The Gingerdead Man

What is it that makes this Charles Brand tick away? This guy is like the not-quite-as-talented step-son of Roger Corman, producing hundreds of films, very few of them people actually probably legitimately like with a straight face (let alone those he might have, heaven forbid, directed). I didn't know this until I a) looked him up on IMDb, and b) was subjected to The Gingerdead Man, one of his recent, um, "features". I bought it thinking I'd get some laughs, after all it's hard to not find the prospect of a Chucky-style killer in the form of a Gingerbread Man (voiced by Gary Busey himself) quite tempting as a truly fun bad movie. But I didn't expect it to be this boring, this absolutely dreadful, so abysmally acted to the point where I wished my own bed-ridden Grandmother could walk on to the set and wipe the floor with these other "actors" with her own non-existent acting chops.

Oh sure, Brand *tries* to put a story together, something close to it I suppose, involving a bakery called, um, "bakery", and how it is under threat from a Mondo Burger style competition of a new bakery across the street and how the workers cant seem to cope and, uh, work into the late hours of the night and then one of them cuts his finger and so conveniently blood drips into the flour and the electricity goes off on.... damn, you get the idea. What little hope I had for the movie, perhaps from the trailer, was moot. Brand probably does know how to put together a trailer for a movie - looking at the one for this and a couple other "Full Moon" productions on the DVD it looks like that is their real metee - but the actual film is um... a film? More like a string of terrible, inexcusable and inconceivably written scenes strung together by wretchedly done "attacks" from the pastry on his dumb-as-wood victims. The only thing more stupid and ridiculous is how the poor little feller meets his/its end.

I wish I could recommend this, I wish I could say this is the "shiznit" of killer-whatever movies that you can turn off your brain and enjoy as fun schlock. I can't, in good conscience, ever do that. If it weren't for Gary Busey's little bits of "WTF-ness", I might have come close to slitting my wrists and swearing a life of nothing but Ozu and Bergman for the rest of my life.

Before I get blasted, I want to acknowledge that I am familiar with Full Moon films and have seen quite a few over the years (the 'Trancers' series is among my favorites), but 'The Gingerdead Man' was an unfortunate mess. There are pros and cons, though... and believe it or not, the killer cookie (looking very much like it's made of rubber) is the best part.

I've become a fan of Gary Busey in his "is he insane?" recent years, so his presence either in live form or vocally as a cookie is really amusing. The other actors aren't as bad as one might expect, either. But everything else in the film drags and drags and draaaaaaags, not to mention the production budget appears to be under $100 (check out the bakery sign that looks like it was painted for a junior high pep rally). I know these flicks are self-financed, and that's a great thing, but there wasn't much to work with.

The movie clocks in at around 60 minutes, so for there to be so many slow spots (i.e., scenes sans cookie) it was difficult to watch. Will this be a cult classic? Yeah, probably, just given the featured actor and the premise. But it's just not very good, even by Full Moon's standards.

I have been a huge fan of Charles Band and his entire body work as both a producer and director for many years now. If I were to delve into specifics, my first experience of a Charles Band production was the 'Gremlins'in disguise movie that Luca Bercovici directed 'Ghoulies' of course it was until I later watched 'Trancers' that I truly became a devotee of the great man's output.

However that said, it comes as a grave disappointment to have to say, that with the fall of Empire pictures, and the lack of consistency with Full Moon Pictures, and all the other divisions within the same outfit, this latest movie, arrives as something of a major disappointment.

I'll be honest, I have watched every movie good or bad, that has carried Charles Band's name on it. Whether it was a Tim Kincaid movie or even a David Decoteau movie in disguise.

It must be said though that the fan's patience is really wearing a bit thin, when it comes to this latest exercise in pint sized terror.

A novel idea though this is, is seems slightly undercooked in every way. I can always remember vividly, that to cut down on film costs, when Empire Pictures had they're studio in Rome, they used to film the movies using one set, such gems like 'Dolls' 'From Beyond' why even the mighty 'Celler Dweller' was a one set wonder.

The same applies to this movie, yes it's set in a bakery, the movie itself takes place during a nigh-time shift.

As the movie begins we witness the actions of Gary Busey crazed psycho going gun happy in a local Texan diner, then we flash forward to just another day down amongst the cream buns.

I have to say, although the lack of budget was a major factor, the lack of any real acting talent and any real gusto to the script made me pay attention.

I can only imagine, that whatever funds Charles Band raised for this movie, a small some went towards the special effects and the vast majority went straight into Gary Busey back pocket.

I found it stranger that the writing partnership of William Butler and Domonic Muir should write this script using aliases, that being said, so too did Don Mancini when he also penned 'Celler Dweller' but looked which way Mancini's career went and by the looks of it the same can be said of Butler and Muir.

The ending of this movie suggests a sequel, although I'm sure we will see the 'Gingerdead Man' doll long before we see such a dreaded beast as a follow up to this miserable exercise.

My two stars are awarded basically for the presence of Band's name and that of Busey's

Sometimes you've just gotta watch a stinker, and this undoubtedly fits that bill. It's the brief (but not quite brief enough) saga of a cold-blooded killer who's put to death, then somehow returns to life as a stabbin', laughin', wise-crackin', foot-tall slab of holiday confectionery. As if that premise needed a little extra kick, this monstrous devil-cookie also happens to be voiced by Gary Busey. The concept itself is hilarious for all of ten minutes, but burns out quickly as the plot tries, courageously but hopelessly, to make us care about his victims. It's atrociously acted of course, the equivalent of D-grade porn stars who keep their clothes on, so those misguided storytelling efforts don't even have a fighting chance. A moment rarely passes without some manner of absurd stupidity. If it isn't a particularly bad pun, a wickedly awful special effect or a pathetic dash of vacant dialog, surely there's a glaringly obvious editing mistake in view. We're talking night-becomes-day-becomes-night, several times in the same scene. Removing a baking pan from the oven with bare hands, commenting on how its contents are freshly scorched, then casually setting it aside. Firing seventeen times from a six-shooter. Though it runs for just an hour and ten minutes, that seems about twice as long as it should've. I had almost as much fun glancing at the cover art as I did watching the entire thing.

I went into this expecting something similar to Jack Frost, the killer snowman movie. While Jack Frost was obviously a low-budget slasher flick, it was very funny. The humor was the point. In this flick, I'm quite confused as to what the point is. The story is terrible, and major plot points are plodded through just because something had to be explained.

The Gingerdead Man character lacks any humor, and the few attempts come up short. In addition, almost the entire movie takes place inside a small bakery. How much hiding, running, and action can play out here without anyone getting away? This movie had lots of potential. The premise was great, but it needed more development and better writing.