Tu chiamami Peter

Let there be no doubt that Peter Sellers would be an enormously difficult part to play. He has to be one of the few actors in film history who is more complex than the characters he played. (unless one considers actors such as Paul Walker... let me rephrase that, one of the few TALENTED actors) And it would be hard to imagine the man who is still infamously remembered as Inspector Clouseau from the Pink Panther series being played in as flawless a manor as by Geoffrey Rush here. He wasn't the most obvious choice to play Peter Sellers, but he proved to be the wisest one. The man deserves countless praises, not only for playing Sellers himself to perfection, but also for flawlessly re-creating pretty much every film and radio role Sellers ever played, from Dr. Strangelove to Chance the gardener to Clouseau himself. (beginning in a hilarious sequence on an airplane when Sellers hassles an airline stewardess in Clouseau character) But it doesn't stop there - all throughout his life (or at least so shown here) Sellers struggled with the notion that despite the rampant personalities of his screen personas, Peter the man never really had much of a personality himself. To show this, Sellers reenacts sequences of his real life with himself playing different characters. It is in these delusional sequences that Rush shows his true mastery - he doesn't give us "Geoffrey Rush as Peter Sellers' mother", he gives us "Geoffrey Rush as Peter Sellers as Peter Sellers' mother". Words can't describe the amount of recognition Geoffrey Rush deserves, and a solitary Golden Globe simply doesn't do him justice.

Despite the fact that virtually the whole show centers around Rush and his masterful performance, he is backed up by a strong supporting cast and crew. Director Stephen Hopkins was also an odd choice for the project, given his past credentials ("Lost in Space"? "Predator 2"?)but he proves to have the cheeky sense of humour the film needed to be taken seriously, starting off with a surreal 60's style animation sequence with Sellers showing clips from his own life. And it's nice to see some higher profile actors taking the back seat here, such as Charlize Theron, delightfully ditzy and yet not quite a parody as Sellers' airheaded second wife Britt Eckland. Emily Watson brings class and understated strength to her role as Ann, Sellers' first wife, and, as we are led to believe, the only woman he ever truly loved. (despite the fact he left her and their children to pursue a relationship with Sophia Loren which never happened) Stanley Tucci plays Stanley Kubrick in a brief yet important role during the filming of Dr. Strangelove - his eyes showed what his words could not: how irresponsible and hazardous to he production he perceived Sellers to be. Miriam Margoyles, better known as Professor Sprout in the Harry Potter series is formidable as Peter's domineering, manipulative mother, portrayed as the main reason for Sellers' fractured state of reality. And John Lithgow is an excellent Blake Edwards, blending his eternal optimism and energy with a sense of self pride, which he is forced to swallow, asking Sellers to return for numerous Pink Panther sequels. Lithgow, with his obnoxious laugh, is a constant high point throughout the film.

Yet, after the viewing is finished, the watcher feels strangely empty. Sure it looked classy, and it felt classy to watch, so why shouldn't it be classified as a great movie? Perhaps it's because 'The Life and Death of Peter Sellers' feels more like a series of snapshots, and not like a proper biography. We are presented with WHAT Sellers did in his lifetime, but never really shown WHY. There's an irritating lack of depth, which the viewer fails to notice during the movie, so captivated are we with Rush's wonderful acting. But when we reflect on the film afterwards, we realize that we still don't really know who Peter Sellers is. We know what he did, but not why he did it. This may be an intentional decision on Hopkins' part, because, as we are led to believe, Sellers didn't really understand himself that well. So no one really knew who Peter Sellers was... not even himself. And we should be content with that.

-8/10

I never thought I'd find myself feeling sorry for Britt Ekland: this film of Peter Sellers' life and career achieved that. One must assume that many of the details are based in truth - his behaviour to his children in particular was awful.

There is no doubt that Sellers was an amazing talent, and troubled as so many are (Tony Hancock, for instance) - the toll that took on those closest to him must have been great.

But to the film: it's worth seeing for the extraordinary performance from Geoffrey Rush, uncannily portraying Sellers. There is fine support, in particular from John Lithgow as Blake Edwards, Miriam Margoyles as Sellers' mother, and Charlize Theron's Ekland.

I'm a sap when it comes to movie watching so the peeling away of the character of Peter Sellers made the film a hard watch for me. That in no way implies anything derogatory about this wonderful film, just that Seller's life as depicted on the screen made me uncomfortable watching it as it unfolded before me.

Intellectually I can understand the forces driving Sellers but I find it difficult when these forces begin to devour the personality behind them as happened to Sellers throughout the film. You're left with those timeless questions about the price of greatness and with this movie you're left with even more than the viewer might be expected to deal with.

It was not pretty watching the Greek tragedy that was the life of Peter Sellers and now, having seen the movie only several hours ago, I have great respect for Rush and the director for having crafted such a brilliant film. I can't imagine another actor who could have brought Sellers to life so accurately. The film was far from straight forward-it pulsed and entwined itself around Seller's life such that the viewer was challenged constantly to involve themselves with the characters rather than being a dumb waiter between screen and viewer.

A tough, excellent film not to be missed.

The story begins with the Goons and ends just after his role in the movie, Being There, thirty years later. A lot of the film features recreations of famous moments in Seller's acting life, such as appearing on "The Goons" or in "The Pink Panther". There are some particularly hilarious insights into his development of the "Inspector Clouseau" character, including an explanation of why he ended up hating the character so much.

As such, it really only touches the surface of his life story, but it does give you an intense understanding of the character. A character which, in the style of Greek tragedy, had a major flaw. For me, the flaw was Seller's total lack of confidence, perhaps due to his appearance, which he appears constantly to have overcompensated for.

Curiously enough, since Sellers is shown portraying great emotions, I was never actually moved myself, except perhaps for the occasion when he is violent towards Britt Ekland and in a particularly galling moment with his children.

The movie reaches its crescendo with Sellers' performance in "Being There" in which it's suggested the reason why Sellers so wanted to play the man without a personality was because he, himself, had no personality.

A few people at my workplace commented they thought the movie was far too stylized. Although I can see their point, and I agree I was never really touched by the movie, I thought Geoffrey Rush's performance more than made up for this. Rush plays not only Sellers, but several other characters in a Sellers-like "Dr Strangelove" kind of way, and achieves all of it with gusto. I also really enjoyed the performance of Miriam Margoyles as Sellers' mother, Peg, with whom he seems to have enjoyed an intense, almost Oedipal relationship.

I thought Geoffrey Rush's performance was fantastic and makes the movie totally worth watching.

Stephen Hopkins' "The Life and Death of Peter Sellers" is a monumental film that undertook the difficult task of understanding the late Peter Sellers. This unique actor, with such a complicated personality and who lived such a turbulent life, comes alive in this HBO production based on the book by Roger Lewis, with an adaptation by Christopher Markus.

Peter Sellers covered quite a lot of ground during his life. He was one of the best actors working in the England of the fifties, working in all those charming comedies that made him a star in his native land, but alas, was not well known in America because he had not yet been hired by Hollywood until his "discovery" by director Blake Edwards, who offered him the part of Inspector Clouseau after Peter Ustinov had turned down the role.

Prior to his worldwide recognition, Mr. Sellers had to work a lot in order to make ends meet. Life with his first wife Anne came to an abrupt end, when he discovered she had fallen for the interior decorator the couple had hired. Then, there is the fascinating episode with Sophia Loren, in which Mr. Sellers, in his mind, begins to think he is in love with her, only to be rebuked by Ms. Loren, a woman who was happily married to Carlo Ponti, and had no desire to become the second Mrs. Sellers.

The third woman in Mr. Sellers life is the beautiful, but much younger, Britt Ekland. From the start, one can figure this union was not to last. The age difference and the different cultures indicate these two were completely mismatched, as we get to watch in painful detail how the marriage disintegrates.

Mr. Hopkins makes his star, Geoffrey Rush, assume a lot of roles in addition of the main one, Peter Sellers. Geoffrey Rush shows his versatility in playing them with great style. His biggest achievement seems to be how he captures the essence of Peter Sellers, the man, and expose him to us in all his complexity.

The acting is superb. Emily Watson and Charlize Theron are seen as Anne and Britt, two women that left their mark in the life of Mr. Sellers. Both are excellent in the film. Miriam Margoyles plays Peg Sellers. John Lighgow is Blake Edwards, the man who elevated the actor to an international acclaim.

The film is a documentary, as well as a biopic about this man who gave a lot of joy to movie fans through his films. Geoffrey Rush has to be thanked for bringing him to life, as well as the director, Stephen Hopkins for giving us an understanding on what it was to be Peter Sellers.