Dopo essere stato rapito e tenuto prigoniero per quindici anni, Oh Dae-Su viene lasciato andare, ma scopre che ha solo cinque giorni di tempo per scoprire chi è dietro al suo rapimento.Dopo essere stato rapito e tenuto prigoniero per quindici anni, Oh Dae-Su viene lasciato andare, ma scopre che ha solo cinque giorni di tempo per scoprire chi è dietro al suo rapimento.Dopo essere stato rapito e tenuto prigoniero per quindici anni, Oh Dae-Su viene lasciato andare, ma scopre che ha solo cinque giorni di tempo per scoprire chi è dietro al suo rapimento.
- Regia
- Sceneggiatura
- Star
- Premi
- 43 vittorie e 28 candidature totali
Ji Dae-han
- No Joo-hwan
- (as Dae-han Ji)
Seung-shin Lee
- Yoo Hyung-ja
- (as Seung-Shin Lee)
Oh Tae-kyung
- Young Dae-su
- (as Tae-kyung Oh)
Yoo Yeon-seok
- Young Woo-Jin
- (as Ahn Yeon-Seok)
Kim Young Ae
- Elevator Lady
- (as Kim Yeong-ae)
Riepilogo
Reviewers say 'Oldboy' is celebrated for its intricate plot, shocking twists, and emotional impact. Many praise its cinematography, direction, and Choi Min-sik's compelling performance. However, some critics argue the violence is gratuitous and the twist unconvincing, leading to mixed reactions. Despite the controversy, 'Oldboy' is often hailed for its bold storytelling and significant place in modern cinema.
Recensioni in evidenza
I've scored this a 9 but I think I may have been a little harsh! I have just read a review that says the reviewer cannot understand the hype. I can see no hype. Everything the film promised and more was delivered. This is a truly wonderful film. It is beautifully acted, brutally and painstakingly directed and as good a display of raw emotion as I have witnessed in any language. The story is gripping, the characters believable and well rounded, the emotion human and the feeling I was left with at the end of the film is one of awe. And that was after I had watched it twice. Honestly, this is a truly, truly wonderful film. Do not miss it under any circumstances!
10Xstal
Imagine what you'd do, when you wake from a bad dream, to find you're held by four square walls, for as long as someone deems, no idea why you're trapped, what you've done, why you're kidnapped, just a ceaseless line of dumplings going down your gyoza hatch. Now some fifteen years have passed, every question has been asked, and you're suddenly set free, can start your own avenging spree, before you do you need to feed, by eating something that's in need, so an octopus is ordered, and head first you cross the borders. But things aren't what they might seem, tied and tethered and undreamed, as the puppet master hovers, manipulates what you'll discover.
Some films you cannot watch too often and this is one of the greatest pieces of cinematic brilliance ever created.
Some films you cannot watch too often and this is one of the greatest pieces of cinematic brilliance ever created.
I decided to check this movie out after Ebert's 4 star rave review, and the cult status this movie has received (and was also intrigued by the sexy-looking Ultimate Edition), so I decided to rent it. I was VERY surprised at how different it was than I expected it to be - I expected a ton of violence and not much in the way of writing or acting. The first time I saw it, I wasn't blown away, just kind of like whatever.
When I watched it for the second time, however, I really started to notice how well it's made, in addition to liking it more. Every shot is bursting with background detail, a great amount of attention on the production design (the theme of a certain color in a scene was restrained, yet perfectly balanced). The actors really gave it all, especially the 2 male leads who really blew me away. The music is a varied mix of beautiful classical music and some pretty cool techno. The screenplay is brilliant; the characters are developed very well, extremely complex, and the plot is not only ingenious, but the payoff and twists are 1000x better than any Shamaylan movie.
Simply put, from a technical point of view, it's one of the best movies ever. From a critic's point of view, it is a very well-done movie that goes a little overboard in sex and violence, and is just a little strange.
When I watched it for the second time, however, I really started to notice how well it's made, in addition to liking it more. Every shot is bursting with background detail, a great amount of attention on the production design (the theme of a certain color in a scene was restrained, yet perfectly balanced). The actors really gave it all, especially the 2 male leads who really blew me away. The music is a varied mix of beautiful classical music and some pretty cool techno. The screenplay is brilliant; the characters are developed very well, extremely complex, and the plot is not only ingenious, but the payoff and twists are 1000x better than any Shamaylan movie.
Simply put, from a technical point of view, it's one of the best movies ever. From a critic's point of view, it is a very well-done movie that goes a little overboard in sex and violence, and is just a little strange.
