Ju-on - Rancore

Before the film started, I read some quotes from famous American directors praising the Grudge and calling it one of the most frightening films of all time. I was a little nervous about seeing it, but excited that it had gotten such positive attention from filmmakers. That moment before the film started was much more frightening than anything in the actual film. To be generous, I have to say that some of the attempts to scare the audience are innovative. Sadly, nothing here is scary. I had a really hard time caring and was confused by the disjointed and tangential structure of the film. Sometimes the lack of logic in a horror film can work it's benefit. Not the case here. Seeing this film reminded me of why I hate formulaic slasher films. sure, there are some interesting things here, but nothing really gells. I love Asian horror films in general, but this seemed slight compared to the films of Miike, Nakata, K. Kurosawa and the Pang brothers which are getting easier to find in neighborhood video stores.

I saw the American remake before seeing "Ju On" and had mixed feelings about it. After seeing this original Japanese film, I can't really say that it is much better. Actually, I'd even say that the remake was more effective in terms of atmosphere. This original has the better story, and the audience isn't slapped in the face with a stupid "root" as they are in "The Grudge" (although, maybe that is fleshed out in the other "Ju On" movies, which I have not seen). The chronology play was interesting and fresh, but this is so important to the director, then there should have been more inclusion of time indicators. After awhile, the movie gets really boring--different people being haunted and attacked by the same ghosts in the same way, over and over again. I realize this is the point of the movie, but it doesn't make for a very entertaining time. My Rating: 6/10.

I remember when the American version came out everyone was saying how trash it was and that the original was soo scary! They lied.

I found it an enjoyable enough film but the story is unnecessarily convoluted. I did kind of wish it was scarier though!

In Japan, when the volunteer social assistant Rika Nishina (Megumi Okina) is assigned to visit a family, she is cursed and chased by two revengeful fiends: Kayako, a woman brutally murdered by her husband and her son Toshio. Each person that lives or visits the haunted house is murdered or disappears.

"Ju-on: The Grudge" is a very scary horror movie, based on a Japanese legend. In the beginning of the film, there is an explanation in this regard. When a person is killed in a violent way, his or her death generates a curse that will stay in the place where the crime took place. If another person visits the haunted place, he or she will be chased by the fiends till death generating another curse. In Western cultures, the fiend is generally trapped in a haunted house, and the person is safe and sound if he or she escapes from the place. This movie impresses because there is no bloody scene, only a tense psychological exploration of the inner fear of human beings for the unknown. The story is very simple and low paced, there are very few special effects, a great use of sound, no gore, but the creepy atmosphere is really frightening. Asiatic cinema proves again that in this moment their cinema is the number one in the horror genre. Unfortunately, the pretentious American industry of cinema insists in remaking and spoiling these Asian masterpieces.

I saw "Ju-on: The Grudge" for the first time on 02 June 2006. Today, 23 March 2007, I have just watched it for the second time with the intention of seeing the Japanese sequel and I startled many times with this excellent horror movie. I recalled the whole story and now I am familiarized with this Japanese belief of the Ju-on, therefore the non-chronological screenplay got better and better than in the first time that I saw. My vote is eight.

Title (Brazil): "Ju-On, O Grito" ("Ju-On, The Scream")

I watched the American version of "The Grudge" with Sarah Michelle Gellar some years ago and liked it a lot. Today I got a chance to see the Japanese original. Even though I saw it second and it doesn't have the same production value as the American version, I still liked it.

"Ju-On" bucked the trend a bit that you see with just about every movie dealing with hauntings or poltergeists; they jumped to level ten with the ghosts. 99% of horror movies involving a specter start off very slowly like the ghost is working up the nerve to fully scare the victim. In "Ju-On," because there are multiple victims, the tortured soul wastes no time. You have to appreciate a ghost who wants to get things done promptly.