Lichter

It is a slap in the face of all these rich, satisfied, egoistic, first world societies, who think that they are great, know better, and have more rights to live and spend than the poor on the other side of the fence.

We (some students, theatre people etc.) also tried recently to make a realistic feature, in our present times, shot on mini-DV, but this LICHTER is much, much better! I admire its realism, and how it could touch me within very few minutes, holding its tension for the whole time, and really caring for its characters. Believe me, I watch quite a lot of movies, but this does not happen very often.

It is a very sad observation of our economic situation, and the pressure which it forces on normal, small, everyday people. The need to make a living destroys their pride, their hopes, their humanity - and all this happens not far from the "Lights" ("Lichter") of the rich, promised land of wealth, where I live (I am blessed to live here) which is only a small distance away. Only a river to cross, but in fact the distance from poor to rich is nearly impossible to cross.

If you know "Lamerica" from Gianni Amelio or "Dekalog" aka "The Ten commandments" by Krzystof Kieslowski: "Lichter" has some similarities.

The acting was good, and the story kind of interesting.

I don´t think it is an important film, but it gives you something to think about. To think about human behaviour etc.

To be a really good film I missed a lot of explanations. For example why the family wanted to leave the Ukraine. Why they took a little baby with them? I wouldn`t make such a dangerous journey with a baby if it wouldn`t be really necessary. So the story about the Ukrainians didn`t work for me.

6/10.

Simply amazing storytelling. Sad and true told. A mustsee! Author takes you into the time where everything changes, people cheating each other out of misery and therefore messing up their own lives...fear and hope, love and despair...look for it in this movie and you won't be disappointed. Very important serious cinema still in a light way!

This movie reflects on the situation around the border between Poland and Germany. The fate of many single characters creates a picture of life in this region: Some Russians want to cross the border illegal to get into Germany, a company wants to build a new factory, a Polish taxi driver desperately needs money to buy his daughter a communion dress, and so on.

All this is very well written and directed. All the characters are true to life, and through the multiperspectivic reflection on the situation the movie works very well. Good acting performances do the rest. The one minor critical point I have is: The stories are standing on their own. I think the movie would have been better if they would have been connected in more points than just happening in one region. So the movie gets a 9 out of 10- but is still worth watching and very touchy.

Lichter is situated on both sides of the German-Polish border. It portrays several citizens of both the German and the Polish side of the border and some illegal immigrants hoping to cross the border to the Promised Land. Several story lines are set up, but only some meet. After all stories are set up, some characters act out of love for someone, even make a brave and important decision to help someone in need. All are betrayed, so this makes a pretty depressing picture with little hope and redemption. Even the building project as a sign of hope and cooperation turns out to have a negative angle.

From a cinema-point of view it would have been a better idea to connect all story lines and I found that a missed opportunity. But it succeeds in balancing the motives of all characters: Some act out of selfishness, some out of love, and others out of survival. At one moment in the movie immigrants are called fortune seekers, later they are called people in need.

Hans-Christian Schmid's direction is average. This is made for little money and it shows. It looks a bit like an upgraded TV-movie, with relative few interesting camera shots. But my guess is he wants us to focus on the theme of the movie and he succeeds in that, because after a few minutes you stop thinking about the movie's obvious technical limitations.

The tag line of the movie is Welcome to reality. But as cinema is all about manipulation this is a strange one. Every filmmaker has to start by making a choice where to place his or her movie in the movie universe, somewhere between the real world and the imagined world where a movie interacts with our imagination. So this is as manipulated as would be the reverse: Show a border town where everybody's happy. Show happy immigrants working happily on beautiful Berlin building projects. So here we still watch an imagined world being thoroughly manipulated by the director. And this certainly hasn't the realism of post-war Italian cinema.

As for the real world: With Poland now a member of the EU, the movie is already somewhat out of date and Poland will within a few years reach the wealth of say the Portuguese. Illegal immigration will always exist and has always existed: People seeking asylum, people wanting a better existence. The whole debate in Europe is about where to draw lines. This gives some reflection on that process.