VALUTAZIONE IMDb
6,1/10
35.389
LA TUA VALUTAZIONE
In un mondo con impianti per la registrazione della memoria, Alan Hakman lavora come un editore, qualcuno con il potere di modifica finale sulle storie registrate delle persone. Il suo ultim... Leggi tuttoIn un mondo con impianti per la registrazione della memoria, Alan Hakman lavora come un editore, qualcuno con il potere di modifica finale sulle storie registrate delle persone. Il suo ultimo incarico è quello che lo mette in pericolo.In un mondo con impianti per la registrazione della memoria, Alan Hakman lavora come un editore, qualcuno con il potere di modifica finale sulle storie registrate delle persone. Il suo ultimo incarico è quello che lo mette in pericolo.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 4 candidature totali
Tarek Bishara
- Hasan
- (as Thom Bishops)
Recensioni in evidenza
I don't completely understand the negative reviews of this film because I thought films (except for documentaries) legitimately use the "willfull suspension of disbelief" to accomplish their goals of entertainment. Granted, not everything in this film makes perfect logical sense and could have been written just a little better (or maybe suffers the fate of all literature to film shortcomings) but I absorbed the film as a morality/ethics dilemma rather than a logical tale of facts and relationships. I do concede the ending left me a little wanting for resolution.
Good questions were touched upon in a less than preachy head slap because of the low key acting presentations. And Williams has always held my attention in any of his work to date. This one is worth watching if you're not a detail critic, though it's not as badly crafted as some would make it seem.
Good questions were touched upon in a less than preachy head slap because of the low key acting presentations. And Williams has always held my attention in any of his work to date. This one is worth watching if you're not a detail critic, though it's not as badly crafted as some would make it seem.
It's the kind of film provoking many ethical questions about life, death, privacy and so on. Omar Naim's direction gives a glimpse into possible science discoveries and paths; its strong originality consists of showing how the state of civil rights could be threatened if these futuristic odyssey came true. The whole film is based on a steady premise, very solid performances and an impressive visual style, though special effects are not as special as one could think (given this title and this plot). Robin Williams is now accustomed to playing such frightening and alluring roles; after "Insomnia", "One hour photo" and this flick "Dead Poets Society" is now a far memory.
I really enjoyed Robin Williams performance in this movie. Mira Sorvino was also pretty good. what an interesting idea this movie does present us. what if.... and the end of you're life someone could take out all of the bad things you did or thought about.. and have someone re-arrange all of you're memories to where only the pleasant stuff came to surface,, therefore when people went to you're funeral you would be fondly remembered. well this is the job that is set for our main character to accomplish,, this time he has to make over a nasty lawyer's life,, and there is something that he has seen that he shouldn't have and therefore his life is threatened and his life is now in danger. Robin Williams recently has played a few bad guys, and a few creepy ones.. it's a refreshing turn for me as only ever seen him in comedies.. and his stand-up, and the ever popular Mork and Mindy on TV. this is a dark movie, and very well done,, I will watch it again soon.
Set in a world with memory implants, Robin Williams plays a cutter, someone with the power of final edit over people's recorded histories. His latest assignment is one that puts him in danger.
While this is an interesting science fiction universe in and of itself, it also has an interesting message on surveillance and Neo-Luddism. While the idea of having your life on film for future generations may sound pleasant (or horrible), it puts everyone in the path of a camera -- anyone who looks at you may be recording your every move.
This is an idea that is thoughtful and well-presented. Maybe they could have explored the theme more, and it might even be worth returning to this universe in a future film...
While this is an interesting science fiction universe in and of itself, it also has an interesting message on surveillance and Neo-Luddism. While the idea of having your life on film for future generations may sound pleasant (or horrible), it puts everyone in the path of a camera -- anyone who looks at you may be recording your every move.
This is an idea that is thoughtful and well-presented. Maybe they could have explored the theme more, and it might even be worth returning to this universe in a future film...
Well, I just saw The Final Cut over the weekend and I am finding myself very disappointed in the movie. From the previews I had imagined something a little different with a lot more action that what took place. There were certain scenes that I felt were good and like them, but all in all I would rather have waited to just rent the movie than to have gone to see it in the theaters. It was a pretty slow moving movie when I was expecting more suspense and action. Robin Williams did a great job in the part, just to clarify. Once again, it was just my view of the movie as a whole that I did not like. The overall plot was good and the storyline had a great theme but as I watched, I just became more and more disappointed. Then at the end, it just kind of ended. To me, I was left with the feeling that there should have been more than just a sudden ending like it had.
Lo sapevi?
- QuizThe Zoe implant records all visual experiences in a person's life. In Greek, Zoe means "life".
- BlooperThe paper announcing Bannister's death states that he was 54 when he died. But, when Alan loads his implant for the first time, it states that there are 544,628 life hours to review. That number of hours would make him over 62 years of age.
- Colonne sonore4 Seasons/Spring
(1725)
Written and Composed by Antonio Vivaldi (as Vivaldi)
Performed by Royal Philharmonic Orchestra (as The Royal Philharmonic)
Published by Extreme Music Library PLC
Courtesy of Extreme Production Music
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Más allá de la muerte
- Luoghi delle riprese
- Aziende produttrici
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Botteghino
- Lordo Stati Uniti e Canada
- 551.281 USD
- Fine settimana di apertura Stati Uniti e Canada
- 226.296 USD
- 17 ott 2004
- Lordo in tutto il mondo
- 3.222.439 USD
- Tempo di esecuzione1 ora 35 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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