Dopo che sua sorella e suo cognato sono morti in un incidente d'auto, una giovane donna diventa la tutrice dei loro tre figli.Dopo che sua sorella e suo cognato sono morti in un incidente d'auto, una giovane donna diventa la tutrice dei loro tre figli.Dopo che sua sorella e suo cognato sono morti in un incidente d'auto, una giovane donna diventa la tutrice dei loro tre figli.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Recensioni in evidenza
We did enjoy it. It had some very funny moments, and some very tender moments. Kate Hudson was good, but don't expect "Almost Famous" style brilliance out of her in this one. The rest of the cast performs about the same -- good performances, nothing stellar. Except perhaps Joan Cusack; her performance was very good.
If you have kids, say, about ten years old and older this is a good film to watch together with them -- it introduces them to a few teen and adult issues (dating, death, etc.) and shows the sorts of tough decisions that parents sometimes have to make. And you'll have lots of fun laughing together too.
I find the script weak and unconvincing. The script tries to examine the difficulty of transition from singlehood to motherhood, family tension, trust and childcare issues. The end result is that the film lack direction and wander around aimlessly. It fails to be funny, romantic or dramatic.
Acting has to be applauded though. Joan Cusack does a good job to convey a spectrum of emotions, especially envy. Hayden Panettiere is also very convincing as a rebellious young girl.
Overall, I find this film boring and lacklustre.
This isn't a great movie, but Kate's smile and personality are enough to keep it from being a chore to watch. However, if you were to replace Kate with someone like Kirsten Dunst, then I would've been out of the theater in about 15 minutes.
The story isn't really original, and to no one's surprise it's pretty predictable as well. Carefree gal is loving life. Tragedy intervenes and forces her to change lifestyle. Someone (older sister, Joan Cusack) is there to provide conflict. Carefree gal decides she truly CAN handle her new life. Tears are shed, hands are held, hugs are in groups, and "Kumbaya" is figuratively sung. Roll credits.
If you're expecting loads of laugh, then you're likely to be disappointed. This movie focuses more on the dramatic, especially near the end where things just start to get way too sappy for any guy not named Richard Simmons. But there are some cute and funny moments sprinkled throughout, most as a direct result of Kate's charm. However, John Corbett (who plays a Lutheran pastor) has a great line when he tells Kate, "I'm a sexy man of God, and I know it."
Joan Cusack does a pretty good job as well. Kate is the coolest aunt in the world, while Joan is the most motherly. You see, Joan's the aunt who'll kick your butt and make you mad, but she's the kind of person kids need around 'em. She has one of the best scenes in the movie when she shows up at a hotel and totally lays the smack down on a little punk who took her 15-year-old niece (Hayden Panettiere) there during prom. The older women in the movie theater clapped and cheered. Little boys dream about being superheroes, baseball players, and firemen. Little girls dream about being princesses, actresses, and dating Kirk Cameron (well, at least Stephanie did). But this scene is what mothers and aunts dream about.
If you want to see a much better movie dealing with a similar "my lifestyle will completely change because of this tragedy" theme, then I recommend "Jersey Girl." But those of you who are in dire need of some big-screen Kate Hudson should be satisfied as long as you're not looking for a movie to challenge you or have you guffawing in your seat.
THE GIST
"Raising Helen" is truly a chick flick, and it should definitely please its intended female audience. But guys, if you like Kate Hudson, then it's not the worst movie to sit through if you wanna score some points by taking your lady to see this. If you're the type of person who can cry during a long-distance phone commercial then this is movie gold for you.
Joan acts with her face to an extent that with anyone else, Jim Carey for instance, would only be comical. But she makes it real, as if she is a real character with someone inside pulling strings violently. But she shows us on the side that she (the actress) really does have this all under control. We don't have many actresses that can underdo overdoing it and make it work without having the whole project be invented around her.
She's really wonderful. I'm trying to find the film she wrote: "The Cabinet of Dr. Ramirez."
As for the movie: brand name fast food.
Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
Lo sapevi?
- QuizKate Hudson was pregnant during part of the filming. Near the end of the movie, she subconsciously touches her midriff as she walks.
- BlooperPastor Dan at the Lutheran school agrees that "heaven, hell, purgatory, everything" (paraphrased) is part of Lutheran (a protestant denomination) belief, but purgatory is particular to Catholicism, and one of the larger points of difference between Catholic and Protestant churches.
- Citazioni
Audrey Davis: [Jenny bursts into the motel room] Aunt Jenny? What are you doing here? How did you find me?
Jenny Portman: You have ten seconds to get your things together and get in the car.
Jenny Portman: [to BZ who has just come out of the bathroom] Stay! Ten...
Audrey Davis: You're not my mother, if you haven't noticed.
Jenny Portman: No. But I love you very much, and I will be your worst nightmare if you don't get in that car now. Seven, six...
BZ: But we're not ready to go yet.
Jenny Portman: Oh, you're not ready? Well... Well, are you ready for this?
[Jenny who is pregnant motions to her stomach]
Jenny Portman: I don't think so. Are you ready to be a parent? I don't think so.
Jenny Portman: [to Audrey] Four, three...
Audrey Davis: Are you happy? You just ruined my entire life.
Jenny Portman: Well, we'll fix it later. Two...
[back to BZ]
Jenny Portman: You.
BZ: Chill out, Mommy.
Jenny Portman: Hey.
BZ: It's all good.
Jenny Portman: [cutting in] Don't you talk to me like that.
BZ: It's just a prom.
Jenny Portman: [cutting in more] You listen to me. If you ever so much as blink in her direction again, I can and will bury you so far in the ground that the heat from the earth's core will incinerate your sorry ass. Do you understand me?
BZ: Yes, ma'am.
Jenny Portman: By the way, you're not a bad person. But this is very bad behavior. Very bad behavior.
- Curiosità sui creditiThe opening credits interacts with the opening scenes, wiping on/off screen with passing persons and objects.
- Colonne sonoreStand Back
Written by Carole King and Paul Williams
Produced by John Leventhal and Rick Depofi
Performed by Joan Osborne
I più visti
- How long is Raising Helen?Powered by Alexa
Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Educando A Helen
- Luoghi delle riprese
- Forest Hills, Queens, New York, New York, Stati Uniti(in front of 71-76 Yellowstone Boulevard)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 50.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 37.486.512 USD
- Fine settimana di apertura Stati Uniti e Canada
- 10.985.597 USD
- 30 mag 2004
- Lordo in tutto il mondo
- 49.718.611 USD
- Tempo di esecuzione1 ora 59 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1