Oldboy takes a hammer and "batters" its American equivalents, leaving them as pulped as a chewed up squid. Park Chan Wook displays what America misses with his ultra-stylish, ultra-violent thriller. Why watch Ben Affleck fail spectacularly to summon any displayable talent, when Min sik Choi serves up a memorable role as the disturbed, vengeful Dae Su Oh, in the second of the Vengeance trilogy. Park skillfully creates a compelling plot that will have you guessing through the entire film, up until the final shocking revelation. The Cinematography expertly done by Jeong-hun Jeong, who also worked on the follow up to this film, Chinjeolhan geumjassi. Everything about this film is done in style and panache and creates a memorable experience, and has many memorable scenes.
Many people accuse this film of being "unrealistic". These people forget that this a film, not a documentary. No one complains About Star Wars being unrealistic, and rightly so. Films have a right to stretch out reality, don't forget the reason it does this is to be entertaining.
Although the film has strong violence of a graphic nature, I advise you to watch it, if only to broaden your perspectives of world and Asian cinema.
Many people accuse this film of being "unrealistic". These people forget that this a film, not a documentary. No one complains About Star Wars being unrealistic, and rightly so. Films have a right to stretch out reality, don't forget the reason it does this is to be entertaining.
Although the film has strong violence of a graphic nature, I advise you to watch it, if only to broaden your perspectives of world and Asian cinema.
The first time I watched "Old-boy", I was half-amazed, half-disgusted. I wasn't quite sure how to rate the movie in general. I knew 2 things: 1. From a visual point of view, it's one of the best movies I have ever seen. Cinematography & scenography are nothing short of perfection. 2. I had problems with the plot, some holes in it, and a general feeling of injustice, as crime seemed to be pretty lightweight compared with the punishment.
2nd time was a weird situation. A girl I knew tried to get into the film school, and the day before her exam she asked me to supply her with some movies that were interesting visually. 2 films we watched were "Natural Born Killers" and "Old-boy", and, especially the 2nd 1 was a revelation.
Knowing the plot, it was easy for me to concentrate on the visual side, and my friend always consumes the movies this way. Results of paying attention to the tiniest of details were stunning. I don't think there's 1 scene in there shot without an idea, without something happening in the background, or without an image responding to the theme of the scene.
Don't be a baby crying about violence - camera turns away in key moments. Don't be a smartarse, picking on the shortcomings of the plot - think about Hitchcock or Chaplin and how they gave a flying f... about plot. Appreciate the work of the whole crew, and for best effects watch it a couple of times. It's worth it.
2nd time was a weird situation. A girl I knew tried to get into the film school, and the day before her exam she asked me to supply her with some movies that were interesting visually. 2 films we watched were "Natural Born Killers" and "Old-boy", and, especially the 2nd 1 was a revelation.
Knowing the plot, it was easy for me to concentrate on the visual side, and my friend always consumes the movies this way. Results of paying attention to the tiniest of details were stunning. I don't think there's 1 scene in there shot without an idea, without something happening in the background, or without an image responding to the theme of the scene.
Don't be a baby crying about violence - camera turns away in key moments. Don't be a smartarse, picking on the shortcomings of the plot - think about Hitchcock or Chaplin and how they gave a flying f... about plot. Appreciate the work of the whole crew, and for best effects watch it a couple of times. It's worth it.
Lo sapevi?
- QuizChoi Min-sik trained for six weeks and lost twenty pounds to get in shape for the role of Dae-su, and did most of his own stunt work.
- Blooper(at around 29 mins) Main character states that lack of sunlight has left him depleted of Vitamins A and E. These are obtained through diet. Sunlight is only responsible for the production of Vitamin D. Thus, the character should only be depleted of Vitamin D.
- Citazioni
Woo-jin Lee: Remember this: "Be it a rock or a grain of sand, in water they sink as the same."
- Versioni alternativePark Chan-wook stated on his solo DVD commentary that there is an edited version for television broadcast. It omits some of the more extreme violence and the love scene between Oh Dae Su and Mi-do.
- ConnessioniEdited into 365 days, also known as a Year (2019)
- Colonne sonoreBring My Love
by Starsailor
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Cinco días para vengarse
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 3.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 2.458.200 USD
- Fine settimana di apertura Stati Uniti e Canada
- 68.957 USD
- 27 mar 2005
- Lordo in tutto il mondo
- 17.617.021 USD
- Tempo di esecuzione2 ore
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti