Il giorno dell'ira

What makes a B movie? Historically they filled the second half of the bill, were shorter, cheaper and generally inferior to A movies. Today the defining characteristic of a B movie, is budget. Those things which lend prestige to a film simply can't be afforded.

From scripts to costuming, todays B movies are all about improvising and simply making do. Day of Wrath is clearly a B movie but it did seem to have had a reasonable budget to work with. Costuming is impressive. Sets are credible. The script is OK. However when we get to aspects like the plot, well, things start to fall apart.

The plot is clumsy and disjointed. A hotchpotch of Catholic, Jewish, Spanish aristocratic interests mixed in with secret compartments, hidden identities, secret lists and buried family 'shame'. There is not much from the swashbuckler genre that hasn't been throw in to the pot.

There are other flaws. We are well over the half way mark when we discover the inn keeper is Lambert's oldest and dearest friend. He then promptly disappears from the narrative altogether! Phylida Law makes a much better fist of being Lambeth's mother than he does her son. (And this despite Law having but one costume for nearly the entire movie!) Brian Blessed has played one too many riotous and ribald monarchs and has fallen into shallow caricature. And on it goes.

Adrian Rudomin is a journeyman director and a writer unafraid of cliches or tired tropes. His depiction of the Catholic Church is particularly disappointing. All that James Faulkner, as Friar Anselmo, needed to complete his character was a black moustache to twirl and a floor length cap to swirl. He has played similar roles in the past but to much greater effect.

Rudomin sets several scenes in a scriptorium (transcribing room), the medieval workshops which saw rows of anonymous monks copy and decorate texts that were culturally invaluable but does nothing with such a rich setting, nothing at all. The events in the scriptorium could taken place anywhere!

Still, and despite being able to do much more than he did, Rudomin has drawn a tolerable and moderately entertaining movie together.

A final and sad observation concerns Christopher Lambert himself. He was 49 when he made this film and seems tired. He is leagues away as an actor from his 1984 Tarzan or even his 1986 Highlander franchise. This tiredness, along with Rudomin's limitations, confirms the movies' B grade.

An awful script and terrible direction saved only by some decent local and imported actors. Lambert is fine but not given much to work with. Most of the time he seems to have the same slightly puzzled look on his face. Blessed, Faulkner and Law do the character work that they do best and the director should be glad to have had them in. Local Hungarian actors, including Szonja Oroszlany do solid work as well proving that the country has real talent available. Would have been good to see newcomer Ben O'Brien more in the role as Lamert's deputy. Unfortunately, the script sinks the boat and viewers don't have any time to develop a relationship with the characters much less care about any of them. Quick-pace editing means that the whole story moves much too fast.

I was expecting a typical Christopher Lambert movie when I rented this, a pretty badly produced swashbuckling movie with some funny stuff. I was surprised to find that this movie was a little bit more....It is not a 'fun' movie but it is not meant to be. Technically the movie is pretty low quality and the script and editing is choppy but if you can get past those aspects it is worth watching. The international cast makes for a confusing variety of accents, but by the end of the movie you can see why various accents make some sense. This film is meant to inform the viewer of the history of the religious persecutions. It made an impression on me. If you have a social conscience at all, you can see a relevance to today's world events.

After all the terrible movies Lambert has been in over the last 5 years or so, I had stopped watching his films. However, after a recommendation I sought out "Day of Wrath" and I was very glad I did.

This may only be a B grade movie but the story was great and was well supported by good acting and a mood inducing score.

I was kept involved right to the end and I liked the mystery with a historical base. A good action thriller with an undercurrent of conspiracy.

It was better than many big budget films I have seen lately and I hope it is an indication that Christopher Lambert is back to making good movies.

A 16th century Spanish town is plagued by some mysterious murders involving important town figures and when the sheriff Ruy de Mendoza starts his investigation on the mutilated bodies, he learns that no one else seems to want to help him out, as there's a cover up, which leaves him all in the dark. As the deaths grow, Ruy goes on to learns more. The web of deceit grows larger and secrets are being revealed. In his path is a mercenary group, which Ruy is trying to figure out who's the man behind it all and his intrusion could cost the lives of those his loves. Christopher Lambert as an actor hasn't done anything that has really grabbed my attention, other then the sci-fi flick "Fortress". His most well-known involvement in "The Highlander" series, did nothing for me. Anyhow I decided to take a chance on this medieval B-film and was pleasantly surprised with the overall effort, even though some frustrating strokes cropped up. Enchantingly sharp-etched period back-sets, props and costumes have a rich awe to them, despite the cheap origins. The premise holds up remarkably well with a broodingly elaborate mystery within a well thought up concept of effective twists and sustained involvement of the story's progression. This is because there's so much more going on behind the scenes in this conspiracy laced-script, which keeps things really tight and nebulous. The brisk location photography is genuinely polished and covered the beautifully picturesque Hungry backdrop with vivid scope. A blazingly elastic musical score paints the period and moody precisely. A solidly low-key Christopher Lambert plays in a husky and rundown portrayal of his character Ruy de Mendoza. He sounded like he needed a cough drop. Blanca Marsillach charms in her glassy part and James Faulkner weasels in. The acting while not great, is workably stable and watchable. Now what brought it down was that in patches the limp direction couldn't come to terms with the promising material, and was weakly conjured up and lacked real gusto in its delivery. Some unorthodox set-pieces flourished with atmospheric flashes of intrigue and foreboding terror, but more often it came across as frosty, repetitive and stiff. Some nasty and mutilated violence livens up the show, but the bustling action feels torpid, even though the pacing is always busy. The idea behind it is a stimulating pot-boiler, but for most part the execution is rather muddled and dry. While the material and production design is up to par, it's basically undone by feeble direction. Anyhow, it's not-too-bad and keeps you highly involved.