdam lost me. I wanted to enjoy the different stories. I wanted to see how our not-so-young heroines would react to the different situations, but we never had that opportunity. He would begin a story, but never finish or at least create a strong enough segway to the next moment. Warmerdam had a great concept with this film, but never was able to pull his ideas together. Coupled with a horrible choice of music selection, Warmerdam never quite built the darkness surrounding Grimm. That is what ultimately hurt this picture.

Overall, Warmerdam did a decent job with overall final product of this film. Grimm is not a film for everyone, but for those that enjoy moments of David Lynch coupled with themes of childhood fairy tales. It is a dark story that never quite makes you laugh but instead attempts to use shocking cinematography to bring you this surreal world that we never quite believe exists. Warmerdam has created this mythological world that could be right in your backyard, but spooky enough to believe it came from your imagination. His characters were strong, but his story lacked decent connection. I found myself, like Jacob and Maria, lost during several of the scenes only to reconnect later during the film. I guess I just needed more breadcrumbs to guide me back…

Grade: **** out of *****

On a winter's day a cold-hearted father abandons his son Jacob and daughter Maria in the woods, while they were off looking for firewood. After they can't find their father, Jacob finds a letter in his coat from his mother telling them to go Spain to live with their uncle. While on this journey they bump into some conniving people, also they commit some of devilish crimes and most of the time find themselves in some bizarre circumstances.

*Shrug Shoulders* Um… yeah. Well, that's what I felt after this film had finished. It just has some type of spell over you, because what you are seeing on screen is outrageously awkward, highly unpredictable and a striking amount of imagination. The story loosely takes on the Hansel and Gretel fairytale, but goes for a more grownup approach, which is filled with dark humour, incredibly odd adventures and like the title implies a grim nature. Even with all this imagination that went into it, there's something about it that left me undecided what to feel. It's hardly bad, as it had a hypnotic trance on me, but at the end I wasn't hugely impressed, as it seems to run out of steam after the half way mark. Which is a shame, as it had potential with its surreal setup and strange surprises but it becomes ponderously slow and the bizarre nature of it seems to fall by the way side in the third act. The plot… well, there really isn't one, because it's nothing but one comical episode after another and some don't make too much sense or add any real cohesion to proceedings. To make matters worse the characters, especially Jacob and Maria are glazed over and because of that they're hard to like or to connect with. But that doesn't take away from the overall performances, which I thought was generally good. Also other notables worked into the film is a lot of demented and deadpan humour, which either was an hit or a miss and also the sexual context was downright kinky. These generally bleak adventures the two encounter are highly out of the blue and hold a tremendous amount of impact, as the film bursts at the seams with a touch of fairytale magic. Other things that truly kept me glued were the slick cinematography that captured such ravishing scenery from woodlands, to desert terrains and an eerie ghost town. Backing up what we saw on screen was an impressive soundtrack that mixed a lot twang, from country, to rock and some indie. In all, weird… just plain weird!

A promising idea that's hypnotically enchanting, but it never reached the great heights like I wished it did.