Ju-on - Rancore

It's hard for me to actually be frightened by movies. They have to be realistic in a way that I could believe it would happen to me, and this film "Ju-On: The Grudge" is one realistic movie. This is a haunted house tale with a twist, nothing like "The Changeling," "The Innocents," or films of that caliber, this movie is haunting on a higher level. Everyone who comes in contact with the house gets attacked by the blue ghost of a boy who's mother was murdered. The ghosts in this movie are very realistic and very scary. Definitely recommended.

I saw the American remake before seeing "Ju On" and had mixed feelings about it. After seeing this original Japanese film, I can't really say that it is much better. Actually, I'd even say that the remake was more effective in terms of atmosphere. This original has the better story, and the audience isn't slapped in the face with a stupid "root" as they are in "The Grudge" (although, maybe that is fleshed out in the other "Ju On" movies, which I have not seen). The chronology play was interesting and fresh, but this is so important to the director, then there should have been more inclusion of time indicators. After awhile, the movie gets really boring--different people being haunted and attacked by the same ghosts in the same way, over and over again. I realize this is the point of the movie, but it doesn't make for a very entertaining time. My Rating: 6/10.

A Japanese horror film part of an ongoing series. A mysterious and vengeful spirit marks and pursues anybody who dares enter the house in which it resides.

I cannot believe I've never seen this film until now, seeing as Asian horror is my thing! I haven't seen the two shorter films before this one, but it didn't feel like it was necessary anyway. I followed the story throughout, even with its non-linear storytelling. I love ghost story films and I really enjoyed this film! It's atmosphere was perfectly done and it was definitely giving me shivers down my spine at parts. It didn't need jumpscares, it had tension.

The multiple story lines made the film so interesting! If it was just one character experiencing these terrifying hauntings happening it wouldn't of flowed so well. It felt really fast, which is good because too much tension can grow to be boring. The acting was all really well done as well! In the American remake (I know, we don't talk about it but I will anyway) it just didn't flow as well. The fact that it was Americanized with it's casting ruined it from the start, but this felt authentic. So I won't be checking out any of the American sequels, seeing as the original remake was lackluster.

I also have no real drive to watch the sequels to this film, though I may watch them just out of curiosity if it's just the same story over and over again.

In Japan, when the volunteer social assistant Rika Nishina (Megumi Okina) is assigned to visit a family, she is cursed and chased by two revengeful fiends: Kayako, a woman brutally murdered by her husband and her son Toshio. Each person that lives or visits the haunted house is murdered or disappears.

"Ju-on: The Grudge" is a very scary horror movie, based on a Japanese legend. In the beginning of the film, there is an explanation in this regard. When a person is killed in a violent way, his or her death generates a curse that will stay in the place where the crime took place. If another person visits the haunted place, he or she will be chased by the fiends till death generating another curse. In Western cultures, the fiend is generally trapped in a haunted house, and the person is safe and sound if he or she escapes from the place. This movie impresses because there is no bloody scene, only a tense psychological exploration of the inner fear of human beings for the unknown. The story is very simple and low paced, there are very few special effects, a great use of sound, no gore, but the creepy atmosphere is really frightening. Asiatic cinema proves again that in this moment their cinema is the number one in the horror genre. Unfortunately, the pretentious American industry of cinema insists in remaking and spoiling these Asian masterpieces.

I saw "Ju-on: The Grudge" for the first time on 02 June 2006. Today, 23 March 2007, I have just watched it for the second time with the intention of seeing the Japanese sequel and I startled many times with this excellent horror movie. I recalled the whole story and now I am familiarized with this Japanese belief of the Ju-on, therefore the non-chronological screenplay got better and better than in the first time that I saw. My vote is eight.

Title (Brazil): "Ju-On, O Grito" ("Ju-On, The Scream")

A horror classic and for all the right reasons. I am a huge fan of this movie and really appreciate what it does. This is my third time watching it and it only gets better.

We follow a group of people all hit by a curse. The curse dose all in it's power to kill anyone who comes into contact with it. It is a pure evil that doesn't discriminate.

The movie can have a cheap feel to it with it's effects, makeup and camera work, but I find this inspirering. It can feel a bit student filmish and it's clear the creators used the budget well. The team clearly had to be inventive with everything and it inspires a guy like me that would love to make a movie myself. The movie is still well done and still works amazingly for me.

The movie is well shot from a camera perspective and creates some iconic frames and moves. It works more like a fly on the wall instead of the chatecters POV. Showing us things we don't want to see that it would scare us. It does this very effectively. There is some wierd camera moves here and there but overall I find it really well shot.

The acting seems good without me having a great knowledge about the Japanese language. The preformances seem good and believable. There is some amazing scream queens in this movie, and the actors that plays the spirits do brilliantly. They stay in charecter and sell the lost spirits really well.

The sets are so well done because they look like the everyday world. They don't look produced like the typical American set, and invites you into peoples homes and something familiar to the viewer. It feels like an intrusion on the private and makes you want to check your hallways a second time before going to bed. The sets are also well thought-out, with details you'll notice after a second watch.

The evil in this movie is pure. It feels pointless to fight it and that it can't be stopped. You feel as hopeless as the chatecters and having an unstoppable evil is dreadful and depressing. The movie shows us all the affected and how they die and the evil seems unstoppable no matter what. Young or old, it doesn't discriminate, it's just evil.

The movie is full of iconic frames and sequences. From the stairs scene towards the end, to the elevator scene, the bed scenes and the wheelchair reveal. All are perfectly made, iconic and scary scenes.

The movie is tied well together but could easily also be wieved as an anthology movie. All the different segments are thier own mini-movie that all are well crafted on their own. No segments feels overshadowed and Works all on their own. The overall ties works great too though and towards the end you learn more and more about the curse.

Now here is probably the hardest sell about the movie but an aspect I liked. The movie is told out of chronological order and can be hard to follow the first time watching. I had problems following the plot the first time I'll gladly admit. But I appreciate watching it the second time and the third, I could apeiciate the movie even more. The movie really helps you to follow it's narrative though. It tells you early on that it's out of order and eases you through the different chatecters and tells and shows you how they are all connected. Don't be on your phone during this movie, pay attention and you'll have an easier time following the narrative.

If you couldn't tell I love this movie. I find it scary, well done and really depressing in it's subject matter. It is an iconic movie for a reason, it dares to do a lot and gets away with it. I would highly recommend it